Sam Miller
بدور Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The TV series سطح S1-S2, created by Veronica West and produced by an unlisted studio, first premiered on July 29, 2022 in الولايات المتحدة. The series spans 2 seasons with 15 episodes, featuring the voices of Gugu Mbatha-Raw, Oliver Jackson-Cohen, Millie Brady, and Ari Graynor. It follows the story of في الموسم الثاني، تستمر رحلة (صوفي) في محاولة استكشاف ماضيها بعد فقدانها للذاكرة، وتسعى لمعرفة اللغز وراء مقتل والدتها من خلال مواجهة العائلة الأكثر نفوذًا في بريطانيا. This is a دراما, أُحجِيَّة, إثارة series and has received a rating of 6.4/10 from 8,070 viewers.
Sam Miller
بدور Director
Ed Lilly
بدور Director
Kevin Rodney Sullivan
بدور Director
Jon East
بدور Director
Lynsey Miller
بدور Director
Tucker Gates
بدور Director
Jennifer Morrison
بدور Director
Alrick Riley
بدور Director
Gugu Mbatha-Raw
بدور Sophie
Oliver Jackson-Cohen
بدور James
Millie Brady
بدور Eliza
Ari Graynor
بدور Caroline
François Arnaud
بدور Harrison
Phil Dunster
بدور Quinn
Gavin Drea
بدور Callum Walsh
Marianne Jean-Baptiste
بدور Hannah
Rupert Graves
بدور Henry Huntley
Stephan James
بدور Baden
Tara Fitzgerald
بدور Anna Huntley
Nina Sosanya
بدور Julia
Joely Richardson
بدور Olivia
Freida Pinto
بدور Grace
John Macmillan
بدور Richard
Nicholas Karimi
بدور Lucas
Asia-Sky Fenty
بدور Young Sophie
Adwoa Akoto
بدور Emma
Veronica West
بدور Writer
Leigh Ann Biety
بدور Writer
Raven Jackson
بدور Writer
Glenise Mullins
بدور Writer
Dan Lee West
بدور Writer
Peter Calloway
بدور Writer
Erica L. Anderson
بدور Writer
Tony Saltzman
بدور Writer
Martin Zimmerman
بدور Writer
Cortney Norris
بدور Writer
Lillian Yu
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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Castle Rock Entertainment
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As for me l don't see anywere where there is a problame with this movie,,if u concentrate with it u will get the full story right. It is one of the best
I thought the lead female and male where both excellent actors. Don't listen to all the crazies about this movie being woke. Not a clue what they are talking about. Unless you don't like a white man with a black woman. (We all know that's called something else...not woke) sad that a good show has crappy reviews. I enjoyed it. Especially since I didn't have to commit to a second season. It could have easily been a movie instead of a series though. It's worth the watch.
I am baffled by bad reviews of this show. It is a thriller, we do not know who characters really are because the story reveals them from episode to episode. The protagonist is played by a beautiful and talented actress and we follow her through her struggle. Realistically, I would have given this show seven stars, ten is just because it has been so unjustly criticized. All in all, it's a pleasant entertaining show.
So weird that people are calling this "woke" it isn't. It's about class, but I'm British, so maybe not as triggered. For me it's about memory and the part that plays in identity, that's why it's interesting. I love the contained acting. Loving the "beautiful people". I wouldn't watch if you're interested in hero's and villains, it's more complex than that and you'll just become focused on the wrong things. Why does Sophie need to know about the time before she lost her memory? Who is Tess? What is the threat? Are people in Sophie's life who they say they are and are they being honest about who she is? Can they be? How much of our past makes us who we are now? Get past the colour of characters skin and there are more interesting questions there. This is a slow burn, that promises interesting answers.
Maybe I'm biased because I love Gugu! I don't understand the bad reviews! I'm only on the second episode but so far so good for me! I'm truly invested in this show! I can't wait to see what happens next!
An lack lustre and average script played out by an average cast with average direction but what really let's this down is the terrible photography. The DOP's are one trick ponies using the "Portrait" effect incorrectly and unnecessarily, ruining an otherwise interesting or great shot with an out-of-place fake blurred effect for absolutely no reason. This effect is used so much production could have saved on expensive location shoots and filmed it entirely in grandma's kitchen! The producers should be ashamed of this one.
I too, I am perplexed as to why some reviewer's refer to this series as "woke." It must be because of the interracial marriage aspect of the two main characters, because I see no other sign of "wokeness" here. If it is just the interracial marriage aspect, then it's a sad commentary about the state of our culture today. This vehicle to tell a story has been used many times before. It is done adequately here. It really depends upon the plot twists yet to come, and the motives of the characters to see how well this will be pulled off. This series is certainly entertaining, but, I fear, rather predictable. There are ample opportunities for plot twists, and surprises among the various characters. The actors are certainly up to this task of pulling this off, and do a good job with their respective roles. Will the writers give material worthy of the actor's abilities? That remains to be seen. It is enjoyable entertainment, and I believe it is worthwhile.
The acting is terrible, and the writing is even worse. There are so many problems with this story, I don't even know where to begin. The dialogue was horrid. People just don't talk to each other like that. I guess "Surface" was the right title. The scene with the cab driver who tries to cross the GG Bridge because "it's the best way" to go. Really? There is nowhere IN San Francisco Sophie would be going that would involve the bridge...... No. Just no. Also, who runs down the middle of streets in the hills of the city? No one. I don't have time to list everything that went wrong. I'm giving up in the middle of episode two.
So I tried this show, but to be honest it had a lot of time trying to recover in my mind as anything worthwhile once I saw that this was not a reboot of the show by the same name. Tried to reset my mind on this new show, but I was bored and/or it was just not for me.
When you visit the AFSP you wade through a site that's predominantly about (and for) women. Then you read their statistics and find that it's near 4 to 1, men to women. And those of us paying attention know this has been the same for over a decade, likely longer. Yet no one is making movies or shows about it. No one seems to care. Just as the movie regarding Tinder where a man scammed women. And there's thousands of women on there (and other dating apps) scamming men. Some of these women are even being paid by the app... No one seems to care I'm NOT saying do nothing for women. However... should men's wellbeing continue to be completely ignored? 4 to 1.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.