Cullen Hoback
بدور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The فيلم وثائقي film Terms and Conditions May Apply, starring Max Schrems, Moby, Mark Zuckerberg, etc., directed by Cullen Hoback, was released on July 12, 2013 in الولايات المتحدة. It tells the story of A documentary that exposes what corporations and governments learn about people through Internet and cell phone usage, and what can be done about it ... if anything. This is a فيلم وثائقي, أخبار film with a runtime of 79 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.3/10 from 6,632 viewers.
Cullen Hoback
بدور Director
Max Schrems
بدور Self - Austrian Law Student
Moby
بدور Self - Musician & Digital Rights Activist
Mark Zuckerberg
بدور Self - Founder, Facebook
Cullen Hoback
بدور Self - Narrator
Brian Lawler
بدور Self - Typographer, Cal Poly
John Palfrey
بدور Self - Professor of Law, Harvard Law School
Harvey Anderson
بدور Self - VP Business Affairs & General Counsel, Mozilla
Zeynep Tüfekçi
بدور Self - Professor of Sociology, University of Baltimore
Eric Schmidt
بدور Self - Executive Chairman, Google
Siva Vaidhyanathan
بدور Self - Author, The Googlization of Everything
Eli Pariser
بدور Self - Author, The Filter Bubble
Debra Aho Williamson
بدور Self - Principal Analyst, EMarketer
danah boyd
بدور Self - Senior Researcher, Microsoft
Rainey Reitman
بدور Self - Electronic Frontier Foundation
Christopher Soghoian
بدور Self - Principal Technologist, American Civil Liberties Union
Michael Schearer
بدور Self - Computer Security Expert
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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source: Terms and Conditions May Apply
A documentary which supposed to be watched By everyone. Amount of informations and facts about internet security are amazing.
First movie screened at the cinema politica at concordia university, this documentary aims at exposing the situation in between political and economic gains related to the licencing terms we never read, especially since the wide-spread use of the internet, with some like google we never get to actually tick. We kinda knew about it : I mean, google and facebook aren't asking for money but are worth billions, so they have to make money from somewhere, selling back our informations. And since the movie was actually released after the NSA leaks, we also knew the scope of the current global surveillance in many countries, putting it forward than what the movie actually showed, even though their research on the subject, and on the history of the lack of individual liberty advocacy due to the patriotAct and need of spying of the war on terrorism, making the economic model of users creating value while using "free" tools, the policies of "by default" settings. Good documentary, especially to share with your annoying friends who put useless statements against facebook's change of policies.
Anyone who surf the internet or part of the digitized world should watch this documentary, which holds importance even today, seven year after the documentary released. This is an interesting take on Digital privacy and how the corporates uses your data
Another tricksy hot-topic tech documentary, in which Cullen Hoback interviews a handful of hacktivists, academics and libertarian thinkers about the nexus of social media and personal privacy. Hoback has effectively dedicated his career, thus far, to exclusively covering the life led on-line. Here he puts himself slightly ahead of the curve, by drawing attention to the ways in which corporations such as Google and Facebook use their Terms and Conditions in ways that are increasingly aligned with governmental security interests and advertising. Key contributors such as Chris Soghoian and Rainey Reitman, outline some of the liberties that populations sacrifice for access to 'free' on-line services. While Hoback supplements this spade work with some more glamorous, if far less revealing, brief commentaries from the likes of Moby, Margaret Atwood and Orson Scott Card. Facebook and Google are very much in Hoback's cross-hairs, with Eric Schmidt's every pronouncement as CEO of the latter being raked over for portentous signs of futureshock horror. Mark Zuckerberg gives Holback his little Michael Moore moment, as he manages to locate the aloof Facebook founder and doorstop him into asking for his own privacy to be respected. It is a cheap shot, but one that underscores Holback's central point about where the genuine consent and respect lies in the relationship between on-line media and their users / consumers. What I can't entirely shake-off with films such as this, or THE CORPORATION for another example, is that their central narrative, oscillating between consciousness-raising and fear-mongering, is underpinned by a libertarian sensibility that isn't anti-statist without possessing a more anarchic critique of the state. Holback is more than a little complacent in his belief that his film sufficiently engages with an issue that has only become more pressing since 2013.
I think that we should be entitled to privacy and are entitled to have our rights without having fear for what we post on the internet. In fact most of the data that we type in on the internet can be constantly be misused, and that our right to freedom is in jeopardy. There should be some new laws to protect citizens of not being reprimanded of what they post on the internet. This is a well-crafted documentary that raises awareness of what is really going on when you click the "I Agree" options of the 'Terms and Conditions' of various websites.
Excellent review of the political and social changes in *digital* privacy for the past 13 years since 9/11. The director goes into great detail on how Websites have constantly shifted toward acquiring and disseminating more information as time has gone on since 9/11 and how this information can, and is, being revealed to the government on a regular basis. What is more disturbing is how much we thought that either a password or a privacy change on Facebook to "Friends Only" doesn't actually protect us, totally, from government or corporate dissemination of who we are. The director also points out the substantial moral problem of when we are allowed to forget our secrets and to let them lie in our past. 5 years? 10 years? 3 months? When are we entitled to have those embarrassing pictures taken at age 14 taken off the Internet search engine results (from, say, Google)? When it's been 10 years? What about adults? Do they deserve to have privacy of past-acts (good conduct or misconduct)? This is a matter not currently under substantial discussion in the Congress and the director points out that Congress is the only legislature in the US that can adequately make laws on these subjects. Again, worth seeing once so that you learn what exactly those "terms" are that you agreed to.
This spirited documentary weaves through popular television and movie clips, privacy experts and interviews with those who've shared too much on the Internet and, consequently, landed on the wrong side of the law. No one gets off scott-free, especially not Mark Zuckerberg whom Hoback confronts in a darkly comedic conversation at the film's climax. Hoback told AFP: "I just wanted him to say, 'Look, I don't want you to record me,' and I wanted to say, 'Look, I don't want you to record us.'"
I'll be brief. We're all being watched. Every second of our life. And I'm not exaggerating or being paranoid. That's just how it is. This documentary is really scary. And for a good reason. Because it is freaking scary. Facebook and smart phones is the best invention NSA could hope for. Imagine that with just the right technology, anyone can tap into your phone and at any point of time they can see through your phone, they can hear through your phone, and even know what you're thinking at the moment. All their wet voyeuristic dreams come true. So do yourself a favor, watch the movie, realize the truth, and join the forces to fight against mass surveillance.
This is a brilliantly researched excellent feature ! Your privacy has been compromised to the very core the moment you created an account with any of the following...facebook, google, gmail, twitter, iphone etc... What does one feel about hacking ? What does one feel about being spied on ? Would you say the same things when whatever you say is being recorded ? Whoever you talk to, including your private and personal conversations over the phone are being recorded and heard by another unknown human being who can use every word you say to condemn you anytime ! Well boys n girls... welcome to the world of cookies and the internet ! Choose ur words carefully...its not free after-ALL !!!
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.