Ivan Engler
bilang Director
English,Filipino,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The drama film Cargo Space is Cold, starring Anna Katharina Schwabroh, Martin Rapold, Regula Grauwiller, etc., directed by Ivan Engler, was released on September 13, 2013 in Switzerland. It tells the story of Dr. Laura P. takes a job on a cargo spaceship for 4 years plus 4 years back. She'll join her sister on Rhea. 44 months later, in Laura's shift, strange things happen in cargo. The crew is reanimated and the captain dies mysteriously. This is a Drama, Misteryo, Sci-Fi film with a runtime of 112 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.1/10 from 20,527 viewers.
Ivan Engler
bilang Director
Ralph Etter
bilang Director
Anna Katharina Schwabroh
bilang Laura Portmann
Martin Rapold
bilang Samuel Decker
Regula Grauwiller
bilang Anna Lindbergh
Yangzom Brauen
bilang Miyuki Yoshida
Pierre Semmler
bilang Pierre Lacroix
Claude-Oliver Rudolph
bilang Igor Prokoff
Michael Finger
bilang Claudio Vespucci
Gilles Tschudi
bilang Klaus Bruckner
Maria Boettner
bilang Arianne Portmann
Noa Strupler
bilang Mädchen
Diego Studer
bilang Kind auf Rhea
Vanessa Studer
bilang Kind auf Rhea
Christina Tchernychova
bilang Rhea TV Spot Modell
Roger Kaufmann
bilang Sicherheitspersonal Station 30
Roman Güttinger
bilang Sicherheitspersonal Station 30
Klemens Niklaus Trenkle
bilang Passenger
Arnold Bucher
bilang Writer
Ivan Engler
bilang Writer
Patrik Steinmann
bilang Writer
Thilo Röscheisen
bilang Writer
Johnny Hartmann
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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source: Cargo Space is Cold
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Cargo
First of all I'm a bit curious about the low rating of the movie here (6,4). This is a great movie raising all sorts of questions to the viewer. Which is what a good movie is supposed to do. Identity, sense of belonging, isolation, and the essence of the human nature are just some of the things the movie touches on. Yeah there are plot points that have been explored before in other movies but seriously who cares? It's how you portray those situations and plot. So I wasn't disappointed there. In fact I wasn't disappointed at all!! A brilliant film that will speak to the audience that loved, "moon". Congrats to all the people involved in this movie. Hope someday it'll be released on Bluray.
I've watched this in the English dubbed version. It was horrible. The voice actors had no emotion in their voice which made the movie very dull and drawn out. In the English version, the character development was zilch. Be ware of the captioning as well - things like "enjoyable" in the audio become "unpleasant" (so the complete opposite of what the character is saying) in the captioning. You aren't drawn to the characters so you don't really care what happens to them. The plot was okay but in no means fantastic. If you enjoyed movies like The Matrix and Sunshine (though without the science background in Sunshine) you might enjoy Cargo. Just make sure you watch it in the original German!
Take one part Matrix, one part Event Horizon, add half a measure of Alien, a dash of Solaris and gently stir. Cargo delivers what many sci-fi films fail to deliver these days, and that is real style as well as substance. It's easy to set a 'shoot-em-up' in space or a detective story, but Cargo has so much more. It's moody without being cloying, it's scary without cheap horror tactics, it's thought provoking, it delivers twists and turns, and it is not predictable. It is hard to classify Cargo as it has many elements, and this is what makes it so engrossing. The acting is believable i.e. being in space for a long time leads to quirky behaviour, people will do anything for a better life, and who can you trust? This is absolutely not a Hollyvoid film with predictable characters and lame values. Instead, Cargo delivers a thoughtful and absorbing film that ranks alongside classics such as Solaris (not the Clooney version).
Switzerland's first attempt at sci-fi, and Ivan Engler's first feature film, Cargo harks back to numerous icons of science fiction cinema – everything from The Thing to The Matrix, and, most notably, Ridley Scott's Alien. It belongs to that particular breed of dystopian science fiction – where the world is ruined and the human race is living on borrowed time. Cargo is a competent sci-fi, but it's nothing special. The first half is effectively tense and engaging, but it loses its way towards the end. Visually stunning considering the budget, but unfortunately, it's nowhere near original or creative enough to be considered a particularly revolutionary sci-fi film. SSP
Maybe may rate is a little too high but anyway - I really enjoyed the spaceride with Cargo and recommend it to everyone who like movies with spaceships and astronauts - watch, if you like movies like Sunshine, Europa Report, Mission Mars, The Last Days on Mars and the like. Anyway, what you get is a nice space adventure story with twist, solid acting and a good production. What you waiting for!?
Cargo is dazzling, mystifying, sometimes scary, and is able to manipulate a rather familiar plot to seem less familiar. That last one however, is just as much a weakness as it is a strength. The film's problems are not on the screen, but on the pages. Cargo contains a weighty story line, with questionable focus and a lack of coherency. There are also places where the movie feels draggy and repetitive. Characterization gets off the ground but not quite to the degree of emotion that was probably intended. Anyone who sees Cargo is gonna wish they had seen it in theatres. Its greatest achievement is photography. I liked Cargo for its mystique and stylistic choices, but the writing and construction need a tune up. Its facade is perfect but its soul is murky, and its story is disoriented which does not allow us to appreciate Cargo to the full.
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Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
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