Takashi Miike
bilang Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The aksyon film First Love, starring Becky, Bengal, Masayuki Deai, etc., directed by Takashi Miike, was released on February 14, 2020 in Hapon. It tells the story of A young boxer and a call girl get caught up in a drug-smuggling scheme over the course of one night in Tokyo. This is an Aksyon, Komedya, Krimen film with a runtime of 108 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.7/10 from 8,723 viewers.
Takashi Miike
bilang Director
Becky
bilang Julie
Bengal
bilang Fortune Teller
Masayuki Deai
bilang Jojima
Mami Fujioka
bilang Chiachi
Sakurako Konishi
bilang Monica
Masataka Kubota
bilang Leo
Takahiro Miura
bilang Yasu
Jun Murakami
bilang Ichikawa
Nao Ômori
bilang Otomo
Sansei Shiomi
bilang Deputy boss
Shôta Sometani
bilang Kase
Ken'ichi Takitô
bilang Doctor
Nazeeh Tarsha
bilang Male Yakuza
Nazeeh Tarsha
bilang Male Boxer
Chun-hao Tuan
bilang Fu
Seiyô Uchino
bilang Gondo
Cheng-Kuo Yen
bilang One-Armed Wang
Masa Nakamura
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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source: First Love
If you're a Miike fan you're gonna enjoy this one. If you're not a Miike fan, I'm sorry. The most enjoyable part of this movie is how unbelievably bad the bad guys are at being bad guys. Mix in a few severed limbs, a dirty cop, and a moment of "I don't know how to film this scene so let's just animate it" and you got yourself a popcorn munching good time.
This movie is so much fun. It's a romantic comedy action mob movie and it mixes these genres so well. It might be tame compared too Miike's typical fare but blood is spilled in buckets at the end of this movie in a crazy samarai sword fight. Highly recommended.
Quite a bit of activity, but a lot of hand wringing and wailing to go along with it. OK for dvd.
I think in this film, not a single shot missed its intended target. It was hilarious. The film is quite funny in general. It is a wild ride, better than many from Tarantino. The actor who plays Kase steals the show. Other than Monica, the acting is fine overall. Downside: 1. Action-flick type of general "DOH!", as in when a van goes flying over because its tire got shot. 2. there is no chemistry in the "romance", other than the drugs Monica is on. "Hey, let's have a romance between 2 emotionless PTSD-type people, and have the girl hallucinate because she needs another hit." Great idea. "DOH!"
I just came to say this after reading reviews claiming this was very violent in the style of takashi miike. But no, not at all. Compared against his standards this was a kindergarden picture. So for anyone being hyped for a big dose of takashi violence, this ain't it. I still enjoyed it though. Give it a try, but i rewatched blade of the immortal and it was more violent than this.
Stylish, fast-moving, packed with action, this newest film from Takashi Miike is eye candy. It involves call girl and boxer getting involved in a drug deal gone wrong and following escapades over on night. Miike has an obsession with the Yazuka and this is no exception. His film moves like a samurai movie. The discussions and negotiations occur in the first part of the movie; the action dominates the second part. Miike excels in non-linear narrative. For a filmmaker who is typically "out there," this story is surprisingly conventional. This movie is therefore the best introduction for those who are unfamiliar with Miike's film making. There is enough for those who know and are familiar with his movies to be entertained.
Apparently Takashi Miike has a fanbase. I don't know if I watched other movies from him, I doubt it, but after watching this one I don't really feel like it to be honest. It's the typical Asian fighting movie, in this case Japanese, with the usual overacting you get with Asian movies, which is annoying by the way. I wonder why Asian movies are almost always like that? Is it a criteria for them to make a good movie? The Japanese language isn't great to listen to but if you add the constant yelling on top of that it just doesn't do it any good. As for the story I saw worse, but at one point you just have no clue on who is killing who anymore and that isn't a good thing. Hatsukoi or First Love isn't the best Japanese movie but also not the worst. I think I'll just stick with South-Korean movies when I want to see some quality Asian productions.
Amazing film and best Miike film since 13 assassins (I like every Miike film mostly). Two or three different stories/themes going on at the same time all linked in this one. It's violent but not disturbing violence. Best romantic comedy ever made lol
Sauce
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.