Vadim Jean
bilang Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The komedya film Breaking the Bank, starring Ray Burnet, Rajinder Ladher, Vic Waghorn, etc., directed by Vadim Jean, was released on June 3, 2016 in the United Kingdom. It tells the story of With ruthless US and Japanese investment banks circling Tuftons, a struggling 200-year-old family-run British bank, can its bumbling, incompetent chairman, Sir Charles Bunbury, fend off the onslaught and save the bank. This is a Komedya film with a runtime of 105 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.9/10 from 1,060 viewers.
Vadim Jean
bilang Director
Ray Burnet
bilang Concierge
Rajinder Ladher
bilang Banker
Vic Waghorn
bilang Investment Banker
Kelsey Grammer
bilang Charles
John Michael Higgins
bilang Richard Grinding
Sonya Cassidy
bilang Annabel
Mathew Horne
bilang Nick
Tamsin Greig
bilang Penelope
Doon Mackichan
bilang Caroline
Susan Fordham
bilang Banker's party guest
Andrew Sachs
bilang Jenkins
Pearce Quigley
bilang Oscar
Nicolas Tennant
bilang PC Houseman
Togo Igawa
bilang Nakamura
Chris Wilson
bilang £1 Share Tip Investor
Pete Meads
bilang Business Banker
Julie Dray
bilang Sophie
Richard Cordery
bilang Bournville
Roger Devlin
bilang Writer
Vadim Jean
bilang Writer
Stephen Keyworth
bilang Writer
James McIlwraith
bilang Writer
Tom Swanston
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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source: Breaking the Bank
Kelsey grammer is charles bunbury, the incompetent president of a very old but broke bank. Grinding (john higgins... better known for best in show!) wants to buy it. As do others. Can he sell it before the truth comes out about its poor financial condition? Or before his wife finds out how bad things are? In the meantime, charles is out on the street, and must learn how to survive. Some funny bits, where a bank exec not only brings his lunch in a lunchbox, but even has a note from mom with his lunch. Can his daughter, or maybe his homeless friend help him get his wife back? It's a bankroom farce! It's mostly fun.... moves a little slow. Many similarities to trading places, from 1983. Film directed by vadim jean. Story by roger devlin. Kind of.
Similar genre to his up periscope movie which was also panned by critics but was very good and enjoyable to watch.
Nothing profound, not deep, just fun to watch, and had the Director mixed the sound better, would have been more fun. But they allow the music to play so loudly over the voices in too many people, that you miss what was said and it is more than annoying! Dialog should not be competing with music people! Please stop it. We should not have to struggle to understand what has been said. What is the point? It is fun, that's all. If you really try to critique it, it becomes more work than watching it. It's primary value is to counter the dread of the daily news, and it does that well.
Fun mix of sentiment, comedy, and social commentary. Very fun actors. Sadly went with trendy overly-obvious innuendo rather than being classy. Definitely not PG. Beautiful views of London. Great one-liners.
I guess you're the 24/7-type? Yes, 24 hours a week, 7 months a year. You're not the biggest idiot in the world, but when he dies...
What was Kelsey Grammar thinking when he signed up to be in this turkey? How the mighty have fallen. From Cheers and Frasier to this tenth rate Trading Places tribute act. There's no doubting the stellar nature of the cast but considering the awful script (and Kelsey's strangled British accent), they must be seriously considering getting new agents. Honestly, this horror show has almost nothing going for it, the single saving grace being Pearse Quigley as the eccentric tramp Oscar. Even the music and the end credit slide show lack charm. Avoid this train wreck even out of curiosity.
This is a funny send-up of British banking and capitalism in general. There were many laugh-out-loud moments. I recognised many of the prime banking locations in London. This film is much better than the 1 out of 10 crowd say. Just relax, watch it, and enjoy yourself.
OMG What happened? Did you owe someone in Hollywood a film no matter how bad the script was? Curse those multi-film contracts! Couldn't even finish the film, had to put Frazier reruns on to remind me of Mr. Grammars greatness.
This film is not one of those you can stick on after dinner and enjoy, it's so terrible you can't even sleep to it. I have to say it's probably one of the worst films I have ever seen. It's a wonder how they got the cast to do it
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.