Joe Wright
bilang Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The drama film Anna Karenina, starring Keira Knightley, Jude Law, Aaron Taylor-Johnson, etc., directed by Joe Wright, was released on September 7, 2012 in the United Kingdom. It tells the story of In late-19th-century Russian high society, St. Petersburg aristocrat Anna Karenina enters into a life-changing affair with the dashing Count Alexei Vronsky. This is a Drama, Romansa film with a runtime of 129 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.6/10 from 111,646 viewers.
Joe Wright
bilang Director
Keira Knightley
bilang Anna Karenina
Jude Law
bilang Karenin
Aaron Taylor-Johnson
bilang Vronsky
Matthew Macfadyen
bilang Oblonsky
Eric MacLennan
bilang Matvey
Kelly Macdonald
bilang Dolly
Theo Morrissey
bilang Grisha Oblonsky
Cecily Morrissey
bilang Lili Oblonsky
Freya Galpin
bilang Masha Oblonsky
Octavia Morrissey
bilang Tanya Oblonsky
Beatrice Morrissey
bilang Vasya Oblonsky
Marine Battier
bilang Mlle. Roland
Guro Nagelhus Schia
bilang Annushka
Aruhan Galieva
bilang Aruhan
Carl Grose
bilang Korney
Bryan Hands
bilang Mikhail Slyudin
Oskar McNamara
bilang Serhoza
Luke Newberry
bilang Vasily Lukich
Tom Stoppard
bilang Writer
Lev Tolstoy
bilang Writer
Maaaring mag-iba ang availability ayon sa bansa, wika, at release window. Ilang pamagat ay kasama sa subscription ng platform, habang ang iba ay maaaring mangailangan ng rental, pagbili, o access sa pamamagitan ng app. Regular na ina-update ang mga streaming catalog at licensing agreement, kaya maaaring magbago ang mga opsyon sa pag-play. Para sa pinakatumpak na karanasan sa panonood, tingnan ang pinakabagong listing sa iyong napiling serbisyo at kumpirmahin ang regional support, subtitle options, at device compatibility bago magsimula.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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traduction française stp ou sous titre
First and foremost a confession: I have not yet read Anna Karenina and therefore can't judge how well Joe Wright's interpretation captured the spirit, style and message of Tolstoy's novel. What I do know is that I have just seen a daring and immensely powerful film. Clever use of tableaux, surrealist elements and breathtaking visual images bring out the character's emotions so strongly that halfway through the film I felt like I wasn't a mere spectator anymore. I WAS Anna, so completely and utterly was I engrossed in her world. Knightley performs well. For years I was convinced she could only play one single type of role - the pretty girl who stands around and bats her eyelashes - but "A Dangerous Method" and now "Anna Karenina" have changed my mind. Knightley's matured as an actress, and now manages to give a depth to her characters that makes them utterly believable. Though many have criticized him, I think Aaron Taylor-Johnson works as Vronsky. He's charming and seductive and it's easy to see why Anna cannot resist him. And as for Jude Law, his portrayal of passionless, prudish, but oh, so decent Karenin was nothing less than Oscar worthy. Wright's "Pride and Prejudice" is mediocre, his "Atonement" is good. His "Anna Karenina", however, is sensual and stunning and I can only recommend it.
Magandang pelikula!
Magandang pelikula!
Magandang pelikula!
source: Anna Karenina
I don't understand the bad reviews. This is one of my favorites... it's beautiful, engaging, and the casting choices were phenomenal. Watching this now, 8 years after release and I still am in love with it.
I started watching this film and literally stopped because of the silliness of the "stylization". I could not finish it. Don't get me wrong; I love a good stylized period piece. I loved Stoker. However, the implementation of "stylizing" the film in the form of a stage setting does not add to the film's richness. Rather, it takes away from the seriousness of the subject matter and is inappropriate. I was on the edge of my seat only because the fear was so great that they'd at some point break out into song and dance. If you want to see a serious adaptation of this novel done properly, watch Anna Karenina 1997 with Sophie Marceau. It is far superior. If you're reading this and want to know which version you should watch, do pick the older version. Sophie Marceau is phenomenal as Anna Karenina. Kiera Knightly? Not so much. She doesn't capture the heartbreak as well as Sophie does, in my opinion. It saddens me to think that people will see this version and not that one.
From the first seconds of the film I knew it was bad. It was incredibly boring throughout. None of the characters or scenes got me to feel anything but annoyed except some scenes with levin and kitty, the whole movie should have been about them to be enjoyable. Without a single scene in the theatre: I didn't like the way it was made at all. I remember thinking that the backstage door is a Narnian gateway that everyone uses to enter and exit the stage. blah blah blah. Vronsky looked like a queer with the mustache. Keira played the same character (herself) that she plays in every movie. I have no positive things to say other than the character levin which I liked. Just wanted it to be over.
I loved the cinematography of the Theatre. I loved that everything got out from the stage. The director did a pretty good job directing this.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.