Jordan Rubin
بدور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The كوميديا film The Drone, starring Alexandra Essoe, John Brotherton, Anita Briem, etc., directed by Jordan Rubin, was released on November 22, 2019 in الولايات المتحدة. It tells the story of A newlywed couple is terrorized by a consumer drone that has become sentient with the consciousness of a deranged serial killer. This is a كوميديا, رعب, خيال علمي film with a runtime of 82 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.0/10 from 2,920 viewers.
Jordan Rubin
بدور Director
Alexandra Essoe
بدور Rachel Howard
John Brotherton
بدور Chris Howard
Anita Briem
بدور Corrine Coldwell
Gonzalo Menendez
بدور Detective Ramirez
Sam Adegoke
بدور Detective Allen
Neil Sandilands
بدور The Violator
Simon Rex
بدور Jeffries
Christopher Matthew Cook
بدور Richie
Rex Linn
بدور Dominic Baker
Edgar Blackmon
بدور Filip
Dominique Sharpe
بدور Mary
Chris D'Elia
بدور DJ Riggs
A.J. LoCascio
بدور Additional Voice
John Mayer
بدور DJ Murtaugh
Cole S. McKay
بدور SWAT Leader
Robair Sims
بدور SWAT 1
Vic Winters-Junco
بدور SWAT 2
Jared Morgan
بدور SWAT 3
Al Kaplan
بدور Writer
Jon Kaplan
بدور Writer
Jordan Rubin
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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source: The Drone
The film started ok, nothing new but it wasn't terrible, then got worse towards the middle with the last half hour or so just being laughable at just how far fetched and stupid it became.
It's not a bad movie if you don't try to take it seriously from the moment it starts. It's daft. For the main not really funny just plain daft. Through and through. Nothing and I mean nothing in the film is to be taken serious. I can manage this which means the film is interesting. Carries itself well and keeps you engaged. The only thing that I have a problem is why oh why did no one take a baseball bat to the Drone once it was realised that it had become a problem? Anyway ..
Wow all I can say is I think whoever made this film once he was done the script, embarked on a walk and just asked people who past him on the street and asked if they wanted to be in a film about a drone, Also yeah this is basically Vhilds Play except it's a drone... I had to skip thru it cause it was soon dam awful, For one... When I got near the end, And she's doing something in the mirror or whatever while the drone is watching her, and she obviously can't hear the drones engines over the terrible suspense music playing is the only logical thing I can think of....like did you write this in a day or something what the fudge was that
Don't bother. Its a bad movie with bad acting. Concept is cool which pushed me to rank it a 3.6 but Jon Mayer caused it to lose a point. Cheese to the max 3.6
Jordan Rubin's follow up to his undead rodent horror/comedy Zombeavers is a tongue-in-cheek technological thriller with a premise so knowingly ridiculous that it's hard not to enjoy at least a bit, despite a lot less of the sexiness and outrageous gore that helped to make his previous film so entertaining. John Brotherton and Alex Essoe play married couple Chris and Rachel, who find themselves menaced by a consumer drone possessed by the spirit of a serial killer. This silly set up allows for numerous very daft scenes as the drone flies by itself, carrying out a series of acts (including killing the family dog and murder) in order to get Chris out of the picture: it eventually transpires that the serial killer was an ex-boyfriend of Rachel's, and he is still obsessed with her. The novelty of the sentient drone menacing the couple does get a touch tired towards the end, and the lack of serious splatter is a little disappointing (the drone bumping off a private eye by flying up his butt is all too brief, while the double decapitation of two policemen is only seen as a shadow against a wall), but the game performances and a general sense of fun go a long way to making this a serviceable time-waster. 5.5/10, rounded up to 6 for IMDb.
This by far is one of the worst movies I've ever seen!!!
How do films like these get financed? Absolutely bonkers to think that people pay to make these kind of films, let alone anyone watches them. Avoid like the plague.
It's a similar concept to that of Child's Play, except for some reason it feels completely absurd to suggest a drone could be possessed by an evil spirit and not a doll, which is arguably the wrong way round. So, it's the old tale of bad guy gets killed and his spirit enters a drone. The drone is then found by an unsupecting couple and becomes part of their family and proceeds to mess up their lives bit by bit. It's packed with cheesy lines and unbelievably silly moments but is in fact quite fun and also funny. It's probably more of a straight comedy than a horror or thriller so don't expect a dark movie with black humour - it's very light entertainment, with a few bloody moments but nothing too surprising. Utterly ridiculous but at least self-aware.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.