Cody Stokes
بدور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The جريمة film الشبح الذي يمشي, starring Garland Scott, Frank Mosley, Alexia Rasmussen, etc., directed by Cody Stokes, was released on August 18, 2020 in الولايات المتحدة. It tells the story of "المجرم المسجون يجرح رئيسه السابق من أجل فرصة أخيرة لجمع شمل أسرته ويصبح الأب الذي لم يكن أبداً". This is a جريمة, دراما film with a runtime of 106 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.3/10 from 562 viewers.
Cody Stokes
بدور Director
Garland Scott
بدور Nolan
Frank Mosley
بدور Stitches
Alexia Rasmussen
بدور Lena
Gil Darnell
بدور Donnie
Dasha Nekrasova
بدور Mitzie
Nattalyee Randall
بدور Tanya
Linda Kennedy
بدور Dunya
Peter Mayer
بدور Monty
Curtis York
بدور Bull
Dennis Lebby
بدور Pops
Destiny Bauer
بدور Amy
Mueen Jahan
بدور Fazil
Harpinder Singh
بدور Ameen
Tim Cunningham
بدور Officer Taylor
Jaye Hodges
بدور Detective Nunez
Candace Roberts
بدور Mother
Michael D. Clark
بدور Kid
Jilanne Marie Klaus
بدور Waitress
Cody Stokes
بدور Writer
Ben Bostick
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 فوزاً و43 ترشيحاً إجمالاً
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source: The Ghost Who Walks
I wasn't expecting much, but this movie was done pretty well. Good acting from the lead. Some good fights. I liked the story. And the ending, was definitely not what I was expecting. Definitely worth the watch.
I watched up until he found his love interest. Idk about y'all but I'm so tired of seeing black men and women with anybody but black men and women. They could t stand us now it's like we don't even want each other let them tell it. Boring same ole same. His love interest shoulda been a hot African woman with a big ole fro. I'm done with these types of movies
An ambitious crime drama that sits nicely among the backdrop of St. Louis during the festive Christmas season. Director Cody Stokes shows poise and promise. Lead actor Garland Scott will make waves well into the future. Indie movie or not, this one has it's moments when it hits you hard. The art direction and cinematography are wonderful. The cast and crew did an excellent job putting together an art piece so raw and gritty too. This film sheds colorful light and pleasant ambiance on the dark recesses of a tarnished city. The action, the thrills, the character development; all well done in their own right. Minus it's basic and understandable blemishes, it still shines during Christmas time!
Two dimensional characters playing parts in a fictional universe is not recommended.
Interesting low budget indy with pretty good acting. But putting too much plastic where should have been the real thing, don't know if because of the budget of the crews imagination. Anyway, the fast forward did help through it.
Interesting start, then the movie goes no where. Waste of time.
What a piece crap!!! I continued watching this only out of curiosity. The acting was horrendous. The dialogue was terrible. It probably could have been a not too bad movie because the storyline was okay.... but the ACTING!!!??? There was so much unnecessary dialogue. What a waste of time.
Another movie where you can skip reading the "false" positive reviews, trust me on that. While the acting wasn't the worst, the plot was just boring and laughable. It starts promising but quickly it becomes one of those movies you regret you started watching it. The end is even more ridiculous, I won't tell you anything about it as you never know that you still want to watch it. I wished I had read the negative reviews about this one before watching it, it would have saved me two hours of my life that I will never get back.
I was pulled in by the title and the picture I saw on Netflix, but the acting, directing, cinematography, lighting, and story kept me here. A blue tinted look at a cold city story about a man, Nolan, recently released from prison who snitched to get himself out. He wants to find his daughter, Amy, and the woman he loves, Lena, but having snitched complicates things. Lena is with the man who wants him dead to give their daughter a better life and Nolan has a hard time holding onto people who can help him.The ending is open ended enough that we can get hit hard by a sad reality or hope for a sequel. I loved the film. It's powerful and a showcase of talen that mainstream Hollywood is missing out on, like the actress who played the older woman, Dunya, Garland Scott as Nolan, the character actor that is Frank Mosley as Stitches, the actresses who played the sex workers beacause they show what a lack of father can do to you (although, I realize not all sex workers may feel unwanted), all the guys who played the henchmen gangsters (the oder white guy who tried to warn Nolan felt so real and it was hard to tell whose side he was on) who got me worried for Nolan's life, Monty's actor who made this dirty money man feel real, the little actress who plays Amy who made every scene so cute and heartbreaking, and the woman who played Lena so well I wondered if she was good but it became so easy to connect with her choices through this actress. Also, the others, like pops, the taxi driver, the friends of Nolan's in the store, the waitress, and the rest of them helped give the movie a memorable and enjoyable feel.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.