Daniel Bernal
bilang Director
The sci-fi film El Ascensor, starring Marimar Vega, Gorka Otxoa, Ramón Langa, etc., directed by Daniel Bernal, was released on January 1, 2021 in Mexico. It tells the story of On their fifth wedding anniversary, Sitio and Ana start arguing inside an elevator that keeps opening in their same floor. Emotionally and physically trapped, the two will have to work together to find a way out. This is a Sci-Fi film with a runtime of 70 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.7/10 from 710 viewers.
Daniel Bernal
bilang Director
Marimar Vega
bilang Ana
Gorka Otxoa
bilang Sito
Ramón Langa
bilang Dr. Manuel
Daniel Bernal
bilang Writer
Jordi Farga
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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If you're on this site you pretty much know what this film is about. A young romantic couple enter an elevator and become caught in a time loop and cannot get out of the elevator. They fight, they cry, they fight, they love, they are severely injured, they fight, they are not quite that romantic, they learn truths about each other and if this film has any real focal point, that would be it, but if so, it doesn't work due to a frustrating ending. This film is very short, thankfully, with two actors that are okay, I guess, but the characters they play are insufferable, particularly the male. There have been a lot of time loop films since Groundhog Day, some good, some bad. This would not be in the good group. The writing is really poor.
I enjoyed this despite the reviews. Having lived in Spain I felt the characters were very authentic and charming. Worth a watch
An attempt at dramatic comedy. It's about a couple having an argument in an elevator and it becomes a time loop repeating the same thing. Exactly the formula for "Happy death day", "If I don't wake up." Quality. A collaboration between Spain and Mexico. Nothing relevant in the performance. What he tries to do is talk about relationships and that problems are always fixed by talking, the problem is that, he stays in the attempt. The justification for the time loop is just as silly and implausible as certain things that happen. Half of the movie is fine, after half it falls apart. The audio y is interesting and well handled, some elevator effects are not. Avoidable.
The plot of this movie is a std timeloop idea- an elevator that resets to its statting point and time, the 10th floor everytime it reaches the ground. I enjoyed this film- maybe because the Spanish hid some of the creaky bits others have identified, but I was left unfulfilled by the ending. Spoliers here**** The lift was apparently engineered as a time machine by a former caretaker of the building- continuing experiments that had been banned from his previous job (unspecified). Powered by lightning, the experiments are a failure as the lift becomes a time loop machine endlessly recycling its journey from floor 10 to 0. Its inventor becomes trapped and eventually dies in the lift operating room. Before he expires he derives a "manual escape system" but like launching nuclear missiles the physical design of the lift means that it requires two people to operate it. Sadly he has noone and fies trying. Some time later a lightning strike reactivates the lift which starts its new occupants, an arguing couple taking out the rubbish, on an endless cycle of time loops. Through iterations and pauses they discover the control room and the dead inventor, they operate the manual system and escape... but do they? Here the film really fails because nothing is explained. The manual system starts a strange countdown- but to what? The doors open and the couple exit talking to themselves and apparently ignoring their surroundings. The finally discard their trash and the film ends with a shot of lightning hitting high rise buildings then panning to close with a close up of their rubbish- So??? Is this simply showing the couple have literally and metaphorically disposed of their baggage and are moving on in life? Surely thats too trite an ending for a film which was obviously considered deeply? Perhaps there's a clue from the wider shot of the hi-rise buildings. The couple spoke many times of the age of their lift- an 80s structure presumably then installed in an 80s building? There seems little that is 80s about the buildings shown at the end, massive highrises and once again lightning. Might the manual solution not have simply released the occupants, but restored full time machine function? There is no obvious signs of the futur other than these buildings and the couple are oblivious to any differences- but its night-time and its raining. There are no clues in the (to my mind inexplicable) close up of the discarded rubbish. My opinion- the film-makers were either too subtle or simply missed a trick, but this ending really does leave you unfulfilled. If anyone has a definitive interpretation please let me know!
Avoid this. You will have a better time staring at the wall than watching this movie. Around 75% of the movie, is about a couple fighting about their relationship, the rest is plot towards solving the "mystery" of the time loops. There's 0 deepness about their situation, about time, about relationships... non... ZERO depth.
The first half hour is interesting. The camera works well. Then is just plain boring. Jusy stick with grounghog day
There are several movies about elevators pretty entertaining, this is no the case, also the elevator music is absolutely annoying
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
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Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.