Louise E. Lathey
بدور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The دراما film Who Am I Now?, starring Barbara Beall, Raphaël Lecat, Joanna Gaskell, etc., directed by Louise E. Lathey, was released on July 20, 2021 in كندا. It tells the story of New friends Erin and Alex discover a mutual attraction that neither of them have ever felt before. While Alex tries to navigate her feelings, Erin refuses to acknowledge that she might be gay and heads down a path of self-destruction. Faced with Erin's denial, Alex must decide whether to follow her own path, or fight for the first person she's ever loved. This is a دراما, رومانسي film with a runtime of 92 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.1/10 from 257 viewers.
Louise E. Lathey
بدور Director
Barbara Beall
بدور Billie
Raphaël Lecat
بدور Tom 'Drunk Guy'
Joanna Gaskell
بدور Alex
Alethea Sholomenko
بدور Julia
Cameron Paisley
بدور Zack
Alicia c. Snee
بدور Erin
Elizabeth Young
بدور Dani
Louise E. Lathey
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 فوزاً و43 ترشيحاً إجمالاً
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source: Who Am I Now?
There are several caveats that need to be put into place for this film. Firstly, It is so micro-budget it may as well have been shot on a camcorder. The cinematography and the sound mixing are very sub-par. Secondly, The acting isn't great, and it certainly doesn't help that everyone is supposed to be in college but seems at least a decade too old. Thirdly, This type of narrative with characters so scared of their sexual identity seems archaic. The attitudes are only slightly advanced from 'Desert Hearts' which was made in the 80s and set in the 50s. The 'Coming Out' story, or more specifically its sub-genre the 'Coming Out To Yourself' story has been done to death in the English Speaking world and we don't necessarily need another one. Having said that, the by-the-numbers approach that this film has is adequate enough.
It's a great story that's very relevant to our current times. It's makes you want to continue the follow the story after the movie ends. Only drawback is actors aren't convincing as 20 something year olds. Once you get past that it's enjoyable. I would to see how the story continues to unfold.
I liked this movie a lot, but I think some think its a love story when that is far from the truth. The story dealt with some hard facts when dealing with our own sexuality, and it did so with a real world vision instead of movie magic romance. It left me thinking, yet hopeful.
As the writer and director are the same person we are definitely seeing the the artist's. Vision. It is a coming out story for two women that have been denying their own, respective sexualities. A one night stand between them throws not only their worlds into chaos but, their friends lives as well. It doesn't have a story-book ending but, there is truth in that. THE NEGATIVES: Bad casting choices. 30 to 40 something actors as college students just starting to experience life. Mixing 20, 30 and 40 somethings as a tight knit group of friends-in college. A laser focused / tunnel vision aspect to the scenes in public places. By that I mean the background actors could have been replaced with cardboard cut-outs. Things that just didn't work: A business major that doesn't understand statistics. A college, never pictured, devoid of other people. The drinking at work scenes for both leads. The two businesses are lacking customers and allow on the job drinking. The dialog for the first half of the movie is as subtle as a chainsaw. To the author: You told a realistic story and did it well. The emotional subtext comes through in your your work. Comparable to Robert Heinlein's passage on 1 and 1 and 1 don't always equal 3. Please polish your craft, I look forward to you future works.
The film has an indie quality that really takes you into the character's lives and friendships. A tasteful discovery of identity film that leaves you excited for what's next.
I think films should be judged in the context of their budget - and for a low budget drama, this delivers. It's a story about women struggling with their sexuality. The film would have felt a little more timely in the 1970s, 80s, 90s, maybe 2000s, but by 2021 it's not as groundbreaking. But not every film needs to break new ground. There is one hot love scene. Worth a look.
Quite simple story and characters and premise. The songs are just out of the world but quite same sounding. Are you thinking of watching this? If yes then sure go for it it's not disappointing at all it's quite great.
I'd say it's a piece of a life kind of story and shows the moments in that specific timeline. The movie has a very intimate setting of few characters and the chemistry between them is present. The friendship and beautiful moments are there and also the romantic parts are also presented beautifully. A little unnecessary explicit scenes for me but they have to sell it to men viewers cuz they love girl stuff. But definitely worth the watch.
This movie was so bad it was laughable. The plot makes no sense one moment theyre making out and the literal next they yelling at each other at one point one of them was crying in the shower because of a fight they had and out of nowhere the other one appears and starts to make out with her.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.