Travis Stevens
بدور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The رعب film تزلف مجروح, starring Sarah Lind, Josh Ruben, Malin Barr, etc., directed by Travis Stevens, was released on December 1, 2022 in الولايات المتحدة. It tells the story of قاتل متسلسل يجلب ضحية جديدة مطمئنة في عطلة نهاية الأسبوع لإضافة جثة أخرى إلى عدده المتزايد باستمرار. This is a رعب film with a runtime of 91 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.4/10 from 4,191 viewers.
Travis Stevens
بدور Director
Sarah Lind
بدور Meredith Tanning
Josh Ruben
بدور Bruce Ernst
Malin Barr
بدور Kate Horna
Katie Kuang
بدور Leonora
Laksmi Priyah Hedemark
بدور Julia
Tanya Everett
بدور Wendy
Marshall Taylor Thurman
بدور The Red Owl
Neal Mayer
بدور The Auctioneer
Nikki James
بدور Joanna Bancroft
Leandro Taub
بدور Marcel Champ
Nathan Faudree
بدور Writer
Travis Stevens
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 فوزاً و43 ترشيحاً إجمالاً
نزّل أحدث حزم MovieBox للجوال وإصدارات FM ونسخ APK المتوافقة مع التلفاز. اختر الحزمة المناسبة لجهازك ومنطقتك، ثم اتبع دليل التثبيت الرسمي للحصول على أفضل توافق وأمان.
فيلم جيد!
source: Untitled Project
It starts off with a combination of good setup and a suggestion for something deeper (The Furies of Greek mythology). However, the last 2/3 devolves into music video land with cool visuals, but non-existent coherence. It also abandons any semblance of the story when this happens. Did you like how Lords of Salem gave up on itself towards the "climax"? Are Steven Seagal movies too complex for you to follow? Let me state, once again, the visuals and style were cool, but could've been served by chopping up the ending with a good song. Everyone knows music videos doesn't need coherence either. Blech!
If you are looking for an art-drama- Ancient Greek horror, this is your movie! Maybe you will like it, maybe not, but still, it's original as it gets. Even if i was not a Greek, i would still like it. There is a 70's aesthetic, great cinematography, it's a stylish and "sophisticated" movie but its not pretentious or artsy in a bad way. I have watched many "style over substance" movies, this is not one of them. But if you prefer your horror movie to be more straightforward, scarier or grittier, maybe you won't like this one. First part is intense though, more "traditional horror". But the second part is something else. It gets crazy, weird, bizarre, original and creative, paranoid, like a hallucination. Josh Ruben's acting seems kinda awkward but it's exactly as the director asked from him. At least, i think so. In a way, this weird acting fits perfectly in this weird movie. Lind is great, too. I am not saying that it's a perfect movie. There is a thin line between originality and ridiculousness, and balancing in this line, is difficult. There are many people that won't like it because they will find it nonsensical, ridiculous, artsy. I can see why this is polarising. As i said, it's not an easy balance. In my opinion though, this movie succeed. And there is the most strange/unexpected ending i have watched recently, but i like it too. In any case, it is satisfying.
I had no idea of what was going on after the halfway point in this film. The first act was great. Nice premise, great acting, good environment, and setting up to be quite the thriller. The second act however goes completely off the rails. I'm not sure what they were thinking. It turns into a 1970s psychological drama and you can't determine what is real and what is not. This is one of those films I wish they had tested with audiences before completing the entire thing because I'm confident most who watched it were equally confused by the end. What was the purpose of the owl? How did these people come to life?
Thoroughly enjoyable. The set up of strange goings on outside the 'weekend retreat' mixed with the "date's" (who you know has already murdered someone) narcissistic language and behaviour was a good tension builder before the inevitable rampage of Feminist tormenting revenge psyching out upon the toxic masculine 'villain' leading to hallucinatory breakdown. With an 'acting out' at the end watched on a by a stone cold killer. An exploration of trust issues in dating, and issues of what is and isn't vulnerability taken to torturous extremes for silver screen (and/or home video entertainment) extremes. And outstanding performance from Sarah Lind, Josh Rubin and Malin Barr. Fun!
To being a really good movie. I loved the Giallo look and feel of the movie. The first act really grabs the viewer with tension and some genuinely creepy moments. Act two is where things come apart a bit. Goes into overdrive with horror art, then the wheels completely fall off with the pretty ridiculous ending. I know what they were going for, but it just didn't work. The effects range from intentional 1970's bad to pretty gruesome and bloody, for those that like that sort of thing. Good performances and again, the way it was shot, to give a 70's feel, is pretty awesome. I'm sure it's a movie that I'll revisit again in the future, and I may even add it to my home BD collection if it gets a release. Not for everyone, but I do recommend to at least give it a watch and decide for yourselves. Last thing, as another reviewer here stated about this movie and that it's what Barbarian should have been - I wholeheartedly agree.
A harder taskmaster would have spun three decent movies out of this mediocre mash up. The build up shows a neat idea: throwing a 'third (wo)man' in between the usual intimate thriller duo. The 'art horror' setting, duly minimalist, had the potential to bring out the best from this simple idea (and having found I Love Dick terribly boring, hoping all along for Kevin Bacon to be revealed a murderous psychopath, this would have indeed been *cathartic*). Unfortunately half-way through the script changes gear and attempts a hallucinatory psychological thriller. They don't have the budget nor the team to meet their own expectations, and furthermore, cannot decide between two ideas which, taken separately, were interesting enough: turning Carrington's visions into Clive Barker-style monsters, or sticking unfolding the horrific potential of classical tragedy. La mayonnaise ne prend pas. The visuals are neither mad enough to justify the bargain bin quality of their effects, nor are the actors up to the self-involved monologues flaunting cultural references (despite having performed very well in the first half). The whole thing seem rather amateurish and pretentious, and the awkward conclusion remind us that the feminist vengeance flick, however exciting it once was, is fast turning formulaic.
It started good and interesting until the paranormal stuff started happening. I just wanted to see her trying to escape this derranged serial killer, not a bunch of cliche scares and ghosts made out of blankets. I liked the art in the movie. Also contained several illogical scenes. After "part two" had to stop watching as it started to get silly. Maybe the dude was hallucinating. But i didnt want to waste any more time. The acting is alright and gory stuff looked real nasty. Maybe 5 is too generous for this movie but it at least deserves a 4 for the potential it made me feel this movie had. Or maybe i just missunderstood it.
It is how it is. Cabin in the woods. That is oc where normal serial killers have their parties, This one here is like a psycho trip, of what happens when your chosen victim gets first to you and hits you really nicely on your head. You loose part of Your Brain in the process and You are fighting against Your own Demons which make You do this horrible serial killer things in the first place, I ask myself why they require me to make such a long review. It is clear to me, that this way giving away some spoilers seems rather impossible, so I will write around until the required 20 more characters are met. NOW!
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
تعرّف على الطريقة الصحيحة لتثبيت Movie Box APK: أساسيات الإصدار أولاً، ثم خطوات التثبيت النظيف، وأخيراً كيفية الاختيار بين مسارات التلفاز وiOS والويب واستخدام التطبيق.
مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.