Ana de Armas
bilang Isabel De La Cruz
English,Filipino,Français,Indonesian,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The krimen film Exposed, starring Ana de Armas, Keanu Reeves, Christopher McDonald, etc., directed by an unlisted director, was released on January 22, 2016 in Estados Unidos. It tells the story of A police detective investigates the truth behind his partner's death. The mysterious case reveals disturbing police corruption and a dangerous secret involving an unlikely young woman. This is a Krimen, Drama, Misteryo film with a runtime of 102 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.4/10 from 17,906 viewers.
Ana de Armas
bilang Isabel De La Cruz
Keanu Reeves
bilang Detective Galban
Christopher McDonald
bilang Lieutenant Galway
Gabe Vargas
bilang Manuel 'Rocky' De La Cruz
Sandy Tejada
bilang Yesenia
Venus Ariel
bilang Elisa
Ariel Pacheco
bilang Naldo
Ismael Cruz Cordova
bilang Jose De La Cruz
Anthony Ruiz
bilang Homeless Man
Stephen Thompson
bilang Albino Floating Man
Mira Sorvino
bilang Janine Cullen
Denia Brache
bilang Gloria De La Cruz
Laura Gómez
bilang Eva De La Cruz
Jeanette Dilone
bilang Marisol De La Cruz
Danny Guzman
bilang Gucci De La Cruz
Leopold Manswell
bilang Kendu Wallace
Big Daddy Kane
bilang Jonathan 'Black' Jones
Justice Quiroz
bilang Rafael
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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ok
waste of time man don't watch...
Magandang pelikula!
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Magandang pelikula!
If you'd like a little excrs for your brain and a little mysterious movie genre, maybe you'll like this movie. Strongly recommend for you, But if you want something entertain, laugher, romance, action or lasers, then this isn't a movie to enjoyed, Sit back and open your mind widely for a little journey trough the time line and a story, The story tells about one girl named Isabel, who lived in the Big Apple, New York and a police officer Scott who trying to investigate murder case, Two different stories about life's, and perspective comes in deep dark journey...
The "popular" rating system on movies is something that lets me down from time to time. This movie was an excellent use of my time. Very thought provoking, never one single dull moment. I am so glad I didn't look at the reviews otherwise, I might not have watched it. Seems to me that most of the people who rate movie ratings are comparable to top 40 music music. Menu did an excellent job and I totally see why he took this role. Great movie! I will let you know that is it a crime drama. No shootouts or explosions or and stunt men required. The director of this film introduces a new style of story telling that I have seen before. Would watch it again. Bravo.
There seems to be very little love for this movie. I'm one of those who's glad I went in knowing nothing about it. I'm neither a fan nor a detractor of Keanu Reeves. I've seen a few of his movies, and I've yet to see him give a bad performance. He's a subtle actor who doesn't ever grandstand. The other lead in this movie, Ana de Armas, is a revelation. But what kept me watching was the superb cinematography by Trevor Forrest. I was expecting to see a B-movie - instead, I saw a polished work of film art. So, it's odd to read that this is the re-edit disowned by the director. Since the end of the movie came as a real surprise to me, if the original cut is ever released, it won't have the same impact, unfortunately. It's easy to ridicule a film like this because it takes so many chances. It's not perfect, by any means, and the story of one character, at least, is rather unresolved. I've seen about four thousand films in the past ten or eleven years, so I'm quite picky because jaded by seeing the same old formulaic dross trotted out again and again. But I live in hope! This is not dross. This is good cinema. See it!
"Exposed" is flawed, but has interesting elements. The film was originally titled "Daughter of God," directed by first-time director Gee Malik Linton. The original production was reportedly surreal, very political and multi-cultural. But financing fell through and the producers turned to Lionsgate, who invested in what they thought was a thriller centered on Keanu Reeve's character. The studio didn't feel the original film held broad audience appeal and re-cut it to conform to the film they thought they had invested in. Subsequently, Linton disavowed the film and sued to have his name removed from his only theatrical credit. The final result reflects the production's uneven genesis. There are two story lines, one in Spanish with subtitles and another in English, which interweave and ultimately merge. Two other story lines seem a bit disjointed and incomplete, presumably due to wholesale cuts. The story lines share a common theme concerning reluctance to pursue the truth for fear of the consequences. One character was severely traumatized by a childhood experience. Current events conspire to push this character over the edge, compelling a response to the inner turmoil. Another character seeks to uncover the truth about a friend who was not the person he thought and who had secrets he would rather not have learned. There are also a few surrealistic events that don't make much sense, but may have made more sense in the original version. And an individual's death leads to unexpected consequences. The underlying whodunit is intriguing with some satisfying twists. The truncated subplots provide ample red herrings, although they aren't entirely satisfying. If the film had been shot as detective story, the writer and director would have taken markedly different approaches. What we have is a bit of a hodgepodge that affords glimpses of the story that it might have been. If the director and writer had concentrated on the mystery rather than the social commentary, they would have had a much better film. Having not seen the original film, I cannot comment on how effective it was as a social commentary, although it reportedly received generally favorable reviews from the preview audiences.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
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Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.