Kris Carr
بدور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The رعب film The Young Cannibals, starring Megan Purvis, Benjamin Sarpong-Broni, Kim Spearman, etc., directed by Kris Carr, was released on October 5, 2020 in المملكة المتحدة. It tells the story of Seven friends summon a monster when they are tricked into eating burgers made of human flesh. This is a رعب, إثارة film with a runtime of 100 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 3.8/10 from 1,365 viewers.
Kris Carr
بدور Director
Sam Fowler
بدور Director
Megan Purvis
بدور Nat
Benjamin Sarpong-Broni
بدور Ethan
Kim Spearman
بدور Frances
Samuel Freeman
بدور Teddy
Hannah Louise Howell
بدور Pippa
Martin Thomas
بدور Campbell
David Patrick Stucky
بدور Blackwood
Michael Haynes
بدور Mike
Anthony Wakefield
بدور Haines
James Knapp
بدور Mason
Iacopo Paradisi
بدور Reid
Tony Manders
بدور Tim
Annie Ray Williams
بدور Psychiatric Patient
Debden Clarke
بدور Receptionist
Abby Fowler
بدور Girl in the Red Bandana
Charles Clarke-Devonald
بدور The Monster
Ben Frederick
بدور The Monster
Ashton Bell
بدور The Monster
Kris Carr
بدور Writer
Sam Fowler
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 فوزاً و43 ترشيحاً إجمالاً
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source: The Young Cannibals
source: The Young Cannibals
Seemed to have some promise when it started out, up until the point where the kids were left in the woods (and why the old nutjob left the van with them rather than tossing them out and driving off, no one will ever know). After that, it got pretty boring because there was just too much time between attacks, and I started fast-forwarding to see if there was any decent gore (and there was some). The monster looked like someone dressed in a monster suit, so wasn't particularly scary. For me, the real entertainment I get out of a monster flick is either comedy or gore (or both), and this didn't have enough of either. The ending was kind of funny though (the real ending, not the little scene at the end of the credits)
I believe the film is set in Snowdonia? So how do they walk for 2+ days without finding some sort of civilization? They could of literally walked across the country in that time far away from any monster. Pretty bad writing but everything else about the film is impressive for a low budget.
Overall Young Cannibals is your typical low budget horror flick. Not a great movie, but not bad. It did a decent job with what it was given. The actors are pretty good, the monster effects were decent, and the story is actually rather original. The main two problems I had with the movie was that it took a while to start. They spent about half an hour setting up the plot, which was excessive. They could have basically had it all done in about 5 minutes and gotten the ball rolling. A bit too much of an attempt at being deep and artistic. It's a low budget horror, it's not art, so don't try. Second issue was that the monster's rules were kind of erratic. Sometimes it's the slow creeping doom that stalks up on them. Other times it seems to be able to instantly appear wherever it needed to be. It might be methodical at one point, and then be able to grab someone and vanish like a ninja in a heartbeat. I think they needed to nail that down to be more consistent. Other than that, it's a quite enjoyable movie. Nothing award winning, but a decent way to kill an evening.
...hence my note. I'm not a production shill nor an idiot. I'm not comparing this movie to, say, Rosemary's Baby by giving it that rating, but I have no problem admitting that I really felt the urge to try to compensate a bit for the unfair average that it's holding currently - a 4 out of 10 as I write this -. It's a nice, low-budget creature feature made by and for people with a lot of love for 80's horror, and it shows. They achieved a nice atmosphere, cinematography was okay and made good use of the locations, camerawork was competent and, generally speaking, they achieved something that, for my money, is a nice and entertaining creature-in-the-woods flick that held my attention and didn't felt like it was insulting my intelligence. Oh, by the way, I'm sure that some people will downvote this review just because of what I'm about to say, but I don't care - I'm sure that it might help some people who come in here and look at reviews to help decide what to watch on movie night -: this movie is completely, 100% woke-free. As this is becoming something increasingly rare and, consequently, sought-after by certain people, I'm certain that this PA bit is bound to be helpful for someone. To the filmmakers, good job and thank you. Please make more, I'm eager to support them as you keep making them.
This movie has an interesting premise, but it goes nowhere. The acting is poor and the story is hard to understand for as simple as I think it is supposed to be. At the end of the day, not much happens and not much is scary. Its below average cannibal horror.
Its actually pretty good for the genre. Some scenes are just painful but overall with a name like "Young Cannibals" don't expect anything other than its genre.
Main character is fleeing the demon, and jumps in the car outside the antagonist's house. Car won't start, monster is coming. The antagonist will probably come out of the house when he hears the engine clattering refusing to start. The demon will probably catch up to her and leap onto the car. So what does she do? She looks behind her and sees a birthday present on the backseat. So she stops what she is doing to open it, and then has an emotional crying scene because it was such a touching and thoughtful gift. She then gets out of the car and grabs a broken bottle neck that she holds straight up in the air like Thor summoning lightning. She then faces the house which has all of its lights on and proceeds to open the door and use her flashlight to light the way in the house that has its lights on. The demon catches up to her and she throws herself out of the upstairs window. But did the demon break out of the mental hospital to be here tonight? No. He. Did. Not. That demon turns around and sensibly takes the stairs. Which gives the final girl 1 minute to remember she needs to push the button to start the car, and 2 minutes to continue to feel sorry for herself. But it doesn't end there.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.