Yasuhiro Irie
bilang Director
English,Filipino,Français,Indonesian,Kiswahili,Malay,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The TV series Eden S1-S2, created by Justin Leach and produced by an unlisted studio, first premiered on May 27, 2021 in Estados Unidos. The series spans 2 seasons with 7 episodes, featuring the voices of Marika Kôno, Kentarô Itô, Kyôko Hikami, and Tarusuke Shingaki. It follows the story of A human girl secretly raised by robots starts to uncover the dark secrets behind her lush, utopian world where humanity has all but vanished. This is an Animation, Aksyon, Pakikipagsapalaran series and has received a rating of 6.6/10 from 1,399 viewers.
Yasuhiro Irie
bilang Director
Marika Kôno
bilang Sara
Kentarô Itô
bilang Additional Human Voices
Kentarô Itô
bilang E92
Kyôko Hikami
bilang A37
Kyôko Hikami
bilang Additional Human Voices
Tarusuke Shingaki
bilang Additional Robot Voices
Tarusuke Shingaki
bilang S566
Yuuki Kuwahara
bilang Additional Human Voices
Yuuki Kuwahara
bilang Additional Robot Voices
Yuuki Kuwahara
bilang Elizabeth Fields
Yuko Kaida
bilang Ashley Fields
Yuko Kaida
bilang Geneva
Kôichi Yamadera
bilang Dr. Weston Fields
Kôichi Yamadera
bilang Zero
Hidenori Takahashi
bilang Additional Robot Voices
Tasuku Kida
bilang Additional Robot Voices
Daisuke Nakamura
bilang Additional Robot Voices
Kei Kinoshita
bilang Additional Robot Voices
Hayato Kakizaki
bilang Additional Robot Voices
Erina Satô
bilang Additional Robot Voices
Aimi Fuyumuro
bilang Additional Robot Voices
David Tennant
bilang E92
Rosario Dawson
bilang A37
Neil Patrick Harris
bilang Zero
Neil Patrick Harris
bilang Dr. Weston Fields
Cassandra Lee Morris
bilang Zurich
Julie Nathanson
bilang Geneva
Yuko Kaida
bilang Ashley Fields
Yuko Kaida
bilang Geneva
Julie Nathanson
bilang Ashley Fields
Ruby Rose Turner
bilang Sara
Justin Leach
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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Magandang pelikula!
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To be perfectly honest, I went into Eden convinced I would absolutely hate it. Instead, I was pleasantly surprised - I actually enjoyed it quite a bit. The story itself was good - it certainly isn't original, but it was fun to watch, and sometimes that's all something has to be. Sara's interactions with her robot family are super charming, as well, and I think that's where I had the most fun with Eden. Her relationship with her parents is especially sweet, and honestly the reprogramming scene in episode 3 got a few tears out of me. That isn't to say that Eden is perfect - far from it. My main issue is with Sara herself. For all the talk about humans and how creative and interesting they are, I found it ironic that Sara is probably the most boring character in the show. I never felt like she'd earned much of the praise heaped upon her by her robot family, and save for a few scenes, most of her screentime was spent reacting to things. Or, if she did take action, it was usually reckless and poorly thought out. It absolutely worked in some scenes, such as the episode 3 scene I mentioned, but the rest of the time, Sara just feels like a stock anime protagonist, with nothing really setting her apart. I absolutely loved the little quirks they gave her in episode 1, as a result of growing up with robots instead of humans, but it seems like they completely forget about those after that, except for one time in the final episode. It would have been really nice to let her keep them, because they gave her a lot of character and made her pretty fun to watch. That being said, she usually has plenty of other characters to bounce off of, so it's pretty easy to ignore. I didn't really like the animation, either. I don't really like 3d anime as it is, but Eden felt especially janky and odd in certain places. It worked fine for the robots, but not so much for the humans. The humans' animation reminded me a little too much of MMD at some points. However, the fight scenes are fairly clean and well animated, so I'd imagine they put most of their budget into that. Going back to things I liked, though - Dr. Fields. I really enjoyed the twist villain in this show. Well, I say twist, but honestly I really don't know why I didn't expect it, considering the hints that were shown before the reveal at the end of episode 3. Regardless, Dr. Fields is a very interesting character, and a great choice for the villain. His motives and morals are perfectly understandable, even if I personally don't align with them. I loved the setting. Our current climate pushes us closer and closer to the post-apocalyptic movies and shows of yesterday, and the creators know this. In Eden, they show us what could too easily become our future - save for a few oasis-like pockets, the majority of what we see outside of any buildings is rocky desert. They aren't afraid to show us what caused the fall of humanity all that time ago, either. If you look at the newspapers and reports, which Eden shows off multiple times, you'll see: the biggest factors were climate change, and the wars that broke out as a result of it. I've seen multiple reviews saying the ending was anticlimactic or disappointing - I have to disagree. I think it ended just fine. It didn't end with a bang, but it was satisfying and left room for the imagination to take over, which I can almost always get behind. Overall, if you've got a little under two hours to kill, I'd absolutely recommend Eden. It has plenty of flaws, but its a very enjoyable experience, and personally I'm glad I watched it. I will advise, though, that It's much better watching it in one go, like a movie.
I loved the story idea, the beautiful artwork of richly exquisite colours and just the sheer all around simplicity of its good feeling vibe. It is exactly the right amount of episodes, 4, and overall length of each one but, I would have been just as happy with a film length edition. Both humans and robots are all singularly interesting and likeable. I would like to see a sequel to this but as of now there is no information as to whether there are or were plans to make one.
I actually enjoyed the show, and I wasn't certainly expecting the doctor to be the villain, though I should've thought so. Even if I did, it was much more impacting I could ever think of! As much as I enjoyed the plot, I wish the creature had tried to expand their world building, since I really took the hints and was curious. I'd love to know and see the world, the history and much more. Though, it would be difficult. I enjoyed it still!
Really could have used another eight or so episodes. The animation was fine the concept was good but it needed more time to breathe and flesh out the conflict. As it stands the ending feels rushed and perhaps unearned. Pity though the second and third episode raise some neat concepts.
The serious is pretty stupid all the way through, but in episode 3 and 4 it taked overhand and it becomes unwatchable.
Isang detalyadong pagtalakay sa mga kamakailang pagbabago sa presyo, kung bakit muling isinasaalang-alang ng mga user ang kanilang setup sa panonood, at kung paano suriin ang alternatibong workflow nang hindi nawawala ang iyong mga gawi sa pagtuklas.
Alamin ang tamang paraan para i-install ang Movie Box APK: mga pangunahing kaalaman sa bersyon muna, pagkatapos ay malinis na mga hakbang sa pag-install, at sa huli kung paano pumili sa TV, iOS, Web, at app usage paths.
Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.