Peter Lepeniotis
bilang Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The animation film Gnome Alone, starring Becky G, Josh Peck, Tara Strong, etc., directed by Peter Lepeniotis, was released on October 14, 2018 in the United Kingdom. It tells the story of when Chloe discovers that her new home's garden gnomes are not what they seem, she must decide between the pursuit of a desired high school life and taking up the fight against the Troggs. This is an Animation, Pakikipagsapalaran, Komedya film with a runtime of 85 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.6/10 from 4,459 viewers.
Peter Lepeniotis
bilang Director
Becky G
bilang Chloë
Josh Peck
bilang Liam
Tara Strong
bilang Catherine
Olivia Holt
bilang Brittany
David Koechner
bilang Zamfeer
Jeff Dunham
bilang Quicksilver
Patrick Stump
bilang Alpha
Patrick Stump
bilang Bravo
Patrick Stump
bilang Charlie
Nash Grier
bilang Trey
Madison De La Garza
bilang Tiffany
Madison De La Garza
bilang Chelsea
George Lopez
bilang Zook
Steve Blum
bilang Lead Trogg
Steve Blum
bilang Additional Troggs
Fred Tatasciore
bilang Mega Trogg
Fred Tatasciore
bilang Additional Troggs
Ben Diskin
bilang Additional Troggs
Taylore Rayne
bilang Jess
Salli Saffioti
bilang Chloe's Virtual Assistant
Carlos Alazraqui
bilang Additional Voices
Jim Cummings
bilang Troggs
Nola Klop
bilang Chloë (Dutch)
Robert Moreland
bilang Writer
Michael Schwartz
bilang Writer
Zina Zaflow
bilang Writer
Jared Micah Herman
bilang Writer
Kyle Newman
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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Gnome Alone (2018) annoying and boring
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super
source: Gnome Alone
... but definitely the worst musical Score. bleh !
Visuals are inoffensive but don't have much weight. It's colorful and all, so maybe with a more fitting comedic style, it could've been better. This film has some slapstick, which is just kinda trashy because the characters move way too bouncy for that to work. It's like those live-action Smurfs movies, the animation just doesn't work for what they try to do with it. The character designs, especially those of the trogs, are lazy and kind of just dumb. They look like grapes with arms and faces. All of the characters are boring or annoying. The protagonist, like that of Next Gen, is completely unlikable. The jokes are almost purely for a young audience, but there are better things kids can watch that are also on Netflix which families can enjoy because they have more to them. This movie feels like a worse version of The House with a Clock in Its Walls. Instead of having the roller coaster pacing of that, Gnome Alone just feels rushed. Not as awful as Next Gen, but not exactly good either. Maybe one of these Netflix Original animated movies will be good someday.
The story is a good story. The cast was good for the roles they played. The animation art style was fantastic! The music was not that good. The dramatic and action scene are lacking in emotion. This is the issue with this movie I watched it and all I can do is make a list about the movie. Do not get me wrong it is a cute movie. BUT the scenes that were dermatic and the scenes that are action packed did not spark the feeling that I was being pulled into the movie. And the reason is the lacking soundtrack. The music in this movie pull you out of the movie where the most dermatic parts are. All in all 7/10 rating for me. I would watch this movie again, but probably not watch it again after my second time.
Wanted to add another to the surprisingly few reviews here, as this would seem a sadly overlooked (little seen?) entry in the rapidily crowding CGI animation genre: that likely coming from the probably falling costs of producing such: but of which, can be easily seen in this Canadian sourced production very much in the shadow of contemporaries (Pixar and the likes etc.) e.g.particularly at the beginning with rather bland, clunky backgrounds and standard overlarge head with skinny limbs characters. Further, the story has holes and non-sequiturs in it that even its target young audience might be quizzing their elders on to explain 'how's that?', 'So, er, what happened there, then?' Nevertheless,and despite the 'baddie Troggs' displaying almost copyright infringing character similarities to compatriot CGI animation Minions, plus Joe Dante's Gremlins, but especially the Stitch of Disney's much older 2D 'Lilo and Stitch' franchise, this eventually has some endearments. As those aforesaid 'Trogg's getting up to mischief (Check the toilet / roll scene) and the denouement boss (Daddy?) monster are some of the enjoyments to catch this one. Which is despite that unfortunately, much (initially) seems to be delivered in a sort of half hearted way (perhaps funding / resources constraints?) e.g. as that final monster, having been set up nicely expectantly, seems to be despatched all too quickly and with a method that will have, I feel, even youngsters enquiring, 'So, where did that come from?', and in any case 'Why should that work, then?'! And for those youngsters (at heart, like me) might also come the perturbed enquiry to what is otherwise rather disturbing for a story of this age group target i.e. well, what happens to those Troggs, then? Is this film really advocating (death!) disintegratation of the cute critters? I would have preferreed some allusion to that they are sent back to their own world somehow, and in that youngsters might even find this depressing, since they are splattered (eliminated= killed!) into apparent oblivion! Yet beforehand, charactersied so cutely. Then, to the (significant!) eponymous 'Gnomes' of the title, are rather underwritten, more or less presented with little individual character and certainly no (essential?) backstory as to how and even, well, why, they got there. (And the standard fart joke just seemed gratuitous, unnecessary - certainly, not funny ... come on, team ..) But, what is enjoyably notable, are the human characterisations: from the popular girl's posse friends (eyes permanently down, fringed hair obscuring, glued to their mobile / cell phones), Mother, who in one scene is shown emoting in a way usually completely beyond the usual animated GGI fare, and what stood out for me to make this stand aside from all its more expensive flashy competitors, is the storyline arc of the heroine girl who saves the geek boy in distress - and in her doing, so, wins HER heart: nice modern role reversal for children to identify with that the girl can be the strong go-getter type - but also for the boys, that the boy can also still be the admired beta besotted helper - but still win the affections of the damsel. (Well, I identified with him!) One great scene has her authorititively, 'I know what I'm doing', literally 'listen to me' tweaking not one, but both of his ears to get him to follow her - female - plan. Encouragingly empowering! On that alone, youngsters (yes, even at heart!) - girls especially - should seek out this seemimngly obscure CGI animation curio.
A confusing plot with a lot of mistakes that do not make sense. However the animation is good and there a couple of cheap giggles every once in a while but that does not make up for the horrible movie that was being produced.
Chloë (Becky G) moves into a new place with her nomadic mother Catherine (Tara Strong). The old house comes with an assortment of garden gnomes. Chloë finds a magical green crystal in a hidden attic room. She is befriended by nerdy neighbor boy Liam (Josh Peck). The realtor fails to tell them that the house is built on a trans-dimensional portal. I do like the characters despite there are some frustrating aspects of Chloe. I do like the gnomes although the movie can do more with them growing stuff. I do like most of this movie although it's a little short. It's got the bright color animation. It's got the action adventure. It's got good character development. It's got most of it all although it could do with more. It's a good little kids movie.
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Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.