François Ozon
bilang Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The drama film In the House, starring Fabrice Luchini, Vincent Schmitt, Ernst Umhauer, etc., directed by François Ozon, was released on October 10, 2012 in France. It tells the story of Ang isang guro sa high school na Pranses ay naakit sa isang mas maagang pag-unlad na kuwento ng isang mag-aaral tungkol sa kanyang relasyon sa pamilya ng isang kaibigan. This is a Drama, Misteryo, Thriller film with a runtime of 105 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.3/10 from 35,764 viewers.
François Ozon
bilang Director
Fabrice Luchini
bilang Germain Germain
Vincent Schmitt
bilang Bernard - le prof de maths
Ernst Umhauer
bilang Claude Garcia
Kristin Scott Thomas
bilang Jeanne Germain
Emmanuelle Seigner
bilang Esther Artole
Denis Ménochet
bilang Rapha Artole père
Bastien Ughetto
bilang Rapha Artole fils
Jean-François Balmer
bilang Le proviseur du lycée Gustave Flaubert
Yolande Moreau
bilang Les jumelles Rosalie et Eugénie
Catherine Davenier
bilang Anouk - la secrétaire
Jacques Bosc
bilang Monsieur Garcia - le père de Claude
Stéphanie Campion
bilang La première femme au balcon
Diana Stewart
bilang La deuxième femme au balcon
Ronny Pong
bilang Le Chinois
Jana Bittnerová
bilang La doublure de la jumelle
Nadir Azni
bilang Un élève du lycée Flaubert
Bénérice Barbin
bilang Une élève du lycée Flaubert
Marie Brunet
bilang Une élève du lycée Flaubert
Juan Mayorga
bilang Writer
François Ozon
bilang Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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Magandang pelikula!
Magandang pelikula!
Magandang pelikula!
A Chinese watched this French film with English subtitle. Exotic plot and an enjoyable rhythmic narration. When Claus asked the teacher why he didn't have a son and stared at him. The ending of the film is not hard to guess.
Even though my French is rudimentary, I could hear Claude describe Rapha's family as "une famille normal". This phrase was incorrectly translated as "perfect family" since it's clear that "normalcy" was what he was yearning for in view of the fact that his mother had left him when he was very young and that he had to care for a paraplegic father. The family was "normal" but far from perfection. This is not a review. I'm just pointing out an imprecise word translation from French into English, which does affect the meaning of the movie's subtext. Shouldn't you take into account that not everybody wants to write a review but to point out certain inaccuracies? Also, your spell check should not try to correct the spelling of French words such as "famille".
Serious art-house territory as director François Ozon offers another film (his third) about writers. Young student worms his way into his best friend's house and family, observing and probing their bourgeois, middle class home. Sharing his voyeuristic streak, he writes stories about them and submits them to his composition teacher. Always ending, "To be continued ..." The teacher soon becomes absorbed, as does his wife, with whom he shares the stories. Maddening difficult to tell if the student's observations were accurate or partial. Were the stories clichéd, balanced, stereotyped? Was the teacher layering his own filters and fantasies? The house of cards narrative steadily teeters higher. Not exactly a thriller, but an unsettling ride.
I'm the one of those who think that any movie, despite it's message or sense or purpose, shouldn't be boring. And this one is so boring. Is it for old people? Over 80? It's partly comedy, no way! There's nothing funny inside. Thriller? Be serious! This is slow...hmm....drama. I don't know what's so dramatic in this movie. There's no reason for existence of such a movie. If You don't know what to do in next 2 hours, go to sleep or watch Your flowers growing, You'll spend better amount of time than watching this rubbish. Even acting, despite respectable crew, is nothing special. Nothing in this movie should attract attention. It's simply boring. Period.
The best French film I have seen. The performances by Fabrice Luchini and Ernst Umhauer were outstanding. It is difficult to say when the fiction overtakes reality.
Dans la maison (In The House) is a film about student who writes stories about his friend's private life to his teacher, and both of them became really immerse into his friend's private life. The premise is interesting and extremely well written and paced. It manages to kept your attention right from the beginning and throughout the film. Though, this film is kinda a meta to the plot itself as it feels like they don't know how to create an end. ''The secret to a good ending is when the audience says 'I didn't expect that, but it couldn't end any other way' ". I find the ending a bit lazy and underwhelming. The acting is decent, okay cinematography, very well cut. It's a good film overall. I would recommend a try if you like French film. 7.5/10.
Although the reviews and critics on the film have been quite positive and In the House actually deserves them in general and technical terms, its most acclaimed feature, the story plot, is not original at all. British writer Muriel Spark's last novel The Finishing School masterfully develops a similar story. I do not know whether the director or scriptwriter have taken their story from the novel or not. If they have, it would be, apart from a dishonest act of intellectual piracy, a rather sad and regrettable event. Sad because the film which has just won in San Sebastian has been strutting in front of thousands of critics and film lovers who should read more metaficition before writing proudly about the metafictional magic of In the House.
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Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
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Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.