Erin Lee Carr
bilang Director
English,Filipino,Franรงais,Indonesian,Portuguรชs,ะ ัััะบะธะน,ุงูููุนูุฑูุจููููุฉู,ุงูุฑุฏูู,เฆฌเฆพเฆเฆฒเฆพ,เจชเฉฐเจเจพเจฌเฉ,ไธญๆ
The TV series How to Fix a Drug Scandal, created by Josh Adler and produced by an unlisted studio, first premiered on April 1, 2020 in Estados Unidos. The series spans 1 season with 4 episodes, featuring the voices of Shannon O'Neill, Karl Kenzler, Annie Dookhan, and Daniel Marx. It follows the story of Two Massachusetts drug-testing laboratory technicians are caught tampering with and falsifying drug evidence, and prosecutors are reluctant to disclose the full extent of their criminal behavior. This is a Dokumentaryo, Krimen series and has received a rating of 7.1/10 from 4,052 viewers.
Erin Lee Carr
bilang Director
Shannon O'Neill
bilang Sonja Farak
Karl Kenzler
bilang Lawyer
Annie Dookhan
bilang Self - Chemist
Daniel Marx
bilang Self - Defense Attorney
Paul Solotaroff
bilang Self - Journalist, Rolling Stone
Martha Coakley
bilang Self - Massachusetts Attorney General
Shawn Musgrave
bilang Self - Investigative Reporter
Sonja Farak
bilang Self - Chemist
Scott Allen
bilang Self - Journalist, Boston Globe
Jared Olanoff
bilang Self - Defense Attorney
Luke Ryan
bilang Self - Defense Attorney
David Sullivan
bilang Self - Northwestern District Attorney
Maura Healey
bilang Self - Massachusetts Attorney General
Linda Farak
bilang Self - Sonja Farak's Mother
Amy Farak
bilang Self - Sonja Farak's Sister
Kris Foster
bilang Self - Assistant Attorney General
Daniel Conley
bilang Self - Former District Attorney, MA
Robin Whitney
bilang Self - Former Massachusetts State Police
Josh Adler
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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How to Fix a Drug Scandal (2020-2020) Amazing doc about the drug testing system, and the lengths the District Attorney and Attorney General's offices are willing to take to keep injustice contained and not investigated. This shows the egregious faults and clear conflict of interest in the prosecutorial process by allowing their own prosecutors to determine what is, and what is not, relevant to the defense. They have a duty, a sworn and solemn responsibility, to turn over any exculpatory evidence in discovery to the defense. This doc clearly shows just how flawed that premise is at the cost of social justice and affection thousands of people. A 4 part series everyone should be aware of. And it's just One of the many roadblocks to justice systemic in the judicial process. Don't even get me started on the for profit prison systems, the worst case of conflict of interest I can think of, or the fact that after serving out their complete sentences, felons are never free of the stain as they attempt to renter society in an endlessly uphill battle to find employment, gain housing, secure loans, or even reacquire their basic rights as citizens like their right to vote! This whole system and the fact that over 60% of all inmates are for drug related offenses as a result of a 50 year old misguided drug policy which has clearly been demonstrated to be an utter failure. Punishing drug users with jail time and treating them as criminals instead of the addicts they are needing treatment, is a policy which completely fails to address the real problem and sadly has contributed to a US per capita incarnation rate higher than Any Other Country In The World! Is that really a #1 ranking we wish to have or can be proud of? I think not.
This should have been a documentary film instead of a four episode mini series. The episodes are filled with so many repeated flashbacks and images that if you would leave them out it could be two episodes shorter. Because of that it doesn't have a nice flow and I feel like they could have easily told the story in 90 minutes. I also am not a fan of the reconstructions with actors, but that's just a personal thing. Seeing ''Farak'' on the stand telling her story and in the lab working made the whole thing feel like the story itself wasn't interesting enough to make the documentary.
Why should we feel sorry for criminals? Who cares if a drug chemist was high at work? These criminals were arrested for selling or doing drugs.... they should do time regardless of what a chemist did at work... These attorneys would rather let criminals out on the street than letting their pride go? I mean, would you feel good about yourself if you got your drug dealer client out of prison and then they killed someone over drugs? Just because of a technicality? I don't feel sorry for anyone in this documentary and Netflix tried really hard to turn this into a sob story about people who deserve to be locked up. This documentary could have been edited down into a one hour special. Netflix was going strong with Tiger King and should have quit while they were ahead... but they decide to release this garbage...
Honestly.. What was this documentary trying to tell us?
I hesitate to even call this a credible documentary. As is typical of these long drawn out Netflix documentaries, too little actual content is stretched out over multiple episodes. This material coiuld have easy been covered in a concise 90 minutes. I get that every presumption of innocence is afforded suspects in our system. This, quite unfortunately, allows guilty criminals to get off on technicalities. Its a bad deal for the law abiding public in many ways, yet the makers of this material almost seem to celebrate it. Its a stretch to say this really has anything to do with the failed 'war on drugs. This is the worst Netflix doc I've yet to see. Stay away.
A strung-out documentary series, which could have been condensed down to an individual hour long documentary. Nothing very interesting reveiled. Unless you want to fall asleep......I wouldn't bother!
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.