Aanand L. Rai
bilang Director
English,Filipino,Indonesian,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The komedya film Atrangi Re [Hindi], starring Dhanush, Rakesh Poonia, Sara Ali Khan, etc., directed by Aanand L. Rai, was released on December 24, 2021 in India. It tells the story of A Tamil boy meets a girl from Bihar, what follows is a love story for the ages. A non-linear narrative of two romances running in parallel from different timelines. This is a Komedya, Drama, Pantasya film with a runtime of 138 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.5/10 from 29,182 viewers.
Aanand L. Rai
bilang Director
Dhanush
bilang Vishu
Rakesh Poonia
bilang Vishu's Colleague 14
Sara Ali Khan
bilang Rinku
Akshay Kumar
bilang Sajjad
Seema Biswas
bilang Dulhayen - Rinku's Naani
Ashish Verma
bilang Madhusudhan
Dimple Hayathi
bilang Mandakini aka Mandy
Pankaj Jha
bilang Rinku's Mama 1
Ashok Banthia
bilang Rinku's Mama 2
Vijay Kumar
bilang Matadin
Anil Grover
bilang Dablu
Bharti Gola
bilang Rinku's Mami
Anand Babu
bilang Vishu's Father
Nithiyaa Ravindhar
bilang Vishu's Mother
G. Marimuthu
bilang Mandy's Father
Jaya Swaminathan
bilang Mandy's Mother
Gopal Datt
bilang Divorce Lawyer
Rana Pratap Sengar
bilang Man in Train
Himanshu Sharma
bilang Writer
Vikramjeet Singh
bilang Writer
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Anand L Rai, I've always been a fan, but this time he blows me away with his sheer mental strength, and understand the reason, why he is so highly rated among the stalwarts of creativity. After Zero, a movie with ambition so huge, that even the biggest star of the nation couldn't deliver, and gets bombarded with so much hate and financial losses (in short term), I would have expected him to take a safe, less ambitious project, and d justice, in the manner that has now become his signature with Raanjhana and others. But, instead of this, he goes on to take the same team, and make another super ambitious project, this time a musicale with AR Rehman at the helm, and goes out to make this gem of a movie, that stays true to his style of filmmaking, just on a scale never seen before. Atrangi Retries to create a world and take you in it to enjoy and appreciate the depth, and music, as expected keeps you on the ride throughout. The perspectives of the characters are strong, and carried out with authenticity for the most part, except maybe Akshay Kumar in his brief stay. Dhanush was in another league though. Had another watch for the masterpiece, the very next day of the release and the first watch. It really is insanely beautiful, cried both the times, and to appreciate what AR Rehman and AL Rai have created together, with Dhanush hitting it out of the park with his impeccable performance.
It takes a Salman Khan and no one else to make a 100cr+ profitable film with a poorly written screenplay but Dhanush is after all just a good actor, what can he do? Someone here said this film is talking about mental health issues. If this is about a mental health issue, then Bollywood and Bollywoodias (literates via watching Bollywood movies) have no idea about anything. The film is just another Bollywood film that doesn't get anything right. In simple words, Sara plays a proud Bihari but has no Bihari accent at all, not even a bit. Her dressing would make anyone feel she is a Rajasthani os rural Maharashtrian or even rural Kannadiga or any other. Dhanush stays in a boys' hostel where there are no rules. Sara has a problem but Dhanush, a medical student wants to help her in his own way instead of taking her to a concerned specialist. The film's music too doesn't feel like a Rahman musical. It's very ordinary. It is unfortunate that the horrible climax shows how Bollywood can bring down any serious issues to a joke. What happens to Dhanush in Bihar is ignored by him, a medical student. Such a literate guy should have gone to the police. But that's not what Bollywood writers do. Every time I see Bollywood writers thinking of involving Chennai in their stories, I know it's going to be cliche, shameful, and filled with classical music. Have these people ever been to Chennai? Goa is about 'drugs' & 'beaches' (because there are no beaches anywhere else in India), Bihar is about 'shoot at sight' (because Punjabis and Haryanvi or for that matter anyone else doesn't know how to shoot), Haryana is about women being molested (because Delhi is a safe haven and other states respect women like no other) and South India is about Chennai or Tamil characters (because South India is Chennai).
Magandang pelikula!
Magandang pelikula!
Magandang pelikula!
Magandang pelikula!
great film
source: Atrangi Re
RATED 7/10 Language: Hindi Source: Hotstar One time watchable, slow paced romantic drama. If they added more fun factor and bit more entertainment, this could have worked out better. Because of slow pace and some uninterested sequences makes this movie bit difficult to watch the first half.... The trailer has all the best moments and it spoils the movie flow... Because of cast and making, one time watchable...
Sara Ali Khan nailed it .But Dhanush is the one who steals the show. Akshay appearance is cherry on the cake. A R rehman take a bow. This movie is for the ones who loves romcom.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.