Joe Berlinger
bilang Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The TV series Crime Scene: The Times Square Killer, created by an unlisted creator and produced by an unlisted studio, first premiered on December 29, 2021 in Estados Unidos. The series spans 1 season with 3 episodes, featuring the voices of Vernon Geberth, Malcolm Reiman, Marty Hodas, and Julia Neveu. It follows the story of In 1970s NYC, the "Torso Killer" preys on women to fulfill his grotesque fantasies while eluding police. A docuseries dive into crime's darkest places. This is a Dokumentaryo, Krimen, Kasaysayan series and has received a rating of 6.5/10 from 6,138 viewers.
Joe Berlinger
bilang Director
Vernon Geberth
bilang Self - NYPD Homicide Commander
Malcolm Reiman
bilang Self - NYPD Homicide Detective
Marty Hodas
bilang Self - Pornographer
Julia Neveu
bilang Additional Recreation Team
Peter Vronsky
bilang Self - Author, Investigative Historian
Rod Leith
bilang Self - Journalist, Author
Josh Alan Friedman
bilang Self - Author, 'Tales of Times Square'
Melinda Chateauvert
bilang Self - Author, 'Sex Workers Unite'
Anthony Bianco
bilang Self - Author, 'Ghosts of 42nd Street'
Jennifer Weiss
bilang Self - Biological Daughter of Deedeh Goodarzi
Dominick Volpe
bilang Self - Co-Worker of Richard Cottingham
Dominick Volpe
bilang Self - Manhattan Office Worker
Mike Lawrence
bilang Self - Live Sex Performer, Porn Actor
Barbara Amaya
bilang Self - Survivor of Sex Trafficking
Barbara Amaya
bilang Self - Author, 'Nobody's Girl'
Carl Weisbrod
bilang Self - Mayor's Office of Midtown Enforcement
Veronica Vera
bilang Self - Sex Journalist, Porn Actor
Romola Hodas
bilang Self - Co-Author, 'The Princess of 42nd Street'
Sidney Baumgarten
bilang Self - Mayor's Office of Midtown Enforcement
Jeffrey Dahmer
bilang Self
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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One of the most interesting true crime mini serie out there. Joe Berlinger and Ron Howard made a very good documentary and it's amazing to realize how many more stories are yet to be told as The Times Square Killer . I strongly recommend.
Could have been a very interesting documentary if it was 2 hours long. But as usual they had to stretch into 3 episodes. Very tired of shows on Netflix that are stretched out and turn repetitious and boring.
It tended to drift away from the murders and story into the sordid history of Time Square and in episode one after maybe twenty minutes it got somewhat perverted. Graphic pictures and interviewees just droning on about Time Square sex exploits, Uninterested. When it focused on the murders and story it was a lot more interesting.
I enjoyed 'Cecil Hotel', the first installment of the 'Crime Scene' Netflix series, and looked forward (for what...6 months?) to the next installment. Unfortunately, 'The Times Square Killer' doesn't measure up to the first series. It's chock full of gore and *; more an expose' of Times Square's 1970's XXX * industry and prostitution- than a murder mystery. If a documentary about the seamier side of Times Square's past interests you, 'The Times Square Killer' should be right up your dark alley.
It feels like more than half of the program is just telling you how Times Square and New York were at the time. Literally every detail is just repeated over and over and over again and they keep over explaining everything as if they don't trust that the viewer is even watching. Like, we got the point the first time, we got it on the 5th time, just move on please. I could have even feel like I learned something about Times Square's history and find it interesting if it was at least told in an interesting way, but the way it is being told over and over again just made me stop caring and start counting the seconds for when they finally move on. Not only that but most details are not even important for the main story, they are just background details to the era/location, yet are still repeated million times, despite the fact that the exact same murders could have easily happened in a different location with different victims if only the murderer was located somewhere else to begin with. It is just exhausting to keep looking for the relevant details within this repetitive unrelated boredom. If you are looking for a documentary that just tells you what the sex industry in Times Square was like between late 70s and early 80s, this is perfect for you. But if you are looking for something that covers the actual crime story of said serial killer, you will have a better time watching a quick YouTube video that actually has focus on the story you came to watch.
This is a cynical capitalising of the true crime docuseries trend. We basically learn nothing new here and neither is the story told in a compelling way. There was not more than one suspect whose name we hear mentioned early on. The identity of Jane Doe was never uncovered. The dramatisations are lazy and do not elevate the storytelling. The relationship between Deedeh's daughter and the killer is revealed but not explored. There is not the slightest ounce of tension anywhere in the almost 150 min runtime. Women generally do not aspire to be prostitutes. Name one child who has ever exclaimed that when they grow up they want to be a sex worker. These are people from impoverished, abusive and extremely dysfunctional families. In the attempt to escape from their families, prostitution is usually their only option when they did not finish school or have other skills. So from the frying pan into the fire they jump. The men, including the killer, who are exploitative of women also learnt their behaviour at home, watching their fathers or male role models disrespect their mothers and other women. Exploring these themes would have been more interesting that the history of Times Square that this docuseries ultimately amounted to. Thankfully the golden age of serial killers is over with advances in forensic science and information technology. Psychopathy is a genetic trait which renders the afflicted incapable of empathy or remorse. However, even though psychopaths are born, psychopathic killers are made. Look into the personal histories of all psychopathic killers and they would probably have the shared experience of neglectful or abusive parents. Not all psychopaths are killers; other psychopaths wield chaos more discreetly like someone running a social media platform which allows the manipulation of individuals, communities and societies without any conscience or consequence.
"Get to the point already." As soon as I saw those words I thought, "yep, here come the impatient YouTube generation chiming in about something they know nothing about. The documentary is fascinating full of vintage video of time time long gone. If you were born before 1980 then you will surely enjoy this docuseries.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.