Salvador Calvo
bilang Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The drama film Adu, starring Luis Tosar, Álvaro Cervantes, Anna Castillo, etc., directed by Salvador Calvo, was released on June 30, 2020 in Spain. It tells the story of Three people, three stories, one thing in common: Africa. This is a Drama film with a runtime of 119 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.8/10 from 5,716 viewers.
Salvador Calvo
bilang Director
Luis Tosar
bilang Gonzalo
Álvaro Cervantes
bilang Mateo
Anna Castillo
bilang Sandra
Moustapha Oumarou
bilang Adú
Miquel Fernández
bilang Miguel
Jesús Carroza
bilang Javi
Adam Nourou
bilang Massar
Zayiddiya Dissou
bilang Alika
Ana Wagener
bilang Paloma
Nora Navas
bilang Carmen
Issaka Sawadogo
bilang Kebila
Bella Agossou
bilang Safí
Josean Bengoetxea
bilang Comandante Guardia Civil
Eliane Chagas
bilang Leke
Koffi Gahou
bilang Neko
Belén López
bilang Funcionaria ONU
Emilio Buale
bilang Tatu
Hamid Krim
bilang Taxista Nuakchot
Alejandro Hernández
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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Magandang pelikula!
Magandang pelikula!
source: Adu
It is not common to find a film that has such power, such pathos, such an ability to get into your heart and soul. Many of us who lead very fortunate lives lose perspective on how many souls there on this planet who suffer on a daily basis, and are just simply looking for a decent lot in life. This was a beautifully directed film with a great soundtrack, tremendous performances, especially the guys who played Adu and Mossar, and is really really worth watching. This movie tugs at your heart. Kudos to the entire crew, very, very well done!
This is interesting and watchable. It follows three story lines that loosely overlap. This may, however, be the major problem, in that the stories are not really linked strongly; so it's like watching three 30 minute movies all jumbled together. The weakest of these plots pertains to the border crossing guards who are alleged to have used excessive force; this story line is not well-developed and does not seem to warrant its own trail. So you've got (a) boy fleeing from killers, (b) father-daughter tension, and (c) police coverup, all meshed together. But acting is good, scenery good; and enjoyable movie.
I can't believe how this movie had this rate. It's one of the best movies I ever seen. And it's not only from it's technical achievements, which they are actualy top notch. But it's realism. People may think these are just fiction, but unfortunately they are not. I was a marine engineer years ago. We saw a lot of refugees on board. Some of them not older than Adu. We found an entire family in one container. They were already dead because of no air. All that horrible things hide my memory some how. I wasn't think about them till this night. And I watch Adu. My eyes doesn't stop tearing right now. How could I live with these until now, I just can't understand. When I look my baby girl, she sleeps peacefuly, because she knows she is safe and prosper. But she may be one of their child. I know this must used to be a movie crittic but it turned a terrapy session. That is how Adu made an affect on my emptions. I just want to share.
As current and important the topic of immigration is, it does not give a pass to directors, scriptwriters and actors to do bad cinema. Get ready for clumsy and predictable dramatic tropes and 1 dimensional characters in this 2 hour long mess.
A very sentimental movie with a lot of sad music, so it is almost impossible to miss the message; looks like propaganda of the immigration industry.
Very strong picture with important message. It captures your attention instantly and manages to maintain it throughout the entire movie.
Best Spanish movie in long time. Emotional value show. Beautiful picture.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.