Soon-rye Yim
بدور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The فعل film The Point Men, starring Hwang Jung-min, Hyun Bin, Kang Ki-young, etc., directed by Soon-rye Yim, was released on January 18, 2023 in كوريا. It tells the story of A Korean diplomat is dispatched to Afghanistan when a group of South Korean tourists is taken hostage by the Taliban. When all measures fail and one hostage is killed, he is forced to team up with a special agent to rescue the survivors. This is a فعل, جريمة, دراما film with a runtime of 108 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.0/10 from 1,983 viewers.
Soon-rye Yim
بدور Director
Hwang Jung-min
بدور Jung Jae-ho (Diplomat)
Hyun Bin
بدور Park Dae Sik [NIS Agent]
Kang Ki-young
بدور Kasim
Kang Ki-young
بدور Lee Bong-han
Lee Seung-cheol
بدور Minister Choi
Jae-Sung Jung
بدور Vice Minister Kim
Park Hyoung-soo
بدور Park Jeon-ryak
Ahn Chang-hwan
بدور Sim Jeong-bo
Iyad Hajjaj
بدور Afghan representative
Sung-woo Jeon
بدور Cha Seo-gi
Hani al Khaldi
بدور Taliban Deputy Commander
Lee Chun-moo
بدور Mi-sook's son
Fahim Fazli
بدور Taliban leader
Go-Ha
بدور Jin-Hee
Habes Hussein
بدور Ourrani
Kwon Hyuk
بدور Secretary
Ji-Ae Lee
بدور News presenter
Jung-in Choi
بدور Hong Mi-sook
Young-soo Ahn
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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"The Point Men" unfolds as a riveting and expertly crafted hostage drama, casting an unflinching spotlight on the harrowing realities of a South Korean hostage crisis. In the grand tradition of South Korean cinema, renowned for its adeptness at translating real-life incidents into compelling, no-nonsense narratives, this film stands as a testament to the nation's prowess in storytelling. In a narrative parallel to its predecessor, "Escape from Mogadishu," the film seamlessly weaves urgency into its fabric, ensuring that the audience is gripped by the relentless pace of unfolding events. A noteworthy strength of "The Point Men" lies in its screenplay, a captivating and realistic tapestry that avoids the pitfalls of forced storytelling. The film navigates the treacherous terrain of a hostage crisis with finesse, never succumbing to contrived plot devices. The infusion of humor, skillfully executed by Kang Ki-young, serves as an additional layer of authenticity, seamlessly integrating moments of levity amidst the gravity of the situation. While the absence of elaborate action set pieces may be perceived as a drawback by some, it is a conscious choice that bolsters the plausibility of the narrative. The filmmakers prioritize the integrity of the premise over gratuitous spectacle, a commendable decision that enhances the film's credibility. In the realm of performances, "The Point Men" benefits immensely from the formidable talents of Hyun Bin and Hwang Jung-min. Although newcomers to my cinematic purview, their prowess as actors is immediately evident. Their portrayals are marked by authenticity and naturalism, adding a layer of gravitas to the unfolding drama. The chemistry between the leads enhances the film's emotional resonance, making their characters' struggles palpable to the audience. This synergy between compelling performances and a well-crafted narrative elevates the film beyond the trappings of a conventional hostage drama. As a thrilling exploration of a genuine hostage crisis, "The Point Men" captivates audiences with its honesty and unwavering commitment to true storytelling. Those anticipating elaborate action sequences may find themselves disappointed, as the film deliberately eschews such embellishments in favor of a more grounded depiction of events. However, for aficionados of sincere and gripping narratives, this film emerges as a compelling addition to the genre. It's a testament to South Korean cinema's ability to delve into complex, real-world scenarios, presenting them with authenticity and an engrossing narrative that resonates long after the credits roll.
فيلم جيد!
