Tony Aloupis
bilang Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The drama film I Am Mortal, starring Abraham Lewis, Eloise Smyth, Sean Gunn, etc., directed by Tony Aloupis, was released on March 1, 2022 in Estados Unidos. It tells the story of Set 200 years in the future, a small band of rebels face off against the status quo where humans have achieved immortality through genetic engineering. This is a Drama, Sci-Fi film with a runtime of 83 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 3.3/10 from 590 viewers.
Tony Aloupis
bilang Director
Abraham Lewis
bilang Logos
Eloise Smyth
bilang Akae
Sean Gunn
bilang The Pilot
Lauren Lindsey Donzis
bilang Amanda
John Harlan Kim
bilang Armaros
Nina Kiri
bilang Medorin
Matthew Bellows
bilang Masim
Jasmine Carmichael
bilang Psuker
Jan Uddin
bilang Arcade
Nash Grier
bilang Gergot
Nia Sioux
bilang Sonitas
Chiara D'Ambrosio
bilang Siona
Bianca D'Ambrosio
bilang Suria
Jenna Viana
bilang Chasan
Kiki Carney
bilang Eloi
Joe Krieg
bilang Tagas
Blake Anthony Crawford
bilang Ormas
Elizabeth J. Cron
bilang Sila
Tony Aloupis
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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have to watch
source: I Am Mortal
Acting--mediocre to good, the lead actor could do a few more hours practicing his lines and facial emotions. Cinematography---there were plenty of scenes to celebrate about, although this one sure is low budget, but no cheap frills here. Story--there isn't any. There's just a forced premise that mortality is better, but no story development, no peak and valleys, just a tired plateau. Verdict-- DO NOT WASTE YOUR TIME. Reading the news is more exciting.
Movie is basically a poor mans Equilibrium (2002) without an experienced cast or cinematography. The premise of eradication of emotion for the sake of humanity is not a new concept and needs shown by good narrative. Its not the lack of big special effects that makes this film bad but the lack of creativity or surprise. It follows a very predicable course through out the whole film. It also lacked any emotive atmosphere to give you any feelings towards main characters and make you wonder What if?.. for the current future of the human race.
This is what happens when one tries write SciFi without understanding the Rules Of Tropes, and there's plenty used along the way in here. Some of the actors do good work, some are 'phoning it in,.' Technical side, camera, sound, lighting, editing, are all carried off competently, making the production look better then the plot has any right to. It's basically an Asylum type film with better production values and some well known B-listers getting their scene on in main roles instead of being sidekicks. Put it on to fall asleep to, the dreams that follow will have better plots.
Honestly this movie is so boring I nearly died, you feel nothing for any of the characters at all, the idea could be good but you don't actually get any kind of answer at all, I have a feeling they want to do a trilogy but because the first one is such a dribble borefest I doubt it will happen. Extremely low budget poop, wish I could get my time back.
I have only one thing to say about the review from Dex<Slazenger ........... Dude it's a movie, if you really get that serious and upset about a movie find another hobby.
Its a christian film, with quite a simplistic discourse about that we shall trust destiny given by god and not humans=science. Thank god (ejem), it does not insist too much on this speech, its is just latent, except when it is delivered in one moment in a monologue out of context. The dialogues are quite basic, the storyline too, but I didn't dislike the film as whole as much as I was fearing at the beginning. I liked some actings, the main characters (except in the final speeches), and the effects where sometimes interesting (coherent with little elements & CGI). Ok, sometimes too cheap. At the end the storyline took an interesting turn in a character, which could have given some (needed) complexity. They had some ideas, could have been a good film.
OMG! This was so boring! My neighbour fell asleep after 30 minutes trying to watch it. Certainly wouldn't bother buying the movie as you will ripped off for even paying $2.00. Watched it for another 15 minutes then turned it off. 😴😴😴
Don't be deceived by the bad reviews. This movie has great script and addresses the central issues of our current society and the challenges that we are facing as humans. True it is not a Hollywood production with a super budget but it did not needed that. It is a movie to make you think and evaluate your existence as a human.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.