Richard Schenkman
بدور Director
English,Filipino,Français,Indonesian,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The دراما film الرجل من الأرض: الهولوسين, starring David Lee Smith, Doug Haley, Davi Santos, etc., directed by Richard Schenkman, was released on January 15, 2018 in الولايات المتحدة. It tells the story of القصة : يلاحظ أستاذ جامعي عمره 14000 عام أنه بدأ أخيرًا في ظهور علامات الشيخوخة. في هذه الأثناء ، يشك أربعة من طلابه به ويبدأون في التحقيق في ماضيه. This is a دراما, خيالي, خيال علمي film with a runtime of 98 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.2/10 from 11,495 viewers.
Richard Schenkman
بدور Director
David Lee Smith
بدور John
Doug Haley
بدور First Student
Davi Santos
بدور Second Student
Vanessa Williams
بدور Carolyn
Akemi Look
بدور Isabel
Brittany Curran
بدور Tara
Matt Weaver
بدور MMA Instructor
Carlos Knight
بدور Liko
Sterling Knight
بدور Philip
Ellen Crawford
بدور Edith
Annika Peterson
بدور Sandy
John Billingsley
بدور Harry
Michael Dorn
بدور Dr. Gil Parker
William Katt
بدور Dr. Art Jenkins
Shannon Welles
بدور Violet
Ricky Crawford
بدور Garcetti
Jerome Bixby
بدور Writer
Richard Schenkman
بدور Writer
Eric D. Wilkinson
بدور Writer
Emerson Bixby
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 فوزاً و43 ترشيحاً إجمالاً
نزّل أحدث حزم MovieBox للجوال وإصدارات FM ونسخ APK المتوافقة مع التلفاز. اختر الحزمة المناسبة لجهازك ومنطقتك، ثم اتبع دليل التثبيت الرسمي للحصول على أفضل توافق وأمان.
What began as a thrilling, well researched, thought invoking and beautifully crafted drama has been reduced to a teenage adventure with abrupt twists and turns with the rationale biting the dust. As John Oldman now professor Young begins to grab the attention of four of his students, who apparently are smart enough deduce reality, a needless plot turn renders them all act as 12 year old's who are just too adamant to get the candy which their parents won't let them have. A waste of time and more importantly not at all befitting the legacy the original movie left behind a decade ago.
فيلم جيد!
فيلم جيد!
فيلم جيد!
فيلم جيد!
The movie dragged for too long before the actual plot began; then 5-7 minutes before the end, after Philip leaves Professor Young's house and the others return and go to the basement, there is tremendous potential to save (i.e., actually continue) the movie. What happens to Philip? What happens to the other students? Why debate whether or not to call 911 if neither is shown? Why couldn't John set up someplace else? Why in the desert? Is he "dying"? If not, why introduce the slower healing? None of these questions are answered, the story just ends. Overall, a missed opportunity for a decent movie.
I've watched the the original "The Man from Earth" 7 years ago. Before watching "The Man From Earth: Holocene" I watched the original again just to make sure I fully understand the transition of the story. And now as I just finished watching the "sequel", I sit in front of my laptop, furiously disappointed. It shouldn't even be called a sequel, it's just a dumbed-down cheap spinoff of the original one. Only David Lee Smith acted convincingly, all the other actors and actresses were totally expendable. And what's with this weird script! It felt like script writers wanted to write a story that would appeal to the younger generation. So they added these bunch annoying college students just to make sure the youngsters can relate to that. I watched the first movie with my friends when I was just 17 years old, and we grasped everything of that movie perfectly. The first movie felt like a revelation covered with pragmatic dialogues and scenarios. This one was an insult to the first one.
This could have been a great movie if not for actors who cannot act, awful dialogs, too much music, cheap production which is not even enough for a TV series, and a script which is too contrived to be even remotely true. To add insult to injury this movie just cannot decide what it wants to be. Is it a sci-fi movie? A parable? Something else entirely? I sturdily watched the two thirds of it and then fast forwarded to the end because I couldn't stand it any longer.
"The Man from Earth" is one of my favorite movies. It is a masterful story, and David Lee Smith's portrayal of a man who was ultimately looking for a debate with other scholars held me fast. It is, however, a standalone film that has no need for a sequel. Cut to "The Man from Earth: Holocene", which can be forgiven for the no-budget presentation (heck, the first movie looked worse), and even though the actors typically have dialog that isn't insultingly bad, their lack of physical investment in WHAT they are saying truly IS bad. It can be frustrating to watch actors talking, while their arms are wrapped around their torso awkwardly, or they stand around with their arms at their sides, with body language that negates what is being SAID. Worst of all, this movie takes one of the more uninteresting aspects of John Oldman's debates about his past, and decides to dedicate an entire movie to that single concept of who he was, or what he did during a small sliver of time. Near the halfway point of this movie, it goes from "I don't get why this movie is being made, but fine, whatever" to "Oh hell naw! No you DIDN'T!" John ends up being forced to debate with one of his students, in a predicament that John shouldn't have been put into in the first place. This half hour is dreadful. It makes those who might be in the student's favor look like idiots. Whether or not I believe with either party's opinion, I think the third act should only have been considered during a rough draft discussion, then laughed off and tossed aside. never to be written into a screenplay. The "debate" and discussion that proceeds for most of the rest of the movie manages to delve deeper into a downward spiral of insipid immaturity, and every character makes the WRONG decision when it's time to act. My initial impression about a sequel to "The Man from Earth" could not have been more right: Just Let It Be. Don't Touch It. Instead, this sequel was made, and ended up puking on the unique storytelling mastery of the first movie. Skip it. Watch the first one again. As a bonus, there's a mid-credit scene that hints at a sequel. One that is guaranteed to dive deeper into that hole in which rabbits probably poop into.
I was pretty excited about this movie coming out, which may have amplified the disappointment. In retrospect I'm not sure what I expected. I enjoyed the semi open ended ending to the original "The Man from Earth", and as expected this kind of spat on that. Holocene follows John 10 years post the original movie, where he's set up a new life in a new location with a new name, and is showing signs of itching to leave again. Some of his new students accidentally discover he might be immortal, and set off to find out if he is or not. It primarily follows the students, and looks into Johns worries about his immortality possibly wearing off. It came with all of the negatives of the original with none of the wonder. The acting was average as was the production. It had none of the feel of the original movie, and just became a tacky story about an immortal guy dealing with people discovering him. I mean it even had a post initial credits scene with an FBI agent looking for John. It really feels like this should have been a spin off TV show or something, so you could at least excuse the major feel change with hopes that it'll get better. I think I'd rather a remake of the original with good actors and a better camera than continuing the way this is going. Do not trust the current rating.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
تعرّف على الطريقة الصحيحة لتثبيت Movie Box APK: أساسيات الإصدار أولاً، ثم خطوات التثبيت النظيف، وأخيراً كيفية الاختيار بين مسارات التلفاز وiOS والويب واستخدام التطبيق.
مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.