Paul Krüger
bilang Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The romansa film French Toast, starring Lika Berning, Thierry Ballarin, Deon Lotz, etc., directed by Paul Krüger, was released on April 24, 2015 in South Africa. It tells the story of Lisa lives with her father, Izak on a wine farm in Franschoek. Her mother died some time ago, and left a french toast recipe that only a few people know. One day she finds her mothers diary and to her astonishment finds out that she has a brother or sister in France somewhere. She decides to go and find her sibling. Her boyfriend, Theo, is on the verge of asking her to marry him, but understands that she has to go. In France she meets a chef, Jean-Pierre, who works in the Alexandre cafe shop. He is looking for a photographer for his cook book. Because she cant speak French, she decides to help him but then he must help her find her sister or brother. They have fun looking for her sibling but then something happens that makes Jean-Pierre disappear and he asks her not to look for him. Why does he do this? Does she find her sibling? Is Jean-Pierre her sibling? Does Liza go home and marry Theo. This is a Romansa film with a runtime of 87 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.7/10 from 275 viewers.
Paul Krüger
bilang Director
Anél Stolp
bilang Director
Lika Berning
bilang Lisa le Roux
Thierry Ballarin
bilang Jean-Pierre Baptiste
Deon Lotz
bilang Izak le Roux
Heléne Lombard
bilang Ellen van der Merwe
Paul du Toit
bilang Theo Human
Roberta Fox
bilang Anna Baptiste
Trudi Conradie
bilang Babette Baptiste
Rod Alexander
bilang Paul Baptiste
Lochner de Kock
bilang Alexandre du Bois
Tony Caprari
bilang Jeweller
Willemien Rust
bilang Aimée
Diani Gernandt
bilang Marion
Anel van der Merwe
bilang Mia-Marie
Gustav Gerdener
bilang Young Alexandre du Bois
Nathanya van Zyl
bilang Young Anna Baptiste
Jacques Bessenger
bilang Young Paul Baptiste
Gustav Germishuizen
bilang Jean
Liezl Gryffenberg
bilang Marieta
Tina Kruger
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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Magandang pelikula!
Magandang pelikula!
Once you get past the fact that the main character is a manipulative busy body and that the dad could have saved himself the grief of the lie by tossing the diary, then you're good to go. Beautiful scenery. Extremely grateful for all attempts to be clever rather than crude.
This is a complicated, different, tri-lingual love story.( Sort of!) It is set, oddly enough, in both South Africa and Paris and the dialogue is in Afrikaans, French and English. (Even though major segments are set in South Africa, there are no black actors/characters. That seemed odd.) The camera work in Paris has captured the essence and character of that beautiful city. Although there is a brief glimpse of Capetown's stunnig Table Mountain, the South African portions are not as wide-ranging as those in Paris. Pity! Because Capetown is also a very beautiful city. The story is a rather involved, unlikely sort of tale yet intriguing, compelling, suspenseful, entertaining and beautiful. The characters are well drawn and believable. There is romance without graphic sex. There is humour, tension and beauty. And the whole thing is beautifully filmed. But the story gets rather puzzling and complicated at the end. But no matter! It's still a unique and intriguing story. I would have voted it a ten except for the limp and misleading title. But it is one of the my top notch films so far this year.
This is like a really bad soap opera with terrible acting. Also full of stupid French clichés and sappy music. Dialogues are insipid. Really nothing to save it. Avoid wasting your time!
Great movie but the ending was a bit of a disappointment!
Romantic comedies aren't supposed to be stellar narratives or strong on character development, but sometimes, they are superb on all fronts. Not French Toast, despite some decent acting, cinematography, and direction. The trouble lay in the writing, especially the climactic scene, which left us confused. The music was frequently intrusive and one or two of the characters were really too cliched to care about. Interestingly, for a film set in 1980s South Africa, there was not a single person of colour in the cast. All that said, I appreciated being able to hear Afrikaans in a film--a comparatively very rare experience.
Hmmm... there are some real strengths in this caper; mostly a good storyline, scenery of south africa and of paris. some fun moments, as Lisa and JeanPierre romp around town. there are also some large plot holes... the odds of the huge coincidences that occur. i don't want to get too specific to spoil any surprises, but by the end, its a little much. people in the film fall for each other very quickly. this feels like the basic premise of real family secrets and having unknown siblings in other countries really is someone's own story. but then they embellished on the details. and there are some very confusing moments. I had to turn on subtitles, since they speak afrikaans, english, and french. Lots of krugers in the credits.... seems to be a family project. writer, director, cast, even the producers. on netflix, so i also used rewind a couple times. it's mostly good, but has some weaknesses. like any film, i guess.
I was a bit skeptical when I heard the Afrikaner but I plowed through... The main actress was pretty and made me want to watch further. I hoped that her journey would be interesting. I ignored the quality of the acting which is... uneven...? Or is that too generous? I also ignored the bad music... small budget movies usually cannot afford good soundtracks... ...the scenes shot in South Africa are set on the family farm so... ok... no black people. But then she gets to Paris and no brown or black people in the streets or in the subway? Really? That's when I decided to stop the movie. The chemistry wasn't there & white washing killed it for me. Don't get me wrong I skipped around to the end because I am a sucker for happy endings (no matter how bleached out the movie is) but there was just too much bad to make up for the good... in my humble opinion.
Apart from lack of storyline the dialogue is mostly in French and Africanne so unless you can understand either it's very hard to follow.. Very disappointing.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
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Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.