David L. Craddock
bilang Director
The dokumentaryo film FPS: First Person Shooter the Definitive FPS Documentary, starring Greg Thompson, Dave Lebling, Rebecca Ann Heineman, etc., directed by David L. Craddock, was released on September 2, 2023 in the United Kingdom. It tells the story of The largest ensemble of gaming icons ever assembled on screen, FPS: First Person Shooter is a documentary that takes fans on a nostalgic journey through the creation some of the greatest videogames ever made. This is a Dokumentaryo, Aksyon film with a runtime of 275 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.5/10 from 364 viewers.
David L. Craddock
bilang Director
Christopher Stratton
bilang Director
Greg Thompson
bilang Self - Co-Creator, Maze War
Dave Lebling
bilang Self - Co-Creator, Maze War
Rebecca Ann Heineman
bilang Self - Programmer, Interplay
David Alan Smith
bilang Self - Creator, The Colony
Seamus Blackley
bilang Self - Co-Creator of Xbox
Tim Willits
bilang Self - Level Designer, Quake (Series)
Mike Wilson
bilang Self - Marketing, ID Software
John Romero
bilang Self - Co-Founder, id Software
Tom Hall
bilang Self - Co-Founder, id Software
John Carmack
bilang Self - Co-Founder, id Software
Adrian Carmack
bilang Self - Co-Founder, id Software
Scott Miller
bilang Self - Co-Founder, Apogee Software
Scott Miller
bilang 3D Realms
David Kushner
bilang Self - Author, Masters of Doom
Randy Pitchford
bilang Self - CEO, Gearbox Entertainment
James Rolfe
bilang Self - Creator, Cinemassacre, Angry Video Game Nerd
Cliff Bleszinski
bilang Self - Co-Creator, Unreal, Unreal Tournament
Dave Oshry
bilang Self - CEO, New Blood Interactive
Levelord
bilang Self - Level Designer, 3D Realms
David L. Craddock
bilang Writer
Richard Moss
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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This documentary clocks at 4 and a half hours, of which the first 2 hours are about the absolute birth of computer shooter games (Wolfenstein, DOOM and Quake) and the second 2 hours are about the more recently released widely popular games like Halo etc. I was confronted with Wolfenstein in the early eighties and I had a fun blast. But a few years later I underwent "DOOM" and that really blew my mind! And I still think DOOM is one of the best shooter games ever made! It's simplicity, combined with ultimate shock effects, still freak me out some 30 years later. What a thrill ride! Especially the really early development of 3D visuals on the computer (back in the late seventies) is fun to watch. The guys who invented all these wonderful programs are being interviewed and what achievements they have made for the world of computer gaming. Nice watch, although quite long, but one can choose what to watch. Interesting insights into this massive virtual world which is the biggest grossing part of the entertainment industry nowadays. Lots of reviews by the makers themselves of all the most popular shooter games. What's not to like?
source: FPS: First Person Shooter
Magandang pelikula!
source: FPS: First Person Shooter
I was pretty excited to learn that CreatorVC, the people behind the In Search of Darkness series, were going to a documentary on First-Person Shooter games. I've been a fan of the genre all the way back when Wolfenstein 3D and Blake Stone were released. Clocking little over 4 hours & 30 minutes, the documentary starts off great. Covering the origins such as Maze War, Battlezone, and Catacombs 3D, before getting to Wolfenstein 3D and Doom. The coverage for id Software games were insightful and a lot of fun to hear stories from legends like John Carmack and John Romero. A lot of people from id Software were interviewed as well as folks from Apogee and 3D Realms. Once the documentary gets to the era of Quake 2 and Unreal, it kinda of loses focus. The documentary seems to rush and trying to cover everything up to 2016's Doom. In doing so, they miss other important FPS games like Soldier of Fortune, Red Faction, the Far Cry series, Crysis, and the list goes on. The documentary skims through Call of Duty and Battlefield 1942. Medal of Honor Allied Assault gets the spotlight and totally forgets about the first Medal of Honor game. Goldeneye for the N64 gets attention, while Perfect Dark is mentioned but not well covered as Goldeneye. Both Half-Life and Half-Life 2 gets solid coverage, as well as Team Fortress Classic and Team Fortress 2. Portal is mentioned as well but no one behind the game were interviewed. In fact, only the creators of Team Fortress were interviewed. No one else from Valve Software, past or present, are in this documentary. Randy Pitchford is the only person from Gearbox Software to be interviewed for the Half-Life add-on Opposing Force (as well as other Gearbox-related games such as Borderlands) Mods were mentioned for Doom/Doom 2 but skimped on when we get to the Quake 2 and Half-Life era. Both origins for Team Fortress and Counter-Strike were either barely mentioned or not mentioned at all. Like I said, this documentary tries to cover everything but misses the, big and small, important stuff. The creators of this documentary should've stick to the timeline and maybe stopped at Half-Life, saving the other games for another documentary. If they put the same amount of time, energy & money from the first half onto the last half of the documentary, I would've given it a 10 out of 10. If you're a fan of id Software's games like Wolfenstein 3D, Doom, and Quake, you're in for a treat. Even the coverage for Duke Nukem 3D and Unreal were fantastic. After that, the documentary loses focus and rushes through the titles, missing other important games in the process. I give it a 6 out of 10.
Isang detalyadong pagtalakay sa mga kamakailang pagbabago sa presyo, kung bakit muling isinasaalang-alang ng mga user ang kanilang setup sa panonood, at kung paano suriin ang alternatibong workflow nang hindi nawawala ang iyong mga gawi sa pagtuklas.
Alamin ang tamang paraan para i-install ang Movie Box APK: mga pangunahing kaalaman sa bersyon muna, pagkatapos ay malinis na mga hakbang sa pag-install, at sa huli kung paano pumili sa TV, iOS, Web, at app usage paths.
Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.