Trivikram Srinivas
bilang Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The aksyon film Aravindha Sametha, starring N.T. Rama Rao Jr., Pooja Hegde, Jagapathi Babu, etc., directed by Trivikram Srinivas, was released on October 10, 2018 in India. It tells the story of Isang batang supling ng isang makapangyarihang pamilya na may mahabang kasaysayan ng karahasan ang nagpasyang wakasan ang pagdanak ng dugo na humahantong sa kanya sa isang landas ng pagtuklas sa sarili. This is an Aksyon, Drama film with a runtime of 162 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.3/10 from 10,524 viewers.
Trivikram Srinivas
bilang Director
N.T. Rama Rao Jr.
bilang Veera Raghava Reddy
Pooja Hegde
bilang Aravindha
Jagapathi Babu
bilang Basireddy
Naveen Chandra
bilang Bala Reddy
Supriya Pathak
bilang Jeji
Eesha Rebba
bilang Sunandha
V.K. Naresh
bilang Saradhi
Sunil
bilang Neelambari
Nagendra Babu
bilang Narappa Reddy
Charan Ram
bilang Prateek
Subhalekha Sudhakar
bilang Sudarshan Reddy
Devayani
bilang Suguna
Easwari Rao
bilang Basireddy's Wife
Brahmaji
bilang Marappa
Shatru
bilang Subbadu
Rao Ramesh
bilang Krishna Reddy
Lakshmi Gopalaswamy
bilang Aravinda's Mother
Vinay Varma
bilang Timma Reddy
Trivikram Srinivas
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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Magandang pelikula!
NTR sir <3 Movie is best. Its not all about violance its about peace. But you need to watch to understand how the story unfolds. This is a gem in telugu industry
Magandang pelikula!
Magandang pelikula!
I would wonder how all the people who are in this movie got convinced to make such unrealistic and worst movie of all time and i would like to tell you the hero of the movie did his best and I can see his effort as well as the person who played the negative role did there best to keep it alive.
I really dont understand why this movie is so overrated. To be honest this movie was unnecessarily lengthy. Same old repeated story and an extremely boring movie. Action scene at starting was really good and after that the movie is completely trash.
This was not expected of trivikram and ntr movie. The story is routine with an routine direction. Direction seemed pretty similar to Aghyathavaasi. Relieving parts were some dialouges and penimiti song. Jagapathi babu and Ntr we're good as always. Overall it's not an Trivikram mark movie and definitely not a movie which I was wanting to watch an NTR and Trivikram combo.
In this peaceful world, there are some war prone situations whatsoever may be the regions, that carry the eligible warriors emotionally to fight for their people. This movie has a point of message to illustrate before the emotion of war there is a family to that person and what is the situation of that families after the war. We fight for better families not to destruct their survival but to protect.
The movie is one time watchable.The story is same vintage fighting villages and a love story embedded between.Anyway the movie talks about peace which makes it different from others and makes it watchable.There is nothing special to say anyway.
This is all about the things after a war. Base concept is "every one win in war on his day, but the only one who can stop the war thought is the real hero". trivikram 100% succeeded on his conveyance of the same content. All key rolls performed well. NTR carried his base emotion thought the movie. don't expect lot of comedy from suneel corrector, he is not comedian in this movie. good supporting roll. Jagapathi babu vilanisam seems like "SIMHA" characterization, i.e never give-up. fights could be different. first fight composition looks like "KALEJA" dust fight and jalsa vilan introduction fight. A pisa vasool movie. 100% trivikram mark. no logic missing this time.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.