Monica Dolan
bilang Sue Bagnold
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The komedya film Days of the Bagnold Summer, starring Monica Dolan, Earl Cave, Elliot Speller-Gillott, etc., directed by an unlisted director, was released on February 19, 2021 in the United Kingdom. It tells the story of A teenager spends his summer listening to heavy metal music and trying to get along with his librarian mum. This is a Komedya, Drama, Musika film with a runtime of 86 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.6/10 from 2,951 viewers.
Monica Dolan
bilang Sue Bagnold
Earl Cave
bilang Daniel
Elliot Speller-Gillott
bilang Ky
Tamsin Greig
bilang Astrid
Ony Uhiara
bilang Esther
Rob Brydon
bilang Douglas Porter
Paul Michael Bradley
bilang Teen Server
Alice Lowe
bilang Carol
Grace Hogg-Robinson
bilang Katie
Nathanael Saleh
bilang Alex
George Wilkins
bilang Jake
Alfie Todd
bilang George
Tim Key
bilang Dale
Gurlaine Kaur Garcha
bilang Receptionist
Sophie Steer
bilang Waitress
Lesley Harcourt
bilang Nancy
Indeyarna Donaldson-Holness
bilang Sophie
Jude Marsh
bilang Disinterested Boy
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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source: Days of the Bagnold Summer
I thought this was a good realisation of the graphic novel by Joff Winterhart - going back to the book afterwards demonstrated thart a good deal of care had gone into capturing the feel of the novel. There are comedic moments but it is not a comedy and, overall, nothing much happens. Having said that I found it satisfying and, in the end, positive. Strong acting throughout - particularly Monicsa Dolan and. Earl Cave.
Most parents will find something to relate to here. Superb character portrayals. Perhaps rather lacking in plot but it didn't matter as the characters and comedy made it watchable. Good fun!
Monica Dolan and Earl Cave deliver very realistic sparring mother and son details. It is understated, and enjoyable just for that, in a world of car crashes and explosions as entertainment options. There's no real baddie here, just humans finding their way, and it's great for that, both in insight and staging. There are a lot of recognisable details in the mother and son relationship and that's the charm of the film. The hideousness of teenage selfishness and meanness to loving parents (I cringed with knowing guilt a few times), and the sacrifices mums make to carry their kids. A lot of humor in it too. Not a lot happens on the journey and it doesn't really arrive anywhere, and that's probably the main let down here. Daniel does become less of a jerk but there's no realisation or revelation and cause to that character arc other than he just grew up a little. Maybe that's in keep with the life observation aesthetic of the film though. Either way it was a really nice 86 mins and a welcome slice of realness in an overly dramatic world.
I liked some things - characters mostly, the mum in particular, but other than that I didn't feel particularly connected to any of it. It had a feeling of realness about it that kind of took me out of the movie at little. Appears to be rather low budget, and I think it almost certainly is, but the production style was a little too reminiscent of a 1990s British soap opera. As much as I've given it 4 stars I don't think it's bad, but there are too many elements that just didn't work well at all for me. The placement of camera's was one of my main gripes, as if the camera's just happened to be there, and served to make it feel not particularly well directed - then again, I later found out that it was previously a graphic novel - HUH? - so, perhaps some of the shots were directed in such a way that bared close resemblance to areas of the graphic novel. I will never find out - I certainly won't read it. The friend I watched it with loved it, and I was sat with him for his 3rd viewing, and can see other's really liked it. It just wasn't for me. I think it would have been much better with a slightly different approach. Oh another thing that grated on me was the soundtrack, which I thought was awful, the songs especially bad!
This film could have been funny and moving, but failed on both counts. An hour and a half i won't get back. Paint a wall and watch it dry instead.
Expected a lot more as Simon Bird has been involved in some fine comedies as an actor ! This just went nowhere really , just a collection of unexciting events with a miserable kid and his dour mother !
Extremely depressing, deprimating film. You will regret and waste your time if you attemt tonwatch this. I don't realise why and how is it rated so high...
This story is very real and is get relatable to ordinary people. The mother son relationship is realistic, and their transformation is heartwarming. I enjoyed watching it.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.