Kunal Deshmukh
بدور Director
The دراما film عندما وجدتك, starring Emraan Hashmi, Soha Ali Khan, J. Brandon Hill, etc., directed by Kunal Deshmukh, was released on July 22, 2017 in الهند. It tells the story of في الهند، وبالتحديد في مدينة مومباي، وعقب حدوث فيضانات كبيرة، يحاول اثنان من المزارعين مواجهة الحياة العصيبة عقب الفيضان الذي يهدد الحياة في تلك القرية. This is a دراما, رومانسي film with a runtime of 140 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.1/10 from 2,059 viewers.
Kunal Deshmukh
بدور Director
Emraan Hashmi
بدور Akshay
Soha Ali Khan
بدور Sanjana
J. Brandon Hill
بدور Anthony
Sachin Khedekar
بدور Sanjana's Father
Rituraj Singh
بدور Mr. Oberoi
Kumaar
بدور Writer
Sayeed Qadri
بدور Writer
Ankur Tewari
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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muje TU emran ke movies se zyada movies ke songs Pasand hai
فيلم جيد!
plz send this movie
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Tum mile
I am giving it 10 star just only because my favorite actor imraan hashmi and Song Dil ibaadat and God gifted voice KK🙂.
This movie is not worth your time, trust me. This is what you get when Bollywood attempts to make a cross between Hollywood's 'The Day after Tomorrow and Titanic'. This is really a poor exploitation of the 2005 Monsoon/Maharashstra disaster floods. Watch it only if you are a fan of one of the two leads(Emraan Hashmi and Soha Ali Khan) and have to see all their films to complete your collection. You might find yourself hitting the fast forward button during some scenes but don't worry, you're not being impatient, the film is just really boring for the first hour and a half until the action starts.
Trapped in the deluge of 26 July, 2005, carefully navigating around half-submerged vehicles and dodging death on the flooded streets of Mumbai, Emraan Hashmi tells Soha Ali Khan that the first thing he's going to do when he gets home is watch Sholay. It is my humble suggestion that the makers of this film, Tum Mile go straight home and watch Sholay themselves. Some lessons in screenplay writing and basic shot-taking wouldn't hurt. A story of former lovers who part acrimoniously, then suddenly come face-to-face one day when everything and everyone around them is falling apart in the torrential downpour, Tum Mile is intended as a poignant drama about how a life-changing event makes this couple realise that they've always loved each other. The problem is there's not enough drama in the screenplay to begin with. The first half of Tum Mile is spent setting up the relationship between Emraan and Soha, who play Akshay and Sanjana, a struggling artist and a successful journalist in Cape Town. Over the course of an hour we watch as they meet, fall in love, squabble, and ultimately part ways. The deluge, by the way, is yet to come. Post-intermission, the action shifts to Mumbai where the couple is reunited years after calling off their relationship. Wading through waist-deep waters, Akshay and Sanjana contemplate their failed romance. For the next hour or so they yak incessantly, boring you to death with their supposedly-profound realisations. Where's the action, you ask? Well, there's hardly any. You do get one good scene in which they're trapped in a dilapidated building whose wall crumbles against the force of water, compelling them to race in the opposite direction. Ripped straight out of James Cameron's Titanic, it's the only exciting scene in this tiresome film. Tum Mile suffers also on account of its uninspired leads, Emraan Hashmi and Soha Ali Khan who appear bored out of their wits going through their scenes. They fail to strike up any romantic chemistry whatsoever, and perform so monotonously, you can't be blamed for disconnecting from their supposed pain. The film's special effects are unimpressive, and the photography is uniformly flat. I also want to point out in particular how unflatteringly Soha Ali Khan has been photographed. The actress ought to sue the film's director and cinematographer for how carelessly they shoot her. Tum Mile has a hummable score, but it doesn't succeed on most other counts.You may survive the floods, but Emraan and Soha's irritating dialogues will most certainly kill you!
Cant understand.Film is really boring.Just felt like my house was getting flooded
I was one of the victims stranded for hours in the very same floods that this movie was supposed to portray. Believe me when I say no man that day would have been in romantic mood even if he met the girl of his dreams. But this is Bollywood which is very well known to dupe people by making movies on serious subjects and then change it into a pansy romance-comedy- drama...etc... Emraan Hashmi as usual was the expressionless + emotionless moron who gets the girl without much effort and chase (wonder why it doesn't work for me?). Soha Ali too didn't add much value to the film, well she is an old horse (cannot carry the entire movie on her shoulders when everyone is doing such a bad job). Don't watch it even if it was given to you for free.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.