Jack O'Connell
بدور Eric Love
English,Filipino,Français,Indonesian,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The جريمة film تم تمييزه بنجمة, starring Jack O'Connell, Gilly Gilchrist, Frederick Schmidt, etc., directed by an unlisted director, was released on August 26, 2014 in المملكة المتحدة. It tells the story of يتم نقل إيريك لوف (19 عاما) غير المقبول والوحشي من مؤسسة مذنبين صغار إلى سجن بالغ بسبب عنفه. لدى وصوله ، يدعوا المعالج الطوعي أوليفر بومر إريك للمشاركة في مجموعته العلاجية. على أية حال يلتقي اريك مع والده المفقود نيفيل لوف الذي هو أتباع زعيم السجن دينيس سبنسر. يحاول نيفيل السيطرة على إيريك ويؤثر على مشاركته في العلاج. في هذه الأثناء ، لا يعتقد نائب حاكم هايز في معاملة بومر ويعطي فرصة واحدة فقط لإيريك لتحسين سلوكه. This is a جريمة, دراما, إثارة film with a runtime of 106 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.3/10 from 50,762 viewers.
Jack O'Connell
بدور Eric Love
Gilly Gilchrist
بدور Principal Officer Scott
Frederick Schmidt
بدور Officer Gentry
Edna Caskey
بدور Officer Evans
Darren Hart
بدور MacDonald
Raphael Sowole
بدور Jago
Duncan Airlie James
بدور Officer White
Anthony Welsh
بدور Hassan
David Ajala
بدور Tyrone
Jerome Bailey
بدور Reames
Basil Abdul-Latif
بدور Mubarak
Ben Mendelsohn
بدور Neville Love
Matt Faris
بدور Officer Hall
Aisha Bywaters
بدور Nurse Bankford
Sam Spruell
بدور Deputy Governor Haynes
David Avery
بدور Ashley
Tommy McDonnell
بدور Officer Self
James Doran
بدور Officer Smith
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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فيلم جيد!
This is a grittily realistic British prison drama about a young, arrogant and uncontrollable thug who is transferred to the adult prison where his father is also incarcerated for life. He immediately establishes his credentials as a violent psycho not to be messed with. (I kept expecting the cliché scene of the new guy getting hazed -- or worse -- by the current inmates, but that is not what happens to Eric at all.) Eric is a force of nature. The other inmates are now in his world. After a while, pretty well everyone is negatively affected in some way because of his arrival and actions, including his father and others trying to help him; however, the important question in the narrative apparently is whether he will have a reconciliation with his equally messed-up father. This sometimes shocking movie provides us a fascinating insight into a hidden, bleak world none of us will ever experience (assuming the best of IMDb readers). For most of us, it is as alien as Avatar. If this movie is to be believed, UK prisons are primitive places -- except for the gloriously articulate streams of chav profanity, which were like Shakespearean curses. UK prisons are apparently more like US prisons than Dutch or Scandinavian prisons. Strangely, I felt sympathy for Eric, even at his most animalistic. It helps that he had this youthful face. You can only wonder what kind of childhood would have produced such rage and violence. But Eric is no victim. Quite the contrary. At the age of 10, he melted the face off of a pedophile who had picked the wrong boy. It was nice to see a movie that relies on an extreme setting, interesting story, fine writing and good acting. It almost felt like a fly-on-the wall documentary. Like many British movies, you get the feeling that the actors are really the characters. Despite its content, this was actually an intelligent and nuanced movie. Fortunately, there were Dutch subtitles at my viewing because much of the dialogue was difficult to understand. Also, although this is a bloody movie, no gory scene truly disturbed me, and I am squeamish when it comes to that. I'm giving it an 8 rather than a 9 because of the film's downbeat tone. British movie makers have a disturbing way of trying to get you to care about lowlife. This film is so NOT Hollywood. In the Hollywood version, Oliver would have succeeded in rehabilitating Eric. In this very British movie, we are left to wonder what the hell happened to Oliver. I suppose the underlying message here is that therapy and rehabilitation are just not possible for someone like Eric, even by someone like Oliver. With him, you're just pissing against the wind.
The unsociable and brutal nineteen year old Eric Love (Jack O'Connell) is transferred from an young offender institution to an adult prison because of his violence. On the arrival, the voluntary therapist Oliver Baumer (Rupert Friend) invites Eric to participate in his group of therapy. However Eric meets his missing father Neville Love (Ben Mendelsohn) that is the henchman of the prison leader Dennis Spencer (Peter Ferdinando). Neville tries to control Eric and affects his participation in the therapy. Meanwhile the Deputy Governor Hayes (Sam Spruell) does not believe in Baumer's treatment and gives one chance only to Eric to improve his behavior. The title "Starred Up", for people not native in English like me, describes the early transfer of a criminal from a young offender institution to an adult prison. The story is written by Jonathan Asser and is based on his experiences working as voluntary therapist at the largest adult prison in the UK in South West London in England. The plot follows the teenager Eric Love and is cruel and realistic, and may be consider a sociological study. The direction and performances are impressive, giving the sensation of a documentary and with no corny redemption. My vote is seven. Title (Brazil): "Encarcerados" ("Imprisoned")
Firstly, this is not an uplifting or feel good film, nor was it ever intended to be. If you like your film gritty and pulsatingly realistic, you'd be going back years to find a film that stands up to this. From the outset, it is clear our young protagonist is fighting not just for survival within a hardened prison wing, but also demons that reside within. Hope is offered in the shape of a freelancing counsellor, which is initially met with disdain during a group meeting. The film then continues to show(graphically), the complex arrangements within the prison walls, and how relationships can often start badly, but develop into a more meaningful co-existence ad friendship because of it. The usual bad prison warden is on offer too, but is done so delectably well. The anger the viewer feels at certain points in this film is palpable from the sheer heartlessness of the authorities. Prisoner's are not viewed with any great sense of humanity, dependant on stature within the the Prison of course. The unfairness of it all had me wanting to wring the neck of certain characters, all due to the powerlessness of the our protagonists position. Does the young charger hold back? Never. Like a bull ramming it's horns against an immovable wall, he keeps the pressure on inmates and authorities alike. It's a ferocious watch, and superbly realised by Jack O'Connell playing Eric, a star in the making for certain. Terrific acting, superb directing, eye-watering set pieces and an emotive experience of life on the inside. Simply does not get better. 10/10
فيلم جيد!
فيلم جيد!
فيلم جيد!
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.