Joel Schumacher
بدور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The جريمة film تعدي, starring Nicolas Cage, Nicole Kidman, Cam Gigandet, etc., directed by Joel Schumacher, was released on October 21, 2011 in الولايات المتحدة. It tells the story of تتعرض عائلة (كايل) للمهاجمة من قبل عصابة طالبة لفدية، ووسط أجواء مشحونة بالغضب، الخوف، والمساومات الدائرة، يكتشف (كايل) أن زوجته (سارا) كانت تخونه مع أحد أفراد هذه العصابة. This is a جريمة, دراما, أُحجِيَّة film with a runtime of 91 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.3/10 from 47,278 viewers.
Joel Schumacher
بدور Director
Nicolas Cage
بدور Kyle Miller
Nicole Kidman
بدور Sarah Miller
Cam Gigandet
بدور Jonah
Ben Mendelsohn
بدور Elias
Liana Liberato
بدور Avery Miller
Jordana Spiro
بدور Petal
Dash Mihok
بدور Ty
Emily Meade
بدور Kendra
Nico Tortorella
بدور Jake
Brandon Belknap
بدور Dylan
Terry Milam
بدور Travis
Tina Parker
بدور Security Operator
David Maldonado
بدور Security Guard
Nilo Otero
بدور Mr. Big
Simona Williams
بدور Mrs. Big
Matthan Harris
بدور Party Guest
Mitch Landry
بدور Bar Patron
Christopher Márquez
بدور Party Goer
Karl Gajdusek
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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source: Trespass
Very obvious and predictable home invasion film. Nothing special or new about this films plot in which hasn't been done before. A wealthy businessman (Nicolas Cage) and his wife (Nicole Kidman) and daughter living in large house gets intruded by burglars wanting to take their diamonds and cash. The acting in this film is decent but several lines and moments come off unintentionally funny. Very little suspense and a plot that doesn't fully reached its peak.
Trepass wants to be taken seriously. It has Oscar nominated (and winning) actors, high production value, and a proved tension scenario (held hostage in home). Everything goes wrong for the home invaders, and everything goes wrong with this movie. I gave up when a teenager with her hands duck taped behind her back ripped it free with little effort. Have you ever tried to tear duck tape? The home invaders argue with each other like they care less about obtaining what they have risked life and freedom to get. The whole script seemed implausible and no matter how good the acting I just could not buy it. I thought I had seen bad movies until I saw this one. Watch at your own peril of being total disgusted when it is over.
I am stunned that there was an actual screen writing credit. The script meanders all over the place and never really gets anywhere interesting. None of the characters are likable enough to garner much concern. Fully understanding that is stars Nick Cage, it is over acted and underwritten. The characters are so unsympathetic that you kind of hope that they will not make to the end of the film. The characters switch allegiance so quickly, it is nearly impossible to keep track of who is on what side at any given moment. The weak plot wanders through the film like the Mississippi and leaves nothing but a build up of silt in it's wake. The story is so improbable, it is impossible to suspend enough belief to settle into the film. Save the 2 hours of your life for watching paint dry. It will be more satisfying.
My review of this film is going to hurt someones feelings, so I will make it brief. I love Nic Cage. He has brought some memorable characters to the screen with a lot of flair and style. But, with that said this movie was a cliché from the very start. It sort of reminded me of Match Stick Men and the movie Bruce Willis,"Hostage". Pretty much the same story line and ultimate climax. Kidman was really never one of my favorites. She always looks like she's about to jump out of her skin, but never does. Overall, predictable acting. Maybe Nic needed the money to pay off his debts to the IRS, I don't know, but please, find a better script. I would like him to do something more believable. Sorry Nic.
If you thought having high-profile stars like Nicolas Cage and Nicole Kidman feature in a film could save it, then think again. 'Trespass' is proof that names mean nothing and why you should never judge a film by whose in it. Home-invasion films have never been my thing but this one stood out as being particularly bad. The script is just dire and it's only so long before the constant screaming and shouting starts to become unbearable. Cage and Kidman, while admittedly working with some terrible material, are far from convincing in their roles. Too many of the scenes in 'Trespass' feel unrealistic and repetitive and there's a good chunk in middle of the film that goes absolutely nowhere. The constant crying and screaming really grated on me after a while and the credits couldn't roll quick enough. There are a lot of stinkers in this sub-genre, but none quite as bad as 'Trespass'.
I have been a great fan of Nicole Kidman since she starred in Vietnam, but not anymore. She is so pumped up with botox that she has no expression in her face anymore. Her lips remind me of a goldfish. Shame. I always found Nicolas Cage boring and without charm or sex-appeal, but I guess for this role he was also supposed to be a boring husband. There were no expression in his eyes. Why did they not run after help? Every time they left the house they came back again without the police. Avery Miller did the best job in this movie. Her role was more realistic as a teenager and the acting was good.
Down on his luck diamond dealer Kyle Miller (sharply played by Nicolas Cage) and his wife Sarah (a fine portrayal by Nicole Kidman) have their swanky mansion invaded by four desperate burglars in ski masks. Director Joel Schumacher relates the enjoyable and absorbing story at a quick pace, generates a good deal of tension, and beings a pleasing polished style to the proceedings. Karl Gajdusek's clever script delivers a few neat twists and turns. The sound acting from the capable cast helps a lot: Cam Gigandet as the psychotic and delusional Jonah, Ben Mendelsohn as ruthless ringleader Elias, Liana Liberato as fed-up teen daughter Avery, Jordana Spiro as antsy junkie Petal, and Dash Mihok as the brutish Ty. A cool little nail-biter.
This movie actually has about 30 good minutes. Then it completely runs out of credibility, piece by piece until the film-makers reach a point of complete absurdity. . . almost making the ever continuing run of completely absurd incredulous scenes seem funny. I doubt this is the kind of entertainment that they think they are providing, however. Wonderful Nicole Kidman works way too hard for this kind of thing to have happen, in my opinion. The technical aspects of the film are fairly well handled, no question. But if you go to the movies to be entertained by a natural sequence of events leading to a credible entertaining story, this film is only going to make you madder and madder. . . that you are still watching it.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.