Keith Sutliff
بدور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The جريمة film The Refuge, starring Keith Sutliff, Julien Cesario, Matthew Webb, etc., directed by Keith Sutliff, was released on July 22, 2019 in الولايات المتحدة. It tells the story of A getaway driver finds himself in harm's way when he gets caught up in a job involving casino heist money leading to a debt over his head. This is a جريمة, دراما, إثارة film with a runtime of 98 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 2.8/10 from 1,640 viewers.
Keith Sutliff
بدور Director
Keith Sutliff
بدور Markus Hunter
Julien Cesario
بدور Frank
Matthew Webb
بدور Watts Riley
Cheyenne Buchanan
بدور Dixon Jones
Tom Conlan
بدور Virgil
Martin Copping
بدور Zander
Stefanie Estes
بدور Rachel
Tien Pham
بدور Vernon Boyd
Demetrius Stear
بدور Edwin
Reine Swart
بدور Staci
Keith Sutliff
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 فوزاً و43 ترشيحاً إجمالاً
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DO NOT BELIEVE THE RATING. Total rubbish. 1/10 maximum. Writer?/Director?/etc owes me 90 minutes of my life back.
This movie is terrible. Listed today as 7.9/10 with 1,303 votes, this rating is only possible with paid-for ratings. It's not worth explaining how bad it is. Just don't see it.
Simply don't, it's cheesy and boring. The whole film is just the main character (who happens to be the culprit of this disaster of a movie) talking in his phone driving his car.
I was another sucker believing the rating of over 8. The first 13 minutes is a guy driving his car around while the opening credits are being displayed. Then guess what the rest of the movie is predominately the guy driving his car around. I kept skipping forward and still hit him driving again, it is a 0 star movie.
This is absolutely not a 7.5 rated film. It's one of those "written by, directed by, produced by, edited by, casting by, starring.... you guessed it, the same person". Terrible writing, acting. Must be a lot of reviews from the "star's" friends as its a solid 3 star film and worth skipping.
Who ever gave this such a high score must have slept through it or it was given by Keith Sutcliff himself. Avoid at all costs.
It's a decent story and some of the images are gorgeous. But but but .... why oh why why is most of the movie spent on driving for endless stretches of time? How did this boring film score 8.2?
Do yourself a favour, grab an Uber and film it, probably be more interesting. Rubbish Rubbish Do not watch.
Truth is my first, and of all the driver,chauffour and wheelhandler movies ive seen this must be some of the most paralysing and lame events ever. you are for 60 minutes sitting in the backseat of a car listening to a growling engine, making turns and turns over and over. and nothing really happens. the rest is just humbug. ive been scammed thinks the grumpy old man, except for the score that save a bit of the glory of making a feature length film, and its sad to say that is the only interesting part of this flick, and it is a 2 at max.... stay away from this if you consider it,
I, like others, took the (initial) 8.7 rating as being indicative of a quality piece of cinema. In fact, my expectations were such that I, sad to say, watched this entirely from beginning to end. As the movie progressed, through endless and pointless driving scenes and occasionally broken up by new characters woodenly reciting lines that were not only cliched but didn't really help to build up any story, I grew increasingly disbelieving. Surely there would some pivotal moment that would occur to kick things into a higher gear? There was not. Surely there would be a revelation that would give all the proceeding driving / corner turning / gear shifting / checking of traffic / poker-faced acting some context and meaning. There was not. Once I realised that nothing was going to happen I was so close to the end of the movie I thought I might as well keep going. No surprise that the ending is just as terrible as the rest of the movie. Redeeming points - the visuals of LA at night (which is the only state you get to see anything in the movie - it's ALL filmed at night time) are nice. The sound track was pretty good, I thought, and perhaps the sole reason I managed to keep going. Normally I would not leave such a scathing and nasty review, however it's clear from the ratings that 'someone' manipulated things to get it to 8.7 in the first place. As this number is about 7.7 higher than what the actual rating should be, this is a real no-no. Avoid, avoid, avoid, but do keep an eye out for the sound track.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.