Julián Villagrán
بدور Germán
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The مفامرة film حين فقد البصيرة, starring Julián Villagrán, Marian Álvarez, Ester Expósito, etc., directed by an unlisted director, was released on September 7, 2018 in إسبانيا. It tells the story of يتبع العمل ليلة تتقاطع فيها حياة رجل أعمال عائد للاحتفال بعيد ابنته مع مجموعة من المراهقين الهاربين، بعد حادث غير متوقع يقلب مجرى الأحداث ويحوّل الطريق إلى سلسلة من المطاردات وسوء الفهم ومحاولات النجاة. This is a مفامرة, دراما, رعب film with a runtime of 91 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.5/10 from 4,361 viewers.
Julián Villagrán
بدور Germán
Marian Álvarez
بدور Sandra
Ester Expósito
بدور Silvia
Sira Alonso
بدور Estela
Asia Ortega
بدور Gloria
Daniel Jumillas
بدور Mario
Christian Mulas
بدور El Chato
Adolfo Fernández
بدور Sargento Guardia Civil
Javier Ruiz de Somavía
بدور Luis
Marisol Membrillo
بدور Rosa
Ramiro Alonso
بدور Antonio
Font García
بدور Eduardo
Antonio Márquez
بدور Guardia Civil 1
Daniel Mantero
بدور Guardia Civil 2
Helena Castañeda
بدور Guardia Civil 3
Juan Carlos Villanueva
بدور Jefe de Departamento
Miguel Guardiola
بدور Recepcionista motel
Carmen Baquero
بدور Operadora 112
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 فوزاً و43 ترشيحاً إجمالاً
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source: When Angels Sleep
In this time and age when so many before me had grown up pointing out mistakes between scenes it is embarrassing to see something as critical as the front right lamp of the car that got smashed coming out of the JUGUETERÍA to be fully functional in the highway. That made the trip to bed for me. Good night!
This movie makes no sense at all, and it is annoying to an extrem. For instance, everytime German finds the girl he is chasing, then she hits him and kicks him and stabs him over and over again, and yet he keeps pursuing her and the same things happen, until the girl is finally so fatiqued, that he gets her. And everytime he cathes her, then he tries to explain, that he hit her friend with his car due to a accident. It makes no sense at all. But the most annoying thing is, the gril think he is a murdere, and therefore tries to get away from him, but she har a cellphone. Why doesnt she just calll the police?? Instead she uses her cellphone as a flashlight?? Then in the near end of this annoying movie, he strangels the girl. But after choking her several minutes, and you think she is dead, then she wakes up, and he is forced to drown her?? If you like getting annoyed, then this movie is just for you
So to cut it short the movie mediocre ,, BUT ,, it does have some unpredictability and the events at the second half escalate really quick .. again it is not the perfect thrill/drama mix ,, but it had some unexpected ending "for me" ,, i mean the guy is or was :D a good guy but circumstances would bring the devil out of the angel. The story is good,, even though the "chasing" looked long, the script was a bit short and direct ,, it had one unnecessary branch though , "the neighbor" i don't think that was related , The casting was very good,, the lead "Julián Villagrán" was amazing ,, his facial expressions were just perfection, and the girl "Ester Expósito" was also good ,. over-reacting and all. Overall, the movie is not amazing piece of art ,, but it was good and it works fine in the thrill genre ,, and this is maybe only the 2nd Spanish movie i watch this year so i wouldn't say i'm disappointed.
Sure, many might say it has an unrealistic plot with stupid decisions and behaviors. But to my opinion people in panic or on drugs react unconventional and paranoid. And so we see a story of two people whose bad decisions bring them more and more into trouble and the spectator is more and more upset, but yeah that is just taken out of reality.
The movie is good. Very well played, but not only. The scenario is good as well. Realistic movie, not "let's stretch our muscles and see who is the winner" stuff. People do mistakes because that's how we are. Everybody does mistakes in this movie, and I believe this is a great quality of it, not an error. I loved the pure, realistic slice of life. We are described as imperfect, making mistakes when tired, and we are tired because we try to balance the income and family. Some of us are not doing very well this, and the movie is about us. Boring? Maybe, but don't watch dramas if so.
Oh Netflix you nearly ruined the start off everybody's 2019. So a big city man who's stressful life leads him down a terrible night off ummm his life. So yeah this 20 something year old woman who also has a stressful life at home finds out the world is out to get her. Painfully the English dubbing makes you hate this movie. Us the audience are screaming for that annoying 20 something year old woman to meet up with Jason Voorhees somehow. Oh also giving out first aid cannot save anybody lifes today if you believe this woman crys. I did like the ending because the rich city man gets away with the perfect murder. Remember Netflix spent 100 million keeping "Friends" on throughout 2019.
I perfectly understand why so many people don't like this movie; people are so silly, because always in search of good happy endings, with moral, ethics, predictable sissies for endings. This movie is terrific for my own taste.because the overall scheme looks like a horror movie, the kind of feature with a very few characters but with twists endings, always the same...Here you have nothing like this/ I thought about Serge Leroy's LA TRAQUE (1975) when I saw the end of this one. A common dude, not a criminal, slowly becoming one against his will. But an opinion is like a finger print, each person has his or her own...
This was the worst movie (logically and acting) I have ever seen in my entire life. Who in their right mind chases someone all night in the woods that clearly doesn't want to be chased? If there was poor reception, how did wife make a call to husband when dispatch was closer in distance? Why didnt the main guy use the girls phone to find nearest hospital or call 911/police versus harassing the annoying character lost in the woods? Her voice and acting was so irritating.
Lame, bland, stupid movie. Lead character is very stupid that makes very stupid decisions. Any rational person who just hit someone on the side of the road would call 911 and wait for emergency services. Or try his best to get them to a hospital instead of chasing around an irrational idiot on the country back roads. The teenage girl was so stupid too. Just a terrible movie. Wish I had read the reviews before wasting my time on this garbage.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.