Gary Shore
bilang Director
English,Filipino,Indonesian,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The drama film Haunting of the Queen Mary, starring Wesley Alfvin, Elena Angelova, Tiffany Ashton, etc., directed by Gary Shore, was released on August 18, 2023 in Estados Unidos. It tells the story of The mysterious and violent events surrounding one family's voyage on Halloween night in 1938, and their interwoven destiny with another family onboard the infamous ocean liner present day. This is a Drama, Katatakutan, Misteryo film with a runtime of 114 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.1/10 from 5,015 viewers.
Gary Shore
bilang Director
Wesley Alfvin
bilang Fred Astaire
Elena Angelova
bilang Child Dancer #1
Tiffany Ashton
bilang Grand Ballroom Singer
Luca Barbarossa
bilang German Soldier #1
Maciej Bartoszewski
bilang Burned Engineer
Alan Booty
bilang Mr. Howe
Grace Chandler
bilang Child Dancer #2
Brooke Chanel
bilang Panicked Guest
Wil Coban
bilang David Ratch
Russell Coker
bilang German Soldier #2
Avery Dresel-Kurtz
bilang Tour Guide Jenny
Ross Cullum
bilang Maitre'D
Tim Downie
bilang Gibson
Chase Drews
bilang Tour Guide Chase
Sophia Dunn-Walker
bilang Lady in White
Alice Eve
bilang Anne Calder
Joel Fry
bilang Patrick Calder
Mia Gallagher
bilang Child Dancer #3
Stephen Oliver
bilang Writer
Tom Vaughan
bilang Writer
Gary Shore
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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you guys do know that Haunting Of The Queen Mary ship is real right?like really real😭😶
*HAUNTING OF THE QUEEN MARY* Ok first, just to be clear, when I saw this movie, I thought "okay, this would be spooky" cause the cover clearly shows spookiness, but watching the movie. Geez it was so.... confusing, I understood what happened at the same time I did not, like why did it end like that, why did it end the way it did, that was the confusing part. And if I'm to rate this movie, it would be on a scale of 2/10.
Magandang pelikula!
Magandang pelikula!
Magandang pelikula!
Magandang pelikula!
This feels like a sequel to the flawed Death Ship or the awful Ghost Ship. This is terrible. There is little or nothing recommend here. The acting, direction, script, plot, editing, cinematography, pacing and colour palette are all unbearable. And can someone please turn on a light. I know it is supposed to be a horror/thriller but this was simply dreary to look at. Alice Eve has fallen a long way if this is what she thinks is acceptable. What was with the weird kid? Why the two stories running simultaneously? Why the long drawn out dining room scene? The haunted phone? The weird captain? Modern movies ...... you can keep them.
If somebody asked me what this movie was about, I could not tell them. I did not understand anything. I did not understand the story, I did not understand the going back-and-forth, I did not understand why the new captain collapsed when they broke down the wall, I did not understand why the little boy was out on the ledge, I did not understand why the woman stuck a pen through her hand and they just never followed up about it, I didn't understand the purpose of Fred Astaire and the girl tap dancing, I did not understand why the guy had half of his face missing, I did not understand why they were staying overnight, I did not understand the old man in the bathtub that he shot, I didn't understand all the flashing of the lights on the camera... one big mess of scenes with no plot or objective. Oh, and the tarot cards? I could go on and on, but I still would not understand it.
source: Haunting of the Queen Mary
This is a movie begging to be recut. I actually think that if someone took the time to do that, they could get a decent movie out of it. For the most part, what ruins this movie is it's like someone filmed a bunch of scenes then slapped them together in a hurry with what they thought was an edgy jump from past to present and back again, when all they actually did was to completely lose the audience as there is no cohesion between the 2 timelines and the I was left asking "how did that happen?" or why'd he/she do that?" throughout the movie until the end, when there is the slightest of answers for the viewer, but I suspect most, unless actually in a theatre, had quit the movie half way through as I was tempted. This movie screams to be recut into a straight timeline with maybe a little flashing back or forward as that technique is overuse in general and in this film to the extreme. Acting was good, but dialogue between the couple in the present was very lacking. Cinematography was good except it looks like the camera was searching for something to shoot at times. If I had the time and equipment I think this could be recut into a decent movie.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.