Siddique
bilang Director
The aksyon film Bhaskar Oru Rascal, starring Arvind Swami, Amala Paul, Baby Nainika, etc., directed by Siddique, was released on May 11, 2018 in India. It tells the story of Two children raised by single parents attempt to reunite their parents to enjoy the happiness of a complete family. This is an Aksyon, Komedya, Drama film with a runtime of 152 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.9/10 from 503 viewers.
Siddique
bilang Director
Arvind Swami
bilang Bhaskar
Amala Paul
bilang Anu
Baby Nainika
bilang Shivani
Raaghavan Murugan
bilang Aakash
Jennifer Antony
bilang Sanjay's mother
Orma Bose
bilang Jaswant's daughter
Riyaz Khan
bilang Riyas Ahmed IPS
Ramesh Khanna
bilang Devadas
Chitra Lakshmanan
bilang Registrar
Narayan Lucky
bilang Siddharth
Nassar
bilang Rangasamy
Nikesha Patel
bilang Kalyani
A.K. Sajan
bilang Scientist Jaswant Malhotra
Robo Shankar
bilang Arnold
Aftab Shivdasani
bilang Sanjay
Siddique
bilang Sanjay's Father
Soori
bilang Rocky
T.M. Karthik Srinivasan
bilang Parthasarathy from Triplicane
Charu Gupta
bilang Writer
Ramesh Khanna
bilang Writer
Siddique
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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Magandang pelikula!
Magandang pelikula!
Total crap except few laughs/sentimental touch here & there. Fight/Song sequences were at its worst.
The movie was good. Aravind Swamy and everybody acted very good in the movie especially the kids acted very well in the movie. Songs and BGM were also good but the story was not new. 1st half in the movie has no story but it was entertaining but the 2nd half in the movie bored a bit. Fight scenes in the movie was also very good.
As usual, when these scripts are done in other languages and they make a huge hit but when made in tamil it does not fit. Yes this can film can be huge hit in Malayalam. During the interval we get confused if its a romantic, family drama, action or gangwar film. Plus: Arvindswamy and Master Raghavan acting Minus: Did not use any comedy characters fully. Suri and robo sankar are wasted to the core.
Our main protagonist is a middle-aged man who acts first before thinking. He thinks everything can be solved with brawls and not brains. He's got a kid but the kid has more common sense than him. He beats up people in their office or wherever he deems fit. He breaks his phone and people's bones over small misunderstandings. Yes, that's our protagonist, our hero that we're supposed to root for. The characters are poorly drawn, and what's up with the kids? Little kids are given smartphones, and also given very heavy dialogues like that? they're meant to be smart, precocious but rather come out as annoying. The only character that shows any kind of personality is Mom. She's the only likable character here. The screenplay gets messy towards the end, the bad guy is the bad guy doesn't know if he's the bad guy. wow. The action sequences are nothing to write home about, just the usual over the top-ness and hero coming out of the fight without a scratch. The songs aren't that memorable. All in all, this movie fails even by masala movie standard. Good performances but poor script and direction let this movie down.
Good entertainment , enjoy the movie. Light hearted movie
So Funny & Comedy Movie Arvind Swami Was Act Very Gd .... Best Entertainer Family Movie.... Note : Watch It Hindi Dubbes ( Goldmine Telefilm You Tube)
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.