Danny Boyle
بدور Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The TV series Trust, created by Simon Beaufoy and produced by an unlisted studio, first premiered on March 25, 2018 in المملكة المتحدة. The series spans 1 season with 10 episodes, featuring the voices of Harris Dickinson, Donald Sutherland, Hilary Swank, and Luca Marinelli. It follows the story of In 1973 Rome, John Paul Getty III, the heir and younger member of an oil tycoons' clan, is kidnapped by the Italian Mafia in order to get a ransom. This is a سيرة ذاتية, جريمة, دراما series and has received a rating of 7.5/10 from 8,863 viewers.
Danny Boyle
بدور Director
Dawn Shadforth
بدور Director
Jonathan van Tulleken
بدور Director
Susanna White
بدور Director
Emanuele Crialese
بدور Director
Harris Dickinson
بدور J. Paul Getty III
Donald Sutherland
بدور J. Paul Getty
Hilary Swank
بدور Gail Getty
Luca Marinelli
بدور Primo
Anna Chancellor
بدور Penelope Kittson
Anna Chancellor
بدور Penelope
Brendan Fraser
بدور Fletcher Chace
Silas Carson
بدور Khan
Michael Esper
بدور J. Paul Getty Jr.
Francesco Colella
بدور Leonardo
Mauro Lamanna
بدور Dante
Hannah New
بدور Victoria
Nicola Rignanese
بدور Don Salvatore
Nicola Rignanese
بدور Salvatore
Niccolò Senni
بدور Fifty
Amanda Drew
بدور Belinda
Sophie Winkleman
بدور Margot
Charlotte Riley
بدور Robina Lund
Charlotte Riley
بدور Robina
Laura Bellini
بدور Martine
Laura Bellini
بدور Martine Zacher
Sarah Bellini
بدور Jutta
Sarah Bellini
بدور Jutta Winklemann
Simon Beaufoy
بدور Writer
Alice Nutter
بدور Writer
Brian Fillis
بدور Writer
John Jackson
بدور Writer
Harriet Braun
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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Castle Rock Entertainment
21 فوزاً و43 ترشيحاً إجمالاً
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I was interested in what happened to grandson. Each episode is so SLOW moving a turtle is faster. It is so slow moving that I will look up outcome on internet. Stretching this till next season - their nuts. A complete waste of time.
The screenplay is perfect, the performance of the actors is flawless, Donald Sutherland's performance had to be mentioned alone: outstanding and couldn't really tell that he was acting, the choice of the actors is very neat. The events provoke my mind in a very twisted way. I hope they go for season 2 and 3.
8 reviews thus far, that surprises me. It also doesn't surprise me at all. It is not fast paced, semi-funny, cheap Netflix content, therefore not appreciated. The synopsis is very interesting, the story-line intriguing. The acting rock solid, no-one exempted. Characters al have proper backstories and are interesting from the get go. The pilot had all the ingredients of a great show.
I recently saw the Ridley Scott version of this story (you know, the one that does not have Kevin Spacey in it any more) and I just had to post and say, this just totally blows that out of the water. That was a mediocre movie, not even beautiful, which is the least I'd expect from Ridley, but this is just fantastic, on every level. The sheer charisma of this film-making is an utter joy to behold and evident across the direction, the performances, thumps out of the soundtrack, every part of this production is innovative, dazzling, fizzing. My only slight, slight criticism is that the 4th wall breaking stuff from Brendan Fraser is too inconsistent and should have either been ditched or made much more of, more often. I guess they thought it was gonna be a big 'feature' when they were writing it and filming it, but then in the cutting room found they just had so much gold, they just didn't know what to do with it all! Jump on the ride here, its fab and you wont regret it.
Nice scenery - seems to be well written but I will not watch any more of this series. I like to like the characters and hope that they do well. In this I do not care what happens to Paul III . It is of no matter to me. He is a profligate self indulgent piece of nothing . Witness his true life and see what happens to him . Furthermore I will not watch any program that is 50 % commercials as is this. I am tired of being used to bolster the networks works bottom lines.
This is a tragic but true story surrounding THE most wealthiest family in the entire world. J. Paul Getty during the 1970's WAS THE richest man in the entire world and he was portrayed in this biography by esteemed actor Donald Sutherland who bares an uncanny resemblance to the real J. Paul Getty. The first episode titled, The House of Getty, focuses on the death by drugs and by harakiri suicide of J. Paul Getty's eldest son George. The aftermath of the suicide represents what this dysfunctional families inherent wealth and power breeds. After the funeral J. Paul Getty is witnessed alone in his room berating his remaining heirs that are his other four (4) sons, three (3) of which are simultaneously hiding in one of their fathers mansions bathrooms sharing a cigarette and talking negatively about why none of them want to accept the responsibilities that their now deceased brother George once held. It is during the aftermath of George Getty's funeral that a dishevelled and inappropriately dressed teenager named John Paul Getty III shows up at his grandfather's mansion with a plan in mind to either request or steal sufficient funds from his grandfather that would allow him to return to Rome and continue partying which is where he most recently was residing and enjoying his young life. Donald Sutherland's portrayal of J. Paul Getty the richest man in the world is electrifying and one of a man who lived and shared money like a miser would, with no friends, far too many ex-wives, five (5) sons and a harem of mistresses who reside in his mansion and are available to him on his beckon call 24 hours per day and night. The opening episode is far from the over the top opulence and skulduggery of such former TV series such as Dallas, Dynasty and Flamingo Road. Instead, we are witnesses to a Getty family and his servants and mistresses that are all fearful of the man at the very top and who tend to walk on eggshells around him, cautious not to say the wrong thing in his presence. I was very impressed with this opening episode and I am looking forward to seeing in future episodes of this Tv mini-series how J. Paul Getty reacts to the news of his grandson's presumed kidnapping in Rome.
This series started with amazing camera work, and continued very strong the whole first episode. It's interesting to compare it to the movie - and the series are better in every way. Better music, better acting, better directing, better everything. This proves once again that cable and pay TV have surpassed the movies when it comes to storytelling. It's also interesting to see how fluid and entertaining Danny Boyle tells the story compared to RidleyScotts boring directing and telling of the story in the movie. This series is really promising, and after one episode it has already set the sights very high. Looking forward to the rest.
فيلم جيد!
فيلم جيد!
فيلم جيد!
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.