Ron Scalpello
بدور Director
English,Filipino,Français,Indonesian,Português,اَلْعَرَبِيَّةُ,اُردُو,中文
The جريمة film The Corrupted, starring Sam Claflin, Timothy Spall, Hugh Bonneville, etc., directed by Ron Scalpello, was released on January 10, 2020 in المملكة المتحدة. It tells the story of Liam is an ex-con trying to win back the love and trust of his family. Liam's drive for redemption will see him caught up in a web of conspiracy, crime, and corruption. This is a جريمة, دراما, إثارة film with a runtime of 103 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.7/10 from 1,996 viewers.
Ron Scalpello
بدور Director
Sam Claflin
بدور Liam McDonagh
Timothy Spall
بدور Clifford Cullen
Hugh Bonneville
بدور Anthony Hammond
Noel Clarke
بدور DS Neil Beckett
Charlie Murphy
بدور DS Gemma Connelly
Joe Claflin
بدور Sean McDonagh
Naomi Ackie
بدور Grace
Aled Arhyel
بدور Archie
David Hayman
بدور DCI Raymond Ellery
George Russo
بدور DI Frank Walsh
Don Gilet
بدور DI Graham Patterson
Cathal Pendred
بدور Gerry Dwyer
Alan McKenna
بدور Isaac Gale
Decca Heggie
بدور Jonjo Dixon
Sam Otto
بدور Nayan Khaliq
Adam Long
بدور Warren Byford
Lorraine Ashbourne
بدور Pam Cullen
Linal Haft
بدور Albert Grimes
Nick Moorcroft
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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I dunno where the other reviewers are from but if you are from the UK, especially near London, you'll appreciate this good old Crime story, It's definitely not a 5/10 movie as rated at this moment in time, it's more of a 7.... So give it a chance, I know the boss man is trying to be like Bricktop, but once you stop comparing him, you'll enjoy the movie more, like I did! As for predictable??? Half of it maybe... But it's not the movie that does that, it's the fact it's based loosely on real events and how it used to be!
This is an outstanding drama/action movie. You will be in suspense throughout.
An 18 gangster film with Timothy Spall and Hugh Bonneville had to be worth a watch and it turned out better than I expected. The story had plenty of twists and turns, and you never really knew where it was going. The action scenes were good and the acting very good. The film was obviously low budget but that isn't always a bad thing as in this case. The plot did have some holes and lacked a bit of believabllity at times but overall it was well worth a watch.
'The Corrupted (2019)' was slipped into cinemas on the sly, released without so much as an advert, let alone any real fanfare. It's difficult to see why, really, considering that it isn't exactly the sort of thing that jumps out and grabs you - not from its title, its premise nor its poster. What I mean is that it's not like there was any real chance of it being a smash-hit if no-one even knew it was coming out. The other answer, of course, is that the studio was embarrassed of it and wanted to get it out as quietly as possible. That doesn't quite ring true, however, as there's nothing embarrassing - at all, really - about the flick. Sure, it seems like the sort of thing you'd walk in on your dad watching on Channel 4 but it's by no means a bad film. It's shot nicely, has a great cast and, when it gets going, is rather entertaining. The story, essentially, centres around a recently released convict as he attempts to reintegrate with society and reunite with the family he left behind. In practice, though, it actually spends an equal amount of time on its varying bit-players and their attempts to expose, or perpetuate, the corruption surrounding property development escalated by 2012's Olympic games. It probably has one too many focal characters and, especially in the first act, it doesn't seem to know who to settle on, often bouncing from person to person in frenetic and frustrating fashion. This issue even ricochets into individual scenes, as some early ensembles are jarringly cut seemingly so the characters get equal screen-time regardless of if they (eventually) have equal narrative value. There are also some odd focus pulls that aren't quite pulled off properly and breaks in the '180 rule' which make certain sequences seem a little amateur - as does the far too frequent audio clipping that sees the end of sentences end abruptly after an optical cut. It's a good thing, then, that the cinematography is usually spot-on, from the nicely-framed composition to the contrast-heavy lighting, and actually elevates the overall visual 'feel' of the flick. The same can be said for the acting, which is good across the board and is well above 'soap opera'-level, even when the central players get into overly-serious shouting matches. Tim Spall, especially, entertainingly chews the scenery every time he's on-screen, in contrast to Hugh Bonneville's usually more subtle - yet still menacing - demeanour. As I mentioned, it gets quite enjoyable when everything settles into place. The action is quite shaky and isn't really all that satisfying but the piece isn't focused on it so much as its consequences, which are suitably brutal and fit right in with its generally grim tone. Everyone's betraying everyone else and no-one can be trusted; it's not surprising, necessarily, but it is bleak and I think that's what the film-makers were going for. Generally, once the set-up is out of the way and the pace kicks in, it just keeps getting better. This happens later than you might expect, though. The ending is a little rushed and, perhaps, misses a step or two in terms of its internal logic but the actual climax is rather compelling, even if the whole thing is ever-so-slightly downbeat. The movie is never fantastic - in fact, it's usually just alright. However, it's fun enough, for what it is, when it finally gets going that I reckon it's worth a watch, especially if you're into the genre. 6/10
I enjoyed the film. Good graphics and sound. I liked the cast and thought the acting was strong, particularly the old gangsta fella who is supposed to be the corrupted one. Would have been nice to see him have more of a heart than being entirely corruption. I understood from the sombre (and rather unhappy) ending to the film that what the writers were trying to convey was that corruption is a cance*. Once a person is corrupted to such a point, they leave a trail of destruction in their wake. Also you can kill off some parts of the cance* though it can just regrow in other areas, that's what seemed to happen at the end. Shame the brown cop got capped. Overall quite predictable though well worth a watch and in an empty cinema like I enjoyed, why not!!?
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.