Jim Jarmusch
بدور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The فعل film The Dead Don't Die, starring Bill Murray, Adam Driver, Tilda Swinton, etc., directed by Jim Jarmusch, was released on June 14, 2019 in الولايات المتحدة. It tells the story of The focus is on the sleepy small town of Centerville where the dead become undead. This is a فعل, كوميديا, جريمة film with a runtime of 104 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.4/10 from 101,034 viewers.
Jim Jarmusch
بدور Director
Bill Murray
بدور Chief Cliff Robertson
Adam Driver
بدور Officer Ronnie Peterson
Tilda Swinton
بدور Zelda Winston
Tom Waits
بدور Hermit Bob
Chloë Sevigny
بدور Officer Mindy Morrison
Steve Buscemi
بدور Farmer Frank Miller
Eszter Balint
بدور Fern
Danny Glover
بدور Hank Thompson
Maya Delmont
بدور Stella
Taliyah Whitaker
بدور Olivia
Jahi Di'Allo Winston
بدور Geronimo
Kevin McCormick
بدور Guard One
Sid O'Connell
بدور Guard Two
Caleb Landry Jones
بدور Bobby Wiggins
RZA
بدور Dean
Larry Fessenden
بدور Danny Perkins
Rosie Perez
بدور Posie Juarez
Jodie Markell
بدور Woman on TV
Jim Jarmusch
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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I am not sure what they were trying to achieve with this movie. Its stupid but not in a good way, extremely boring. Not sure how this movie is voted above 5
Adam driver really strives by his excellent acting. Bill Murray seem to enjoy the movie but often seems to be elsewere... Otherwise the plot is awful. Most of the setup-payoff makes little or no sense. The ermite, despite a high screentime is underemployed. Many repetitions are expected to be funny but fail to do so and left me in an akward feeling of wanting to leave the theatre. The too-obvious meta point of view does not bring anything to the movie. The final twist sounds like a prank to the public. The pseudo moralistic explanation of the society is awkward bloated and not impacting. All in one very disappointing. Two stars for a nice screenplay and the terrific apparition of Adam driver in the red smart which made me laugh one time in the movie.
If you like Imaginarium of Dr. Parnassus or Wristcutters, you will probably enjoy this film quite a lot. Yes, the trailers are misleading: that is intentional. If you want a scary zombie movie, this movie isn't for you. This is more like Anne and the Apocalypse meets Wristcutters. It is clearly a movie that all of the actors did because the idea sounded like FUN, and that spirit shows through in their performances. To those who thought it didn't have a plot, it is subtle, but it is most clearly there. You may need to watch it a second time to catch all of the jokes and references. The offhand comments all are salient, even if they're really odd at first blush.
I find it hard to believe how bad this movie was. Had all the ingredients to be good, but ended up as a total waste of time. No story, no acting, no fun, no scares, no nothing. Don't waste any time on this crap.
I hate this movie. I saw it for free and still want my money back. It is an absolutely pointless, meandering vanity project that attempts to trick you into thinking it's cleverer than it is. According to the director himself, it was designed to be a dumb movie comprised of dumb bits as a way to make money hanging out with his friends. And what's worse is that the trailer tricks you into thinking it is an entirely different movie - the worst kind of lie you can tell in an effort to lure people away from their hard-earned money and precious time. There is literally no point to anything that happens; Jarmusch has no sense of pace or urgency or meaning. And in my opinion, art for the sake of itself alone is condescending towards your audience. I normally like his work, along with all of the actors, the subject matter and tone - this should have been right in my wheelhouse. But I left feeling like the director had a contemptuous view of the people watching his film (in EVERY regard) and that just doesn't sit well with me. Not everything has to matter in a movie, but SOMETHING should. Ultimately, it felt like a third-rate SNL skit that was allowed to drag on for two hours.
What did you expect? Thought it was brilliant. Dead hipsters from Cleveland.
This movie is a waste of time - do yourself a favor and dont watch it. The suggested humor from the trailer is constantly missfiring, dull and repetitive. You are supposed to laugh at usage of the same line thats repeated over and over until the last person rolls his eyes in agony. Sarcastic remarks are made to hit the audience over the head with the absurdity of the situation, thrown in with some blunt 4th wall breaking. Nothing works, not even the acting. While the main cast is supposed to be almost apathic at the outbreak of a zombie apacolypse, it geniuely kills the mood and every sense of drama or tension. After this you will wonder if Adam Driver cant really act and Bill Murray was high or thinking about his paycheck the while time. There are no pay-offs to character arcs and they push some weird social commentary over the cause of the outbreak thats so mindnumbingly obvious and in your face it loses all weight, plus voice-over to really hammer home the fact how humans where zombie-like to begin with on how they consume and want ever more. Really dull in its delivery it only adds to the feeling of wanting to just be done with the movie. Save yourself from boredom and regret over wasted time and money and skip this.
...because this movie was so slow and uneventful it was painful. With a cast like this, it should have been good, but it's just not. Only a couple scenes and interesting cinematography save this from being a 1.
Wow, most of these reviewers have either obviously never seen a Jim Jarmusch film or seem to understand this wasn't meant to be some laugh out loud big budget comedy or the same old zombie movie. This is how a zombie apocalypse would actually occur. There would be no heroes, every normal human who is weird or quirky, angry, or downright boring would be affected, and there would be no happy ending. It would end the way the film does, exactly the way you would expect it to: immediate, bloody, and uneventful. It's just like every day life would be, except with zombies killing you. Boring, routine, ordinary, ends with you going to bed. This film is a brilliant commentary on not just public consumption, but society in general and the state of entitlement of instant gratification. If you come in looking for THAT, you'll be sorely disappointed. Just enjoy the show.
فيلم جيد!
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.