Barbara Eder
بدور Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The TV series The Swarm, created by Steven Lally and produced by an unlisted studio, first premiered on September 12, 2023 in ألمانيا. The series spans 1 season with 8 episodes, featuring the voices of Alexander Karim, Cécile de France, Leonie Benesch, and Joshua Odjick. It follows the story of فيلم إثارة إيكولوجي حول الترابط الدقيق بين البشرية والأرض. This is a دراما, أُحجِيَّة, خيال علمي series and has received a rating of 5.9/10 from 7,732 viewers.
Barbara Eder
بدور Director
Philipp Stölzl
بدور Director
Luke Watson
بدور Director
Alexander Karim
بدور Dr. Sigur Johanson
Cécile de France
بدور Dr. Cécile Roche
Leonie Benesch
بدور Charlie Wagner
Joshua Odjick
بدور Leon Anawak
Takehiro Hira
بدور Riku Sato
Krista Kosonen
بدور Tina Lund
Rosabell Laurenti Sellers
بدور Alicia Delaware
Barbara Sukowa
بدور Prof. Katherina Lehmann
Oliver Masucci
بدور Capt. Jasper Alban
Klaas Heufer-Umlauf
بدور Roscovitz
Lydia Wilson
بدور Sara Thompson
Takuya Kimura
بدور Mifune
Sharon Duncan-Brewster
بدور Samantha Crowe
Alba Gaïa Bellugi
بدور Isabelle Roche
Alessandra Arcangeli
بدور Lilitha
Andrea Guo
بدور Jess
Astrid Meloni
بدور Mother
Bruce McGuire
بدور Clive Roberts
Steven Lally
بدور Writer
Marissa Lestrade
بدور Writer
Frank Schätzing
بدور Writer
Chris Lunt
بدور Writer
Michael A. Walker
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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Best series 🤍
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Us are big girls open to you soon are
Watched. 10/10
The actors are just bad, there's a lot of staring and every dialogue seems tense and passive aggressive for some reason, I think they tried to create character depth with some sort of relationship backstory between the main characters. Doesn't work. Every episode feels so incredibly boring. CGI looks bad. The sound effects are horrible (why does a video call have a modem dial up sound? Why does a buoy ping like a WW2 submarine?) Visuals are good, 1 star for that. Very sad to see tax payers money go up in flames like that. Even the books author doesn't want anything to do with this. I couldn't stand watching the 3rd episode.
I read the book twice and it is mind blowing to me, how they managed to ruin this originally great story. The sfx is 15 years behind, there's way too much focus on romantic relations between the chracters and the menacing story behind the swarm almost seems like a side storyline. Probably to save money, but if you choose to make a book adaptation of a great ecological disaster story, you have to go all the way. It's boring and I would've never thought you could adapt this story in a boring way. Frank Schätzing wrote the book almost in a screenplay kind of way and they could've just trusted this path.
The Swarm is definitely not a good show. Horrific acting, laughable dialogue and amateurish writing make watching it downright painful at times. On top of that it might be the worst adaption of a book I've ever seen on screen. Still, you might be able to enjoy it if you've got a soft spot for bad European television. Among all the issues that plague the show, poorly written dialogue und bad acting are probably the main offenders. A lot of the scenes are just actors who cant be bothered to act reading stilted and boring dialogue thats chock-full of exposition. Were definitely in B-Movie territory here and the few good performances we see aren't enough to save the show. The creators also did a bad job at adapting the source material. Pointless stuff is added, important characters removed and nobody could be bothered to properly update the 20 year old technical aspects from the original book. It basically feels like a bunch of semi talented individuals got together to burn film subsidies without any passion or creativity. Yes, it's that bad. Yet you might be able to enjoy the show if you want something to make fun of while digesting your Sunday dinner. There's a tradition in Germany to watch a mediocre crime drama called "Tatort" every Sunday just to hang out with friends and make fun of bad TV. The Swarm is hitting that exact same spot. Sounds good? Then cozy up, grab a bag of chips and gently doze off while watching a global desaster you couldn't care less about.
The Swarm is a bad series for me. The producers fail at the basics, no tension, excitement or emotion. The scenes are heavy handed, boring and over cautious. Typical of this when German co-produce . The book is more exciting than the series, which lacks inspiration and fails to engage emotionally. It is a prime example of worthless entertainment that has no respect for the audience. Overall, I was very disappointed with the series and the producers should do a better job of meeting audience expectations and treating the audience with respect. The Swarm is a bad series for me. The producers fail at the basics, no tension, excitement or emotion. The scenes are heavy handed, boring and over cautious. Typical of this when German co-produce . The book is more exciting than the series, which lacks inspiration and fails to engage emotionally. It is a prime example of worthless entertainment that has no respect for the audience. Overall, I was very disappointed with the series and the producers should do a better job of meeting audience expectations and treating the audience with respect.
I heard a few bad things before watching. I don't agree with them. Having seen three episodes so far, it seems to be a good show. Of course, there are five more episodes to go. We will see if they change my mind. What's good so far is the build up of suspense. You get the idea that there is something up pretty fast, but you are kept clueless about the details. Some think it's a bit long-winded, but I like the pace of the first three episodes. They saved money and kept the action/disaster scenes a bit short, but I don't mind that too much. I read the book when it came out, almost 20 years ago. I don't remember much, so I don't mind that there are differences.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.