Gabriel Robertson
bilang Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The aksyon film Enemy Within, starring Joseph Naufahu, Kazuma Sano, Beulah Koale, etc., directed by Gabriel Robertson, was released on April 19, 2019 in the United Kingdom. It tells the story of when a Japanese pilot crash-lands on the tiny remote Hawaiian island of Ni'ihau, he is met with courtesy and traditional Hawaiian hospitality from the locals - until they discover he was part of the recent attack on Pearl Harbor. This is an Aksyon, Drama, Kasaysayan film with a runtime of 109 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.7/10 from 1,048 viewers.
Gabriel Robertson
bilang Director
Joseph Naufahu
bilang Ben Kanahele
Kazuma Sano
bilang Shigenori Nishikaichi
Beulah Koale
bilang Haku Keli'i
Takashi Yamaguchi
bilang Yoshio Harada
Chika Kanamoto
bilang Irene Harada
Maria Walker
bilang Ella Kanahele
Kanoa Goo
bilang Hawila Kaleohano
Takuma Anzai
bilang Matsu Shintani
Melissa Paulo
bilang Lani Kekoa
Rila Fukushima
bilang Aiko Nishikaichi
Matt Riedy
bilang Aylmer Robinson
Jade Daniels
bilang Aka Hale
Taungaroa Emile
bilang Izzy Kaanaoi
Bree Peters
bilang Kalima Kekoa
Tsubasa Nakae
bilang Saburo Ishii
Shogen
bilang Lt. Jack Mizuha
Doppo
bilang Gen. Takashi Soseki
Kazana Kusaka
bilang Kazuko Nishikaichi
Gabriel Robertson
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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Sure the movie is slow its not an action movie its full of suspense and drama especially towards the end the last 30 minutes save the movie, you have to be in the right mood to enjoy this film and its not for everyone but its far from being a bad flick.
This movie is worse then anything ever made. The story could have been ok, but the acting, dialogue, the scenery, the outfits, it seemed like everything was put together by a child. It even looks like it was shot on video? Horrible. And I'm Hawaiian!!!
Fascinating true story but....low budget? The first half hour of dialogue could have come from a Gilligan's Island script. In the final scene, the US soldiers land on the beach in fiberglass Boston Whalers....in 1941?
One of the worst movies I have seen in a long time. Won't waste many words on this review. I was hoping for some action but fell asleep instead until the last 15 minutes when there was some action.
But even as hawaiian this story was it was barely a mediocre one. if you expect war your lost, if you would like some harakiri then your in. you will also find a whole lot of village around the bonfire talking or walking and not much more than that. there are some fistfights between friends , and foes too. itll may have some appeal for the right wing japanese audiences, because it has some japanese imperialism in its hidden agenda. the acting are at b and c level, the locations and settings are rather like ''your mama and my mama, sitting by the fire'', and feels like a bunch of locals in a theater company joining forces to tell their part of the islands war history. the grumpy old man saw it and will attend the haugesund international film festival later today
Not accurate at all. Much of The movie plays with the facts in that how the Japanese soldier was killed and how one of the people who helped them escape committed suicide. After the tribal leader was shot he gathered enough strength to throw the Japanese soldier out the door of the building and into a stone wall while the soldier was laying there his wife crushed his skull with a rock. As far as the person who committed suicide he blew off his head with a shotgun not a pistol.
The original events would have made a better story. The most unHawaiian movie about Hawaii. Everything was off. From houses to clothes. Hawaiians didn't hunt boar with long bows and who spears fish that way. What Nisei speaks with a Japanese accent. It would have helped if the film makers did a little research before the filmed.
This movie is no closer to being based on the Niihau Incident than a Chipotle fart is to telling the tale of Abraham Lincoln. Don't be making genuine heroes weak by removing their ACTUAL ACTIONS AND MOTIVATIONS and make genuine REAL LIFE VILLAINS sympathetic by giving them fake stories. An amazing story was RUINED AND WASTED with this film. The filmmakers should be ashamed!
The events in the movie are very slow, that I almost fell asleep. There are also many scenes in Japanese where you can't understand what's happening but you have to guess. And the end is not good. In short, the movie can be shortened to a half an hour instead wasting two hours on such slow movie.
Sauce
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.