John Michael McDonagh
بدور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The كوميديا film The Guard, starring Brendan Gleeson, Don Cheadle, Mark Strong, etc., directed by John Michael McDonagh, was released on July 7, 2011 in المملكة المتحدة. It tells the story of An unorthodox Irish policeman with a confrontational personality is partnered with an uptight F.B.I. agent to investigate an international drug-smuggling ring. This is a كوميديا, جريمة, إثارة film with a runtime of 96 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.3/10 from 100,791 viewers.
John Michael McDonagh
بدور Director
Brendan Gleeson
بدور Gerry Boyle
Don Cheadle
بدور FBI Agent Wendell Everett
Mark Strong
بدور Clive Cornell
Ronan Collins
بدور Young Man in Car
Paraic Nialand
بدور Young Man in Car
John Patrick Beirne
بدور Young Man in Car
Liam O'Conghaile
بدور Young Man in Car
Christopher Kilmartin
بدور Young Man in Car
Rory Keenan
بدور Aidan McBride
Declan Mannlen
بدور James McCormick
Laurence Kinlan
بدور Photographer
Mícheál Óg Lane
بدور Eugene Moloney
Liam Cunningham
بدور Francis Sheehy-Skeffington
Owen Sharpe
بدور Billy Devaney
Fionnula Flanagan
بدور Eileen Boyle
Wale Ojo
بدور Doctor Oleyuwo
Mark O'Halloran
بدور Garda No. 1
Gary Lydon
بدور Gerry Stanton
John Michael McDonagh
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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فيلم جيد!
فيلم جيد!
source: The Guard
I couldn't wait to see this. It was everything I thought it would be and more. Brendan Gleeson is too funny! Don Cheadle was great as the deadpan F.B.I. agent who is thrown into an Irish town full of wacky characters – and most especially so – is Gleeson. His multi-faceted life is surprising and hysterical. Certain areas of it are sad, but there's enough humor thrown in to alleviate the risk of something being taken seriously enough to change the mood. Each character plays a significant part in the story, and the entire supporting cast did an incredible job.
What a fun, wonderful film. Great cast with Mark Strong, Don Cheadle, Liam Cunningham, and Fionnula Flanagan; but the real gem is Brendal Gleeson as the main character-an unorthodox Irish Guard (policeman) who seems put on this planet just to crack jokes at other people. Gleeson owns every scene-whether joking with his mom or ragging on the American FBI agent. All the while his character hides an intelligence and honesty that other people don't know what to make of. Do yourself a favor and watch this.
Away wit ye, ya bollix, next ye'll be asking me to explain small versus far away. The Guard is one of those low(ish) budget movies which somehow demonstrate great production values, put together by an experienced crew and edited as close to perfection as possible. It just works. The setting, Ireland's visually stunning West coast, a real land of legends and bandits, helps those production values along, providing sets and backdrops which some would say are unequalled. Don Cheadle's Wendell Everett looks like your archetypal fish out of water. A bit like John Shaft who's taken a wrong turn at the top of 110th Street and ended up 3000 miles away on the West coast of Ireland. Wendell is the perfect straight man for which to bounce the stream of laconic asides, jokes and insults of Gleeson's dead pan Sgt. Boyle. The script is tight, the humour genuine and the pathos effective. I'll bet it was a good crack working with that cast and I think that fun shows through in the acting.
Excellent movie Excellent write Excellent play Excellent sattire One of the best movies I saw this year.
This film is, at least, controversial and difficult to judge. The plot is based on a crime and the difficult collaboration between an FBI agent and a very unorthodox Irish police officer, played by Brendan Gleeson. The work of this actor is excellent and gives strength to the film. No one can doubt it. He can fit his character in that sensitive gap between the comic and the grotesque, giving him a lightness worthy of a comedy full of black humor. He is a cop who does everything a cop should not do, and yet we feel empathy for him. Don Cheadle plays the conventional American cop but has funny dialogues, such as his Irish colleague, who seems to despise his methods and way of working, as well as not being able to say a sentence without causing embarrassment to his own force. In fact, dialogues are something to emphasize here. The use of slang is plentiful, so it's best to prevent younger ones from watching, but it was also the first time I ever heard Gaelic in a movie.
The best ever film opening scene and the high standard is kept up all the way to the end. This style of comedy film could only be made in Ireland, or possibly Scotland, and it's very well cast and acted. The lack of CGI is the only reason I can think of for someone to give this superb comedy a low rating, for some the more CGI in a film the better it is. Probably not liked by the Irish Tourist Board. Do not miss it and it can be watched several times without the enjoyment reducing.
This is a very rare movie that got everything as: feel good movie, thrilling, funny and almost all you can think about, with good actors. Everything you need to enjoy a good movie
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.