Ruth Wilson
bilang Alice Bell
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The drama film Dark River, starring Ruth Wilson, Jonah Russell, Paul Robertson, etc., directed by an unlisted director, was released on June 29, 2018 in the United Kingdom. It tells the story of Following the death of her father, Alice (Ruth Wilson) returns to her home village for the first time in 15 years, to claim the tenancy to the family farm she believes is rightfully hers. This is a Drama, Misteryo, Thriller film with a runtime of 90 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.9/10 from 4,617 viewers.
Ruth Wilson
bilang Alice Bell
Jonah Russell
bilang Pete
Paul Robertson
bilang Declan
Sean Bean
bilang Richard Bell
Una McNulty
bilang Susan Bell
Esme Creed-Miles
bilang Young Alice
Aiden McCullough
bilang Young Joe
Olivia Brennan
bilang Ellie
Mark Stanley
bilang Joe Bell
Joe Dempsie
bilang David
Mike Noble
bilang Rowan
Steve Garti
bilang Jim
Dean Andrews
bilang Matty
Kenton Foster
bilang Auctioneer
Jake Hayward
bilang Young David
William Travis
bilang Simon
Cathy Breeze
bilang Hazel
David Zezulka
bilang Stockman
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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source: Dark River
I found the acting and writing of this drama compelling, nuanced, and thoughtful. Along with great cinematography of the beautiful yet harsh Yorkshire country, the story is given a real authentic edge. The pacing is what it is and appears not to be trying to hit the notes of a typical run of the mill Hollywood blockbuster. I found it worked brilliantly to create an ambience of the setting, and of the inter-personal tensions, which were convincing, realistic, and relatable. I was quite moved by the end, especially with the haunting vocals of PJ Harvey and her rendition of an old folk song
This movie has early close resemblances to God's Own Country with a different back story but unfortunately it never gets off the ground. Promises are not fulfilled. Like the weather in the scenes, its a damp squib of a movie. The beginning is overly slow and meanders meaninglessly to nowhere before breaking down completely half way through the movie. Stupid characters who seem to have no purpose and garner no sympathy. Probably worked as a novel but this screen adaptation was pointless.
Ruth Wilson carries this film in devastating fashion, through the dark, cold, windy, and disorientating farmland of northern England, where sister and brother vie for tenancy of their deceased father's land. With the menace of Winter's Bone and the tragic tone of Tim Roth's War Zone, the pain of an abused - an emotional cripple trying to forge through the trauma that transcends past and present - has never been made more precipitant than in Dark River. Words ring harsh, blows and falls are felt - this is one that lives you feeling wounded. Precede at your own risk.
It's a tough watch, and it's challenging because of the subject matter, but i thought it was handled sensitively and subtly. You will be able to establish very early on that the main character was sexually abused by her dad, and stayed away from the family farm for 15 years, but returned to reclaim the farm when her dad dies. I think that this is one of the best films I've ever seen for such incredible cinematography and the authentic way it handles the complex relationship between an abuser, their victim and the toxic dynamics between such families. I've worked extensively with children who have been sexually abused (a significant number were in isolated rural settings as well) and both Ruth Wilson, and the actress who played her younger self, were incredibly accurate in their depictions. So much so i found it difficult to watch. The pacing of the film was slow initially, but it picked up enough to keep me interested. It was nice to hear a different Yorkshire accent than sean beans as well. Even though I enjoyed it, it would be great to see a Yorkshire film that's more upbeat rather than the "It's grim up north" subject matter. Yes, we had Rita, Sue and Bob Too, but that was bloody ages ago! There's so much more to us than kestrels, poverty, sheep and rural incest.
The weak story line was saved from drowning in the sea of sweeping landscape shots by the strong and convincing acting, but still ended up as challenging and thought provoking as a damp paper bag. Half way through, after having my patience stretched, I was willing for the end (either of the world or the film, I wouldn't have minded which) to come quickly. It didn't. Dull. Dull. Dull.
There's no question Ruth Wilson has superb charisma on screen and her co-star Mark Stanley is excellent as well, but this film gives the viewer, in my opinion, little room to "come up for air", as the storyline is just relentlessly dark and bleak. I thought the writer and director here Clio Bernard's 2013 movie The Selfish Giant was powerful and memorable, but her latest film is just too muddled and depressing for my tastes.
Only some sheep lovers or Yorkshire dwellers would love this film
SPOILER: A welcome change from the British film industry away from lame comedies and its obsession with the plight of minorities and urban dramas to this excellent but disturbing Northern masterpiece. You certainly won't leave the cinema uplifted but if you're a drama fan you'll be well satisfied. I was more shocked than I thought I would to see the lasting effect of child abuse. This is really the foundation of the film which shows how the effects of a dark family secret can resonate for ever. Some excellent strong performances by the actors. This is a very visual film and the use of audio to enhance the impact of the scenes is well worth a special mention. My rating 8/10 Highly recommended if you like powerful dramas
Let me start on a positive note, the acting in this movie is very good. Ruth Wilson in particular, as always, played her role spot on. But I'm sad to say that's the only thing this movie has going for it. There is really no real storyline, unless I missed something? It's very vague and suggests that there was trauma in the woman's past, aside from that it's an hour and a half of an unstable man having mental breakdowns and yelling at people. But I blame none of this on the actors, the directors and writers should have added something. At the end of this movie I feel like I'm in the same place as when I watched the trailer prior, and I really wanted to like this one, it was supposed to be fantastic and Ruth Wilson is perfect in all her films and shows. I give this a 6/10 based solely on Wilson's performance, otherwise I would give it a 3/10
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.