Sam Hobkinson
بدور Director
The TV series The Confession, created by an unlisted creator and produced by an unlisted studio, first premiered on November 25, 2022 in المملكة المتحدة. The series spans 1 season with 2 episodes, featuring the voices of Andy Kennedy, Steve Fletcher, Sue Jay, and Chloe Scott. It follows the story of Docuseries examining the mysterious disappearance of British housewife Patricia Hall from her small Yorkshire town. This is a فيلم وثائقي, جريمة, أُحجِيَّة series and has received a rating of 6.5/10 from 738 viewers.
Sam Hobkinson
بدور Director
Andy Kennedy
بدور Self - West Yorkshire Police
Steve Fletcher
بدور Self - West Yorkshire Police
Sue Jay
بدور Self - Central Weekend Presenter
Chloe Scott
بدور Sheron Boyle
Janek Puzon
بدور Surveillance Team Leader
Simon Ashland
بدور Jury Foreman
Patricia Hall
بدور Self - Missing Person
Peter O'Grady
بدور Alan Kirby
Chloe Dowey
بدور Kat
Aimee Williamson
بدور Harrison's Deputy
Ruth Cohen
بدور Self
Jackie Wilkinson
بدور Stenographer
Ian Wilson
بدور John Stainthorpe
Claire Hinchliff
بدور Original Liz
Scott Williams
بدور Self
Bradley Elvidge
بدور Self
Robert Duckworth
بدور Bethel's Deputy
Keith Hall
بدور Self - Patricia's Husband
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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Castle Rock Entertainment
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فيلم جيد!
فيلم جيد!
فيلم جيد!
An engrossing documentary about a case I was not familiar with that unfortunately takes the form of a giant spoiler from the opening frames. The fact that the murderer (yes, I'm choosing my words carefully) conducts his smirking interviews from the comfort of his own home throughout rather gives away the ending. But still, the court case is reconstructed skilfully enough that you still cross your fingers and hope the jury foreperson will say the magic word - guilty. Of course, he is found not guilty because the judge decided recorded evidence of him confessing to the crime was not admissible. (To correct a previous review - this was not the fault of the jury. Although we don't get to find out much about the conduct of court case, apart from the ruling about the recording, all they got to hear was circumstantial evidence). The judge was entitled to make this decision - in fact, I was amazed that the police operation took this form at about the same time as the Rachel Nickell/Colin Stagg case (similarly amazingly, this case is never mentioned, nor is the timeline, so we don't get to find out which honeytrap was played out first). The husband is an obnoxious narcissist. He can't resist being in front of the cameras when a dig for his wife's body is being carried out. After the court case, he revels in a TV appearance - however, the audience tears him to shreds, while his solicitor desperately tries to stem the flow, like the little Dutch boy and the Dyke. The solicitor desperately manages to keep a straight face whilst telling us that this is an example of how wonderfully fair the British justice system is. The killer is completely lacking in self awareness - he chuckles as he brags about getting one over on the police. He says to his "girlfriend" (actually an undercover police officer) "they've been trying to get me to crack for ages, but I'll never crack". Hardly the indignant and outraged reaction of somebody wrongly accused of the killing of his wife. I have to mark it down to 7 because of the format, where a lot of the tension is removed. At almost 2 hours, it's possibly a little overblown as well. But if you want to know that the "fairness" of the British justice system can produce examples of grotesque unfairness as well, then this is a very illuminating documentary.
Don't waste your time - it's just another story of a whiny (and wildy unattractive) white guy killing his wife and getting away with it. Looks like the UK 'justice' system is as big a joke as the US. I feel for Pat's family, they've had to live with this terrible loss, with no justice and no resolution. Pat's children are oddly never even mentioned, but what a tragedy that they were likely raised by the monster who killed their mother. Just so sad and infuriating. Really pleased the tapes were released though - nos the jury can realize their own stupidity and the world knows that Pat was stran go led by her loser husband and then placed in an in incinerator. I hope he is vilified and miserable as long as he's alive. A worthless waste of chemicals.
I really liked this documentary of 2 episodes. Entertaining and very interesting. I'm a big fan of true crime stories. Much better than others I've seen based on true events. It is well detailed and edited, which leaves you thinking and analyzing, did he do it or not? Who did it? It's very personal, that's why you should see it and judge for yourself. If you like crime stories, just don't miss this one. I imagine that the children were too young to be questioned, even so I would have done it, perhaps years later, I would have tried. How strange that there are only 2 reviews. I advise you to see it, without a doubt.
So his wife goes "missing" (or as he says himself he killed his wife and dumped her body in an incinerator) so no evidence... no crime scene.... no blood - he disposes of the body and dumps the car a few miles away and walks home - he knows he got away with murder - no one saw anything... except the kids... but for some reason they are never interviewed or talked about - his wife said before her death he strangled her and almost killed her - its totally evident to everyone that he killed his wife 30 years on he still refuses to admit he killed her - case closed - the documentary doesn't uncover anything - just a waste of 1.5hrs of my time and watching an ugly man with a bowl hair cut tell us he didnt killl his wife when he knows we know he did - why not do a polygraph then? Film makers made no effort to uncover the truth.
فيلم جيد!
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.