Andrew Jones
بدور Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The دراما film The Haunting of Margam Castle, starring Derren Nesbitt, Jane Merrow, Caroline Munro, etc., directed by Andrew Jones, was released on November 5, 2022 in المملكة المتحدة. It tells the story of A team of American parapsychologists travel to Wales to conduct a study of Margam Castle, one of the UK's most haunted buildings. This is a دراما, رعب, أُحجِيَّة film with a runtime of 81 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 2.6/10 from 1,189 viewers.
Andrew Jones
بدور Director
Derren Nesbitt
بدور Hugh Morgan
Jane Merrow
بدور Edith Withers
Caroline Munro
بدور Brenda
Garrick Hagon
بدور Dean Michaels
Vernon Dobtcheff
بدور Enos
Amy Quick
بدور Annie Holzer
Ashton Spear
بدور Daniel Barron
Lance C. Fuller
بدور Kirk Dolton
Jason Farries
بدور Brent Cooper
Jordan Holland
بدور Lydia Albright
Mads Koudal
بدور Robert Scott
Sara Dee
بدور The Bride
Judy Matheson
بدور Agatha
Simon Bamford
بدور The Witchfinder General
Rachel Hopkins
بدور The Lady in White
Saffia Larter-Green
بدور The Child
Brian Smith
بدور The Father
Amelie Willis
بدور Abigail
Robert Graham
بدور Writer
Andrew Jones
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 فوزاً و43 ترشيحاً إجمالاً
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There's a podcast I listen to where guests are asked the worst film they've ever seen. Well I've got my new answer. This is, without doubt, that movie. I don't know where to start with this movie, but the acting is as good a place as any. It's woeful. The actors look like they're doing a read through, and do not believe a single thing they are saying. I've never heard of the 'leads', which is fine, as just because you haven't heard of them doesn't mean they can't act. But this lot can't. And as for the more established cast, they are equally as bad. Caroline Munro's turn as the cafe owner is cringeworthy. But not as cringeworthy as the 5 minute recipe for Welsh rarebit she provides us with. I'm deadly serious. As bad as the acting is, the writing is worse. To say it is clunky is an understatement. There is exposition everywhere and I actually felt for the actors having to spew it. There's one point where the scientists, scientists remember, scream "I don't doubt you both saw apparitions" to people who've been spooked. They weren't there. They're scientists, they should question everything. There is a lot of homage (sorry rip off) of other movies. 'Get out' written on a mirror - Amityville. The cafe scene - American Werewolf in London. (All we were missing was 'Don't stray from the path'). And the blatant "homage" to The Shining at the end (the "photograph"). Shame on you. And how is it shot? Badly. The director has a preoccupation with long, lingering shots of the building. It's architecture *. The trouble is, it's the same shot over and over again. An example being the stone staircase with the rope handrail. It is used around 6 times. The same shot. The nadir though is the scene in the main actress' home. (Forget about the UK plug sockets when we're supposed to be in New York). The director spends around 2 minutes on the actress at a microwave. Heaven knows why. And then there's the point later in the film where the earth shakes and the special effects are akin to 1970s Doctor Who where the actors had to throw themselves around the room. They literally have to act as if they're being thrown around the room. Then there is the editing. At one point, someone bursts into a room. The main actor then has to act surprised. Unfortunately for him, the editor left around 5 seconds between the person bursting in and the actor showing surprise. It's just odd. We then go from one extreme to another. Someone gets snatched and dragged out of a room. The main actor stops someone going after them by shouting "Leave it they've gone" when the editing suggests the victim is literally the other side of the doorway. To summarise - it's woeful. You can make an affecting horror with little money. The recent Zoom-Seance movie "Host' showed that. This director of The Haunting of Margam Castle needs to watch that and weep.
Tf was that. Best best best worst worst love you andrew keep it up best ever.
It is not terrible... but it's not good either... The acting from the two main characters was pretty horrible... the effects were cheesy and it just really dragged on. It was dry.. it's like eating a steak with no sauce.
Never seen such bad acting. Script terrible, directing poor, editing awful. I feel ashamed about giving it 1, but I had to so I could be published.
After a spate of serial killer films Andrew Jones tries his hand at a classic ghost story and succeeds for the most part despite a few clunky moments. The movie throws elements from the Haunting, Legend of hell house, the Witchfinder General, Hammer horror and the Shining into a blender and a pretty fun ride results from it. One of his better efforts.
Looking for some horror films to watch during the Pandemic, I stumbled across this hot mess. The film mixes together clunky script, extremely bad acting, and the unintentionally funny moments to make for one of the single worst horror films in recent memory. Let's take for example the scene in the pub where all the characters talk ad nauseum about what Welsh Rarebit is! My favorite moment is when the medium is "seized" by one of the ghosts, and the character's response is to say, "She's gone! We can't help her." That was a laugh out loud moment. The actors playing the ghosts seem more like children dressing up for Halloween than anything remotely scary. Unless you want to use this film for a Mystery Science Theatre party, I'd suggest you use 90 minutes for something else.
This movie has the standard haunting story, nothing new here. I am fine with that. Being a big consumer of horror films, I am used to new films using old story lines. HOWEVER, and that's a big however, the acting in this movie is deplorable. It is painful to watch the lead female actor "acting". For most of the dialogue she appears to be reading off a script, rather than acting. It all seems very forced. It is just impossible to immerse yourself in the story when the characters are so unbelievable. As the title of this review says, this is the perfect movie not to watch - I suggest doing laundry instead, as that is bound to be a better experience than watching this movie.
The movie is brilliant. It gives a fresh perspective into horror the story takes the viewer on a thrilling journey. A must see that will keep you at the edge of your seat! And will make you want to visit the Margam Castle next time you're in wales.
Good grief this is awful. Seriously dull monotone stilted dialogue, cringeworthy outdated cliches about the British (cue lots of comments about how we're all apparently obsessed with the weather, have terrible teeth and go misty eyed at the thought of going to America). Slow action, an entire scene focussed on a character putting her dinner in a microwave. Turned it off after half hour (the film not the microwave). Seriously don't waste your time. The first moment where it was meant to be scary we burst out laughing. We were rooting for the ghosts.
Please don't. You know you have those movies that are so bad, they're good? Well this isn't one of them. I made the mistake of letting my wife have free reign over the tv remote tonight and this was the result. After 10 minutes she was asking to put Strictly back on. I told her I was going to make her watch this film until it finished. To add insult to injury, she then told me that she'd rented it (through my Sky account). Just over half way through, my wife said she had to go and check on our daughter. I didn't see her again until after the film had finished.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.