Joe Carnahan
بدور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The كوميديا film ستريتش, starring Patrick Wilson, Ed Helms, James Badge Dale, etc., directed by Joe Carnahan, was released on October 14, 2014 in الولايات المتحدة. It tells the story of تدور أحداث الفلم في إطار من التشويق والإثارة عن سائق ليموزين ، تتحول آخر مهامه إلى عملية انتحارية حقيقية من الممكن أن تودي بحياته ، على الرغم من أن المليونير غريب الأطوار الذي يعمل لديه ويسوق له في أنحاء (لوس أنجلوس) يعرف طرقا لإخراجه من هذه الورطة ، ويعرف طرقا لقتله أيضًا . This is a كوميديا, جريمة film with a runtime of 94 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.5/10 from 32,816 viewers.
Joe Carnahan
بدور Director
Patrick Wilson
بدور Stretch
Ed Helms
بدور Karl w
Ed Helms
بدور a K
James Badge Dale
بدور Laurent
James Badge Dale
بدور Linares
Brooklyn Decker
بدور Candace
Jessica Alba
بدور Charlie
Ray Liotta
بدور Self
David Hasselhoff
بدور Self
Jennifer Barbosa
بدور Restaurant Patron
Kevin Bigley
بدور Faux Hawk
Mindy Robinson
بدور The Jovi's Girl
Ben Hernandez Bray
بدور Ignacio
Sydney Bruso
بدور Girl #2
Zach Calig
بدور Honeymoon Husband
Tiffany Calig
بدور Honeymoon Wife
Woody Carnahan
بدور Clark Hanna
Randy Couture
بدور The Jovi
Rad Daly
بدور Fed #1
Rad Daly
بدور Tweaker
Max Daniels
بدور Paparazzo 2
Joe Carnahan
بدور Writer
Jerry Corley
بدور Writer
Rob Rose
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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فيلم جيد!
❤️
🧏
Cool
source: Stretch
Patrick Wilson was totally wrong in this role. I spent most of the movie just scratching my head, wondering WHY for so many reasons but the main one being, who believed in the storyline enough to give it the green light? Truly one of those times when you'd like those 90 minutes of your life back!
As anyone who has seen Movie 43 will tell you , it doesn't matter how many big names you put in a film it doesn't make it any good . This is a mess of a film about a debt ridden gambler ( yes another one!)who drives a Limo and get's involved in all sorts of crazy ( not ) shenanigans with the police and the mob. Rammed packed full of well known actors , leading man Patrick Wilson is the only one worth watching here. Chris Pine and ed Helms are bloody annoying and Jessica Alba is only there for her silly smile. Although Stretch is by no means as bad as Movie 43 it is a stinker and deserves to be confined to the bargain DVD bucket.
Though I guess if you cast Miss Alba as the "Ugly Duckling"/Secretary, you obviously have some pull in the hiring of actors department. There are some nice additions to that (Ray Liotta as "himself") and some others (Chris Pine going completely over the top, though he's playing someone different than himself). The action is really good and the dialog is finely tuned. Obviously there are a lot of coincidences happening and a lot of stuff all at once. There are "twists" that you can see coming from the start, but it's still a fun ride, if you forgive the pun. Maybe Joe is channeling something from his own Hollywood experience or something from someone close to him. One thing is for sure: You can feel for the main character and what he's going through ... so much that you want him to succeed even in the strangest odds and with the weirdest decisions (he's making) .... will he prevail?
To be fair to this film it actually does open with some promise; it draws us into the protagonists world and does start to help us to be able to identify with him somewhat. However, once the first few minutes are out of the way it just becomes crazier and crazier and more and more surreal. After establishing Stretch (Patrick Wilson) as a down on his luck pathetic figure the film then flits and bangs around all over the place - complete with lame cameos from David Hasselhoff and Ray Liotta. Their cameos may have actually improved the picture if they'd have been funny and/or if they'd have at least had a trace of self-awareness about them. Aside from the dumb cameos, the first half of the film lacks any real focus and takes an awful long time setting up the plot (which in itself was mind-boggling given how slim the material is with this film). I also couldn't shake this feeling that the picture was also trying way too hard at times to be funny; Chris Pine's performance is very good here and he is funny (for about 5 minutes), but his over-the-top antics actually start to become annoying very quickly. Ed Helms (who was excellent in the Hangover franchise) is given the thankless role as being some kind of dead adviser/conscience character for Stretch - again although I can't fault Helms performance his character annoyed the hell out of me and I never felt that he was necessary to the story. Even when the film does get going it's rather generic plotting was never strong enough to hold my interest. With regards to plotting then one could also address the vague and silly sub plot regarding Stretch and the PinkMinx - this felt like a dumb thing to tag on to the story and although the mystery (I'll use this term lightly) to this sub plot is revealed I never really cared for it to be honest because I never felt that I was given a reason to. Although the film clearly tries to be funny I just found it a little too wacked out, ridiculous and rather stupid, but sadly all of this came at the expense of anything remotely funny or interesting. All in all, it's a roundly poor effort.
This is definitely very much in line with the 21 Jump Street films, if only because they're the last two real comedies I've seen from this year. This one's definitely crazier, reminding me a bit of Filth. Patrick Wilson is having a blast here, allowing to be all kinds of fun and energetic in a way he never really is. Chris Pine is the best in show though, really playing with his character in such tremendously amusing ways. I always loved him in the Star Trek films and he's one to watch out for. Overall, this isn't wildly original but it plays on a scene-to-scene basis and in that respect it works tremendously, even if slight. Definitely fun.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.