It's taken a while for this true story about the 2007 hostage crisis in Afghanistan to come to the screen but it was worth the wait. This movie isn't a non stop action thriller like Escape from Mogadishu. It deals realistically with the process of negotiation with the Taliban step by step with mistakes and all the back and forth dealings. This isn't boring - it's fascinating. The acting is fine. As the negotiator Hwang Jung Min is a superb actor totally convincing - check him out in Narco Saints. Hyun Bin looks sufficiently bronzed and bearded to play a Korean who has been there for a while and knows the ways of the country. Although he has one tense action sequence his character is not a superhero here and that's good. He screws up too. When it's a true story like this one you don't need unrealistic heroics. Need to understand missionaries were not welcome there because of the religious aspect but volunteers to help the people were. Production is top notch with on location filming in Jordan and the hellish atmosphere of Afghanistan captured well. You can almost feel the heat and dust. The viewer is brought face to face with the Taliban and that's better than some of the Hollywood treatments of the subject which seem redacted and remote like Zero Dark 30. No torture here or focus on the killings. There is an overwhelming lesson here about not recklessly going into dangerous countries especially when warned. See all the trouble it caused.
In 2006 a group of South Korean missionaries was taken hostage by the Taliban in Afghanistan. The very conservative moslim Taliban are no friends of anything other than their own belief, and as soon as they find out that the hostages are not volunteers, as they make them believe, they give the other side a hard time to get them released. It results in a complicated poker game of exchanges of hostages, prisoners and money. Hyun Bin is almost like a Korean James Bond involved in this action drama that contains a few very gripping scenes. Especially one pursuit is very well made. The whole story is well told down to every detail.
I'm an egyptian, don't know much about Afghanistan other than what's on the media (which is not true most of the time) but anyway i have that stereotypical image of Afghans and Taliban. I like that the movie is based on a true story, the makers did not hide the fact that the missionaries were going "to spread Christianity" in a "strict Muslim country" and they showed both sides of Afghanistan, kind people who believe in peace and respect to all humans and extremists who use violence for their own benefits. Not here to defend my religion or give lectures about Islam, but it breaks my heart that people might think most of us are extreme, but I wanna thank the makers for showing that being extreme has nothing to do with religions. Also, love the locations and sets, even the editing is fabulous, i felt convinced most of the time. Huge applause for the cast, Hyun Bin sir your dedication to every character never fails to amaze me.
In 2006 a group of South Korean missionaries was taken hostage by the Taliban in Afghanistan. The very conservative moslim Taliban are no friends of anything other than their own belief, and as soon as they find out that the hostages are not volunteers, as they make them believe, they give the other side a hard time to get them released. It results in a complicated poker game of exchanges of hostages, prisoners and money. Hyun Bin is almost like a Korean James Bond involved in this action drama that contains a few very gripping scenes. Especially one pursuit is very well made. The whole story is well told down to every detail.
It's taken a while for this true story about the 2007 hostage crisis in Afghanistan to come to the screen but it was worth the wait. This movie isn't a non stop action thriller like Escape from Mogadishu. It deals realistically with the process of negotiation with the Taliban step by step with mistakes and all the back and forth dealings. This isn't boring - it's fascinating. The acting is fine. As the negotiator Hwang Jung Min is a superb actor totally convincing - check him out in Narco Saints. Hyun Bin looks sufficiently bronzed and bearded to play a Korean who has been there for a while and knows the ways of the country. Although he has one tense action sequence his character is not a superhero here and that's good. He screws up too. When it's a true story like this one you don't need unrealistic heroics. Need to understand missionaries were not welcome there because of the religious aspect but volunteers to help the people were. Production is top notch with on location filming in Jordan and the hellish atmosphere of Afghanistan captured well. You can almost feel the heat and dust. The viewer is brought face to face with the Taliban and that's better than some of the Hollywood treatments of the subject which seem redacted and remote like Zero Dark 30. No torture here or focus on the killings. There is an overwhelming lesson here about not recklessly going into dangerous countries especially when warned. See all the trouble it caused.
فيلم جيد!
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.