Andrew Gilbert
bilang Director
English,Filipino,Français,Indonesian,Kiswahili,Malay,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The aksyon film Edge of Extinction, starring Luke Hobson, Georgie Smibert, Chris Kaye, etc., directed by Andrew Gilbert, was released on August 21, 2020 in the United Kingdom. It tells the story of 15 years after World War III, the nuclear winter is over, but mankind is on the verge of extinction. Civilisation no longer exists, food is scarce and most eke out a living by stealing and killing. One boy clings onto life in the desolate countryside of southern Britain, where staying away from other humans has been key to his survival. But this self imposed isolation comes to an abrupt end when he crosses paths with another group of survivors and an enemy far more savage than any of them could imagine. This is an Aksyon, Sci-Fi, Thriller film with a runtime of 141 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.0/10 from 1,886 viewers.
Andrew Gilbert
bilang Director
Luke Hobson
bilang The Boy
Georgie Smibert
bilang The Girl
Chris Kaye
bilang The Man
Bryn Hodgen
bilang The Chief
Nicholas Chambers
bilang The Husband
Susan Lee Burton
bilang The Wife
Neil Summerville
bilang The Overseer
Richard Summers-Calvert
bilang Pack Leader
Rudy Barrow
bilang Road Rat
Eve Kathryn Oliver
bilang Chloe
James Harrison
bilang The Drifter
Nicholas Anscombe
bilang The Vigilante
Samuel Armfield
bilang Cannibal
Tyler Blythin
bilang Cannibal Hunter
Ben Caswell-James
bilang Cannibal Hunter
Gregor Copeland
bilang Bearded Cannibal
Lee Craven
bilang The Gate Keeper
Jared Crockford
bilang Cannibal
Andrew Gilbert
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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Magandang pelikula!
the worse movie ever 💔 hisss
Good movies to watch
An Indy, Post Apocalyptic yarn that was interesting & had good cinematography reflecting the desolate social & physical landscape where Order has broken down & the prevailing Power determines all outcomes. Acting was believable & refreshing. Good storyline, sound was up to scratch & delivered entertainment that saw me watch to the end. Try it, you might just like it.
The film had too many complex characters and too much dialogue. I'm a big fan of post apocalyptic movies but this isn't a good one.
Although I only gave this a 5, I think this deserves respect for the pure dedication with who hit was made. It was clearly a project that was undertaken with passion and vision. The acting was decent in the main, and although the pacing was a little slow, I think this is clearly an indication of a film crew with future potential. Actors and directors. I appreciated it, thanks guys.
I'm not one for indie films but this caught my eye, absolutely loved it
Really good for a low budget movie. The acting was professional and the screenplay was smart and polished. I am particular about the logic in a movie and this one had little or no plot holes, better than a lot of big budget movies.
For an indie film it was well made. Script was good, acting was believable and the characters were engaging. Slightly longer than it needed to be could easily have cut 30 minutes out of it but overall an entertaining way to spend an evening.
It's not often that I consciously break out of my blissful state of streaming service choice paralysis to pay for a movie, but found myself on this occasion, grateful that I had. I approached this film with a sense of wariness, knowing that too often indie films ignore the constraints of their often modest budgets and go bonkers with CGI that's about as enjoyable to watch as the later seasons of The Walking Dead. But after the first poor chap gets bludgeoned to death very realistically (I can only assume, having never been party to a group bludgeoning first hand), I was reassured this wasn't going to fall into the same trap. With a magnificent use of derelict and abandoned locations, great character development and a gripping tension maintained throughout, we are given a glimpse into a post apocalyptic future where extreme feminist theory that all men are total ball sacks except perhaps the odd few, is proven totally accurate. Although the film could perhaps have benefitted from being 20-30 mins shorter, the story, plot and character personalities develop naturally and we are treated to a few fantastically poignant scenes designed to stop and make you think about the things that we carelessly take for granted. Throughly recommend.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.