Dominik Starck
بدور Director
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The فعل film وكالة Hitman, starring Everett Ray Aponte, Don Wilson, Erik Hansen, etc., directed by Dominik Starck, was released on April 4, 2018 in ألمانيا. It tells the story of قناص محترف يكشف فساد وكالته بالتحقيق في امر اعظم قناص في العالم. This is a فعل, إثارة film with a runtime of 87 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 3.8/10 from 148 viewers.
Dominik Starck
بدور Director
Everett Ray Aponte
بدور Lucas Kane
Don Wilson
بدور The Dragon
Erik Hansen
بدور Joseph Kyler
Thomas Linz
بدور Ronald Smith
Dominik Starck
بدور Young Joseph
Carolina Rath
بدور Nina
Kathrin Höhne
بدور Jane Adler
Volkram Zschiesche
بدور Eric, the Cleaner
Marco Theiss
بدور Mr. DeMarco
Wolfgang Riehm
بدور Agency Director Clemens
Nico Sentner
بدور Wagner, The Dragon's Head of Security
Hannes Sell
بدور Baron
Jens Nier
بدور Hitman Austin
Dong Hyun Yoon
بدور Hitman Kenji
Thomas Kock
بدور DeMarco's Security Chief
Beatrix Klimpke
بدور Emily
Gregor Starck
بدور Baron's Bodyguard
Georg Ullrich
بدور Agency Director Clemens' Guard
Dominik Starck
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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Average movie on hitman agencies' politics for power control. Starting with hopes but later part is trails till main plot is to be known to a viewer. I only found political drama in a hitman agency to get control of main body. One time watchable not much hope.
I think this may be the worst movie I've ever seen I thought it was a carry on from hitman but it's nothing to do with that film series I advise not to watch it
There are no redeeming parts of this movie. The sound needed a foley artist to counteract the echo in most rooms. The acting was really bad but not as bad as the laughable fight scenes. No I didn't watch the entire film it is so bad I couldn't.
Poor movie scenes, poor acting, poor directing poor story telling a waste of film and time.
Three words bad, bad, and bad!!! Serious garbage and shouldn't been made. I hated everything about it.
A watchable independent film. The story is intruiging with a good twist
Hitman Agency, it should be said first, is no relation to the Hitman: Agent 47 series. The acting isn't too bad, but the choreography of fights is pathetic, and not aided at all by editing or good direction. The audio, in fact, all the production values, are so poor that they completely obscure what it seems could have been a somewhat interesting storyline.
Lucas Kane (Everett Ray Aponte ) is supposed to hit a rich man, but wait! There is another man freelancing a hit on him! Who is doing that and why? Oh wait! He works for the same agency, what is going on? Then Lucas must interrogate Joseph Kyler (Erik Hansen) a retired hitman. Where is the file old man? It all seemed pointless and the fighting had a lot of awkward moves. Guide: F-word. Implied sex. No nudity.
At a glance, HITMAN AGENCY looks to be a film that would've been found in the Cannon Group roster back in the 1980s with Michael Dudikoff, Reb Brown, or another Cannon young action staple in the younger, co-male lead and then probably Charles Bronson in the older male lead. Instead, the film plays more to Cannon's modern descendant Millenium Films; if HITMAN had more of a budget I could see the film being apart of Millenium's line of STV/VOD action/thriller films. The film plays out with a mixture of modern time as Lucas (Aponte) interrogating Joseph (Hansen) who turns out to be one of the finest hitmen to walk the earth. Joseph worked for the titular agency Lucas works for now and the young buck has to try and find what incriminating evidence Joseph has on his former employer. We jump back in time to see when Joseph first became a hitman and his journey to the present. It becomes obvious there's some power struggle at the Agency and there's more going on than Lucas knows. Comparing this film to a major studio production is ridiculous; looking at it on its terms HITMAN is entertaining and director Dominik Starck pulls as he can to dig as much drama and tension of limited resources he has. Looking past technical limitations; for me, microbudget films can make up in the acting department. Lead Aponte and Hansen are both very solid in their roles and service the material well; the pair has chemistry and I wish more of the film was these two men verbally sparring with each other. The other actors don't fare so well, on the whole many of them are stiff and don't feel fully real or relaxed in their scenes. Probably the biggest name in the film, kickboxing legend Don "The Dragon" Wilson has a rather inexplicable cameo that never clicks with the rest of the plot. He shows up, says a few lines, gets to kick an 'assassin' before he gets another scene during the credits. His cameo feels very tacked on last minute or is a move at teasing a sequel. The action, which is why I guarantee most rented this, is for the most part hand-to-hand with very, very limited gunplay. Aponte's opening fist-fight with a bodyguard gave me a bit of an eyeopener as director Starck doesn't succumb to rapid cuts and thrashing camera that numerous STV films do. Because of this, I was scratching my head if the actors were really kicking and punching each other in numerous shots or if they're that skilled at pulling punches/kicks. The rest of the action doesn't quite live up to the punch of the first fight, but this film is more interested in trying for thriller aspects and the psychology of violent people. It's not a perfect film; but on the slate of VOD microbudget films, HITMAN AGENCY tries to be more than generic action. For a $4 rental, it's worthwhile for 87min.
Sauce
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.