Henrik Ruben Genz
bilang Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The drama film Erna at War, starring Trine Dyrholm, Ulrich Thomsen, Anders W. Berthelsen, etc., directed by Henrik Ruben Genz, was released on October 29, 2020 in Denmark. It tells the story of A woman disguises herself as a man to join the army in order to protect her educationally subnormal son who has been called up to fight in WW1. This is a Drama, Digmaan film with a runtime of 100 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.1/10 from 1,033 viewers.
Henrik Ruben Genz
bilang Director
Trine Dyrholm
bilang Erna Jensen
Ulrich Thomsen
bilang Feldwebel Meier
Anders W. Berthelsen
bilang Anton Seiersen
Sylvester Byder
bilang Kalle Jensen
Ari Alexander
bilang Max Petersen
Emil Aron Dorph
bilang Mathias Hansen
Mads Ole Langelund Larsen
bilang Christian Poulsen
Aksel Ojari
bilang Fritz Müller
Patrick Descamps
bilang French Camp Commander
Elias Munk
bilang Julius Rasmussen
Jørn Holstein
bilang Train Conductor
Hugo Henry
bilang German Interpreter
David Dumont
bilang Whispering Soldier
Helle Bo
bilang Older Woman Bramstrup
Gert Raudsep
bilang Retiring Feldwebel
Andreas Perschewski
bilang Retiring Feldwebel
Heino Seljamaa
bilang Lieutenant Colonel
Ingo Brosch
bilang Lieutenant Colonel
Bo Hr. Hansen
bilang Writer
Henrik Ruben Genz
bilang Writer
Erling Jepsen
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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...these are dumb people, who knows nothing of war, and they have high opinions of themselves. Ernas Village has her employed at a special function, which no one ever talks about anymore. Erna has realized certain things about her life and the life of others.. about education and things nobody talks about anymore. Its most of all an anti war film, an Vladimir Putin critique film. Its a NO to USA, a NO to russkyMir, but most of all its a NO to Empires. So in a way one could see this as a predecessor to #StarWarsCloneWars Or as part of #StarWarsRebels most of all one has to pay attention to the great acting, the great directing, and the fantastic filming and cutting. It did not get any Oscars, stupid people in the socalled Academy.
Comparing movies to their literary origins is almost cliché and, some may say, inherently unfair. In this case, however, it does make at least some sense I think. Erling Jepsen has made it his trademark to write absurd stories with a generous dollop of humour - Franz Kafka meets Dario Fo, as it were. "Erna i krig" (the book) is certainly no exception to this, which is exactly why I think the movie needs to suffer this unfair comment. The book treats World War I, the identity crisis of post-Prussia-war (1864) Sønderjylland and social dysfunction in general, as one big absurd theatre linked by one unlikely event after another. This is my main criticism of this movie. These wonderful impossibilities that drove the original story are completely absent. What is left is just a handful of depressing fates in a war long forgotten. A few sausage bribes and funny syllogisms are simply not enough. Add to that, that only a few minor links in Erling Jepsen's original chain of events made it into the movie and an almost cheapish ensemble-like crop of the original cast. All the characteristics that made the story work and (believe it or not) believable have been largely omitted. Disregarding the book, it was a neat little movie, though. Particularly Ulrich Thomsen fit the Erling Jepsen universe of dysfunctional characters oozing insecurity. Everybody else was largely extras - even Trine Dyrholm.
Magandang pelikula!
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Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.