Rohit Jugraj
bilang Director
The aksyon film Arjun Patiala, starring Diljit Dosanjh, Kriti Sanon, Varun Sharma, etc., directed by Rohit Jugraj, was released on July 26, 2019 in India. It tells the story of Determined to make his town crime-free, Cop Arjun Pataila teams up with his quirky sidekick, Onnida Singh. However, his mission takes an unexpected turn when he falls for Ritu, a news reporter. This is an Aksyon, Komedya film with a runtime of 107 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.4/10 from 1,723 viewers.
Rohit Jugraj
bilang Director
Diljit Dosanjh
bilang Arjun Patiala
Kriti Sanon
bilang Ritu Randhawa
Varun Sharma
bilang Onida Singh
Abhimanue Kamboj
bilang Billu
Ronit Roy
bilang Amarjeet Singh Gill
Seema Pahwa
bilang Prapti Makkad
Mohd. Zeeshan Ayyub
bilang Sakool
Amit Mehra
bilang Baldev Rana
Nirmal Rishi
bilang Arjun's mother
Sunny Leone
bilang Baby Narula
Abhiruchi
bilang Faryadi
Abhiruchi
bilang Punjabi Aunty
Santosh Anand
bilang PA to Producer
Ankit
bilang Ahatha Gangster 1
Abhishek Banerjee
bilang Director
Bharat Bhatia
bilang Sukhi Bajwa
Alorika Chatterjee
bilang Editor's Mom
Mithilesh Chaturvedi
bilang Bhatia ji
Gurmeet Chawla
bilang Old Uncle & Jailor
Ritesh Shah
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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Magandang pelikula!
Samajh nahi aayi lokan nu TBH the movie is great Didn't get bored even a single minute What else do you expect from a parody ? Want it to make you cry ??
ππ
This spoof comedy narrates the story of a cop Arjun Patiala (Diljit Dosanjh) and his sidekick Onidda Singh (Varun Sharma). Together, will they be able to accomplish their mission of a crime-free town with their goofy style of policing? 'With you always,' reads the slogan on the police van of the fictional town of Ferozepur in Punjab. The man in charge is Arjun Patiala - a handsome young gabru jawan, who has his priorities set (read women, whiskey and work). Giving him company is his trustworthy but goofier constable Onidda Singh, who has given up on women after multiple heartbreaks. He has now settled for a buffalo as his lady love. If you thought that's bizarre, then wait for more. There is a glamorous yet feisty television reporter Ritu Randhawa (Kriti Sanon), who casually reports on the dreadful trigger-happy goons who infest Ferozepur. An unscrupulous MLA Prapti Makkad (Seema Pahwa), who is often referred to as 'Property Makkar' for her nefarious deals in the real estate. And there is also a gullible goon called Sakool (Mohammed Zeeshan Ayyub) and a host of other quirky characters including IPS Gill (Ronit Roy), who is frankly the only sorted one (for the most part). All of them are part of a fictional story of a formula film narrated by a writer, who often breaks the fourth wall and talks to the audience. This altogether takes away the scope of taking the film seriously. The film's first half breezes through with a few fun moments including a cameo by Sunny Leone. While that fails to register her acting skills (or the lack of it), it leads to a forgettable item number that is admittedly mandatory in such a narrative. Diljit Dosanjh delivers a decent performance with a few laugh-out-loud moments. His innocence brings out the vulnerability of his character that is instantly likeable. His leading lady Kriti Sanon (introduced as Heroine No.1) looks flawless, but the same cannot be said about her character. The writing gives her little to work with other than mouthing dialogues without much conviction. But the one who manages to deliver most laughs is Varun Sharma. From his amusing backstory to his forced singlehood, Varun is simply the guy, who can make you laugh at his expense. He also gets some of the best lines that fall quite short in pulling off an out and out comedy. The movie's writing, direction and execution become increasingly childish and pointless in the second half, as it stumbles towards a hotch-potch of a climax. Thankfully, the makers do not resort to cheap, offensive or vulgar humour in a desperate attempt to make you laugh. Film's music is average except for the peppy dance number 'Preeto'.
The only good thing about the movie was it's short length. Overdose of overacting. Even watching in installments on TV was not possible.
Samajh nahi aayi lokan nu TBH the movie is great Didn't get bored even a single minute What else do you expect from a parody ? Want it to make you cry ??
Comedy, comedy , and comedy. Though the ending was not good but the whole film was comedy packed. In my opinion Sakool's character was very interesting. And those deleted scenesππ. Really very interesting.
If you've watched enough spoof comedies like scary movie ( easiest to understand for noobs), 300 spoof, etc. only then you're going to cherish it's making. This is a police spoof comedy whose humour is complex enough to be misjudged to be a drama comedy movie. People would expect a story line but they should understand that all spoof comedies are only made to mock a mainstream movie. All the reviews saying that it doesn't have a story line and it is mindless (kuch bhi ho rha hai) don't understand this genre at all. Such people should not watch it as they won't understand it. This movie mocks the hit Indian formula of a righteous cop like singham, Simba, dabbang. Which do wonders at single screen cinemas. The mockery is hillariously complex and executed in a great manner that you'll understand only if you've a nack and understanding for spoof comedies. If yes, then you should watch it coz it's style of spoof is somewhat fresh and new. If not, then please go and watch mainstream bollywood movies and wait for singham 3 or whatever you want.
Wastage of money and just time pass. I think it was for kids under 10 and suddenly mature people bought the tickets to watch it.
Just an attempt of a forced comedy... except for 1 or 2 scenes there is nothing else in the movie....
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
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Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.