Harbinger Down

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source: Harbinger Down

I'm rating this so low because it's a total rip off and further more it don't develops something of a plot or at least something to care about. The acting was sufficient enough but you can't expect much cause the writing on this is some what ridiculous. There are no surprises in this film,you know whats gonna happen and how this will end and that kills all the excitement and so it's boring. Another one for the pile of"too many movies that copycats another"or just mix a few of them up. This is one of those strange mix ups better to be left alone cause it really don't succeed in any of the genres it mixes. This is a bad T.V.film or a real B-movie. The biggest name in this acts really poorly. There a better movies out there. There are better movies, with him in it, out there. This 1,forgettable.

The Harbinger is a crab fishing ship sailing in the Bering sea. The captain is Bill Graff (ever reliable Lance Henriksen), and on board are students looking to study the effects of climate change on the lives of beluga whales. One of the students is Bills' own granddaughter, Sadie (Camille Balsamo). Soon they discover something interesting inside an ice floe: the long missing remains of a Soviet space capsule, a perfectly preserved cosmonaut...and something else, a malevolent life form that can change forms and liquify at will. Trapped on this ship with nowhere to go, Bill, Sadie, and others realize that they all could have been infected by this thing. "Harbinger Down" was made by veteran makeup and creature effects creators Alec Gillis (making his writing / directing debut) and Tom Woodruff Jr. as a response to seeing all their hard work for the prequel to John Carpenters' "The Thing" replaced with CGI. That frustration is understandable, but the result is a pretty routine genre entry. Gillis's script is under developed and populated with lame characters, especially the idiotic, jealous professor played by Matt Winston (son of the late, great effects maestro Stan Winston). The character stuff in this movie, in general, is of the eye rolling variety, and Gillis fares a little better with the technical aspects of filmmaking. He's able to generate some decent suspense, and the atmosphere is pretty impressive for the budget. Obviously, this was made as a direct tribute to "The Thing" (it even begins on June 25, 1982, the date that Carpenters' classic debuted in theatres), and it can't quite exploit the element of paranoia that the earlier film did so well. Some fans may appreciate that it's a quickly paced story that runs a mere 82 minutes, but others will likely wish that it had been fleshed out more. As a showcase for creature effects that were *supposedly* 100% practical, it does a passable job, but the effects are often under lit, and none of them are really going to blow the audience away. Chalk this one up as a well intentioned miss. Five out of 10.