Tom Edmunds
bilang Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The komedya film Dead in a Week Or Your Money Back, starring Tom Wilkinson, Aneurin Barnard, Marion Bailey, etc., directed by Tom Edmunds, was released on November 30, 2018 in the United Kingdom. It tells the story of after his ninth unsuccessful attempt on his own life, a young man outsources his suicide to an assassin. "If you're serious about ending it, you need professional help". This is a Komedya, Drama film with a runtime of 90 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.3/10 from 7,478 viewers.
Tom Edmunds
bilang Director
Tom Wilkinson
bilang Leslie
Aneurin Barnard
bilang William
Marion Bailey
bilang Penny
Freya Mavor
bilang Ellie
Christopher Eccleston
bilang Harvey
Nigel Lindsay
bilang Brian
Velibor Topic
bilang Ivan
Tim Steed
bilang Michael
Cecilia Noble
bilang Wendy
Ashton Henry-Reid
bilang Sam
Neelam Bakshi
bilang Mrs. Rehmann
Mark Penfold
bilang Clive
Eileen Nicholas
bilang Trish
Gethin Anthony
bilang Charlie
Marcia Warren
bilang Margaret
Carol MacReady
bilang Celia
Orion Lee
bilang Lawrence
Nathalie Buscombe
bilang Claire
Tom Edmunds
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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vhik
A good black comedy Not formulaic formulaic. Recommended
This film is classified as an Action Comedy Drama. None of those categories applies here. There are mortician's slabs with more Comedy Action Drama than is present here. It is an amateurishly written, forgettable film with dreary hackneyed sketches which were always better done in the original. A refund is due to anyone who gave it some time. While the premise of the film may offend now, it could have been funny in the tradition of black humor, if a Spike Milligan had developed it, but this is anemic and worst of all, dull. It has no verve nor spark at all. It is pointless. It's curious that it was produced; but somehow this was made and without a scintilla of invention or value. There are many better choices to make.
Honestly I didn't think I would enjoy this movie and watched it simply because I was bored. This movie pleasantly surprised me. All the characters were very fleshed out and likable, even the hitman. I was not pleased with the ending feeling it needed a definite answer to if he died or not but that's just my opinion. Overall I don't see this movie being a hit but it is definitely worth a watch and had me interested the entire time watching.
I have always enjoyed a good dark comedy. 'Dead In A Week' is not good; it's great. The cast is spot on, especially Tom Wilkinson. I've enjoyed his work for years and think it's a pity he is not well known in the US, because he deserves to be. This is my first exposure to the young actor Aneurin Barnard and he did a fine job. The humor is clever and subtle, not slapstick and nonsensical. The writers have taken a subject that doesn't lend itself to comedy and done a wonderful job. I am sure there will be those who give the movie a thumb's down for just that reason, and that is a shame. Dead In A Week is on a par with 'Harold and Maude' and that is saying something.
Is it too much to ask that a movie makes me laugh? Not everything has to be deep, y'all. Very quirky, fun, and upbeat little movie that isn't Oscar bait but is great to watch with friends. The acting is stylistic and the camera work and writing are theme appropriate. Lay off my fluff pieces you movie snobs.
What a great film. Hilarious and clever throughout. Stellar performances across the board, not least from debut Director Tom Edmunds (also the screenwriter) who brilliantly strikes the balance of sensitivity and comedy in the portrayal of his characters. A must see.
The good news is that the writer copied one of the best movies ever, I hired a contract killer. The bad news is that I don't see Kaurismaki credited anywhere here. I am not an expert in copyright law but if this is not a copyright crime, this is absolutely unethical.
Their deadpan tongue in cheek delivery is at its best in this dark dramedy. It would be wrong to call it a comedy. It isn't about laughs. It's about I.R.O.N.Y., and irony is often a tad bit Funny and a dollop of Tragedy in a little bundle of Enjoy.
A nice dark comedy for the performance of Tom Wilkinson, the make-up of Aneurin Barnard, between a character from univers of Tim Burton and for lovely portrait of. Penny by Marillon Bailey. Fair end, maybe too sweet and too expected , romance, jokes and decent story. Nothing memorable but just nice.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